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» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Marcus Now Equipping D-Cinema (Page 5)

 
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Author Topic: Marcus Now Equipping D-Cinema
Robert Minichino
Master Film Handler

Posts: 350
From: Haskell, NJ, USA
Registered: Dec 2005


 - posted 09-26-2006 03:03 PM      Profile for Robert Minichino   Author's Homepage   Email Robert Minichino   Send New Private Message       Edit/Delete Post 
The projector motor usually runs about 1/4 to 1/2 HP IIRC, which is way more than offset by the power sucked by all the electronics in the D-Cinema projector, server, etc.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 09-26-2006 04:36 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Mitchell Dvoskin
Whatever saving gained by eliminating the motors would be more than offset by higher wattage xenon bulbs required for d-cinema.

Actually allot of the boat anchor rectifiers out there that are way innefficient will be replaced by highly efficient switching type... all DC projectors are so equipped with them so far... so there may actually be a cost savings in spite of the higher lamp wattage required. At the very least it would be a wash with no increase in power usage.

Mark

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Samuel Andrew Wetzel
Film Handler

Posts: 16
From: Appleton, Wisconsin, USA
Registered: Apr 2006


 - posted 10-03-2006 02:34 AM      Profile for Samuel Andrew Wetzel   Email Samuel Andrew Wetzel   Send New Private Message       Edit/Delete Post 
correct me if I'm wrong here. but digital cinema is bound to have it's own share of problems. for example i work at a 14 screen Marcus house and solid training has always kept shows running. however, our box office computer systems go down frequently....the tech support is pretty much worthless....they charge some exorbitant rate for every call we make to them....just for them to remotely reboot a box office terminal (they don't give that option on the terminals themselves so you can't always fix it without calling). it seems to me that a conversion to digital cinema would be the same thing. skilled projectionists would be replaced by tech support 1-800 numbers...and if you're lucky enough to work at a theatre with skilled projectionists you'll still end up having to pay an arm and leg for the one phone call to do something that anyone could do by pressing a button 1000 miles away as long as they had the right equipment. the tools of a projectionist allen wrenches, screw drivers, etc...you might be saving 20 bucks an hour by not having to pay a booth tech but you'll end up spending much more than that on those tech support calls. with a competent, trained staff and well maintained equipment...no scratches or dirt will be projected on screen.

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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 10-03-2006 12:04 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
In the case of Marcus and Carmike, the technical support on all that equipment is to be handled by Christie/AIX and is worked into the overall deal. Basically, if the equipment acts crappy, Christie/AIX are going to be eating a lot of the cost.

Those systems are also designed to need little if any manual operation. My understanding is the scheduling software can get all the showtimes, trailer schedules and everything pretty automated. I don't know if that includes programming in when the projector turns on and off, but I see no reason why that couldn't be programmed as well.

Still, at least a couple people in the theater's staff will at least need to know the basics for spotting problems and communicating them to technical service person working in their region. But overall, I see far more potential in digital cinema eliminating some staff positions than creating the need for more staffers. That may be especially true once all the movies are simply auto-downloaded via satellite.

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 10-03-2006 01:30 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
What will happen in the case of theatres that are not currently using automation? Won't they still need some minimum-wage kid to babysit the equpment and operate the house lights, etc.?

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Dustin Mitchell
Phenomenal Film Handler

Posts: 1865
From: Mondovi, WI, USA
Registered: Mar 2000


 - posted 10-03-2006 04:12 PM      Profile for Dustin Mitchell   Email Dustin Mitchell   Send New Private Message       Edit/Delete Post 
The Christie/AIX package includes the Christie DCA-21 automation as part of the install. I've never worked with a CA-21 box but from the pictures I've seen on this sight its pretty much the same thing, just tailored to digital projection.

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