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Author Topic: Penthouse digital readers
Chad Souder
Jedi Master Film Handler

Posts: 962
From: Waterloo, IA, USA
Registered: Feb 2000


 - posted 08-22-2008 06:48 PM      Profile for Chad Souder   Email Chad Souder   Send New Private Message       Edit/Delete Post 
Thanks, Darryl

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Demetris Thoupis
Phenomenal Film Handler

Posts: 1240
From: Aradippou, Larnaca, Cyprus
Registered: Apr 2001


 - posted 08-23-2008 01:26 AM      Profile for Demetris Thoupis   Email Demetris Thoupis   Send New Private Message       Edit/Delete Post 
For those who might not know, in the CP650 when you use the dip switch to enter the setup menu of the CP650 via the front panel, there is a section where it shows the video level of the Digital reader you are currently using. It is very helpful as you can exactly set the led gain to 4V.
Demetris

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Gerard Bierling
Film Handler

Posts: 9
From: Roden The Netherlands
Registered: Jul 2008


 - posted 08-23-2008 10:10 AM      Profile for Gerard Bierling   Email Gerard Bierling   Send New Private Message       Edit/Delete Post 
Here a picture of a Philips double projector FP2
 -
It has constant burning mercury lamps with shutter
I know it was still in use in 1960

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 08-23-2008 11:03 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Thats interesting Gerard! What was the point of that dual machine? For 3-D or just made for a really small booth?

Mark

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 08-23-2008 11:24 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
In my experience with the Dolby Cat702 and BACP readers, I have seen solid zeros (not zero dot) hold on multiple occasions on both types. I have seen this on 5 of our 6 readers so far (4 BACP, 2 702). Usually they hover between 2 and 4. I have not heard any wow from any of them and we even have the scourge known as Strong platters. In fact one of my tension-safes in one auditorium is a little out of kilter so the film bounces up and down like mad on its way over to the penthouse reader (702). No problems at all. Kind of amusing, actually. Every once in awhile we'll get a print in that hovers at 6 or 6 dot... even though the print is brand new. We had a used print of Sex at the City that tracked 0's.

I have also used Cat699 and Cat700 readers, but I think those averaged about 4-5 on a good day.

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Robert Throop
Master Film Handler

Posts: 412
From: Vernon, NY USA
Registered: Jun 99


 - posted 08-23-2008 11:35 AM      Profile for Robert Throop   Email Robert Throop   Send New Private Message       Edit/Delete Post 
quote: Mark Gulbrandsen
For 3-D or just made for a really small booth?

I've seen pictures of this dual Philips machine in IP in the early forties so I'd guess it was intended to save space.
Bob

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Gerard Bierling
Film Handler

Posts: 9
From: Roden The Netherlands
Registered: Jul 2008


 - posted 08-23-2008 02:13 PM      Profile for Gerard Bierling   Email Gerard Bierling   Send New Private Message       Edit/Delete Post 
Yes, it was to save space.
Before changeover, the lamp has to be placed in a kind of spin dryer to divide the murcury in the bulb.
If he did not ignite they hit the lampholder with a rubber hammer and then there was light.

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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 08-26-2008 06:15 AM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
quote: Benjamin John Doman
The box in the VW advert is the Rio Dalston, London.
I know this is a bit late; I must have missed your post, and I've only just seen it.

As far as I remember, the VW advert seems to show two projectors, with part of the second one just visible on the far left of the picture. When I visited the Rio some years ago I'm pretty sure they only had one machine; have they added a second one since? It also looked like they had a digital player in the box, one of the ones as used by Arts Alliance in the original DSN installations, I can't remember the name now.

The periscope arrangement with the moving mirror to divert the light through the 16mm side was clearly visible in the advert, and I do remember seeing this at the Rio. When I was projecting at the clocktower they had a file with various product leaflets in it, including one from Kionton for these double-sided projectors, which also showed this arrangement, but I've also seen them elsewhere, Barbican cinema I think, with separare lamphouses for each side.

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