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Author Topic: The future of film ... according to (a guy at) Arri
Darryl Spicer
Film God

Posts: 3250
From: Lexington, KY, USA
Registered: Dec 2000


 - posted 07-27-2009 11:53 PM      Profile for Darryl Spicer     Send New Private Message       Edit/Delete Post 
quote: Steve Guttag
Darryl,

The frame rate increase captures motion better. Certainly you have seen the strobe of a pan that went just a little too fast. The camera does not have your brain to make sense of it all...it is just a sequecne of exposures for the camera. At the frame rate increases, things like rain starts to look like actual drops falling rather than just streaks.

I would LOVE it if 24 can go away...at least to 30fps and I'm all for going to higher. Mike Todd on got that right (With 70mm) over half a Century ago...it would be nice if we could catch up.

quote: Mark Gulbrandsen
Darryl,
One of the best examples of variable shutter applications is to CCD TV cameras... both SD and HD. They use a form of electronic shutter that approximates a mechanical shutter and most cameras have numerous "shutter speed" settings. It works by clocking out the data from the CCD shift registers at different frequencies effectively making the camera capable of eliminating at least some blur akin to how higher shutter speeds on a camera can freeze motion.

This can if used properly effectively elmininate image strobing like Steve's picket fence even when filming at 24fps.

Thanks guys for that bit of clarification. Yes I have seen some of the strobe effect on fast pans. Maybe some day they will get those frame rates up.....

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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 07-31-2009 05:53 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
Bumping this thread.

A couple pages back I wrote:

quote: Bobby Henderson
Just about any retailer offering the EOS 5D Mark II has it listed as out of stock and back ordered.
Apparently Canon has finally got its act together to a certain extent and produced more EOS 5D Mark II camera bodies. Various retailers like B&H Photo, Adorama, etc. have limited quantities in stock.

Unfortunately the "kit" including the EF 24-105mm f/4L IS USM lens is still nowhere to be found (you save $200-$400 versus buying the same L-series lens by itself).

I went ahead and placed my order for the camera body. I'll worry about image stabilized lenses later. Actually, I'll probably get the 135mm f/2.0 L-series prime as my next lens purchase.

Incidentally, Nikon recently introduced its latest high end full frame FX-format D-SLR camera body, the D3x, boasting a 24 million pixel sensor. However, I don't think it shoots video. Yours for $7999. Maybe that new camera is lighting a fire under Canon's collective butt.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 08-03-2009 09:24 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Bobby,

I would never buy another Canon Camera ever! And I used to work for them. Just wait till you have to have something serviced. Their service division has gone to shit and they charge a flat fee of 300 bucks to repair a DSLR camera body. I recently had a camcorder serviced by them and had to send it back three times... it's charge circuit still doesn't work right. Geez, you don't even want to know what it costs to repair a stabilized lens if you drop it! Call them and ask! There's now no more debate over sensors between brands because almost all current DSLRs use CMOS type sensors. I recently tested a rental Nikon D300 and it blows my Canon clear out of the water in many aspects but especially in metering. The optics are also much much higher quality and it is imediately apparent in the first image you view. My next camera will very definitely be a Nikon... oh and they have far more reasonable service rates then Canon if you do ever need service.

Canon has somewhat gone down hill over the years since I worked there... not sure why really. But JD Powers has ranked Nikon's DSLRs highest in customer satisfaction for some reason or other... I'd have to say because Nikon is just higher quality overall.

Mark

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Julio Roberto
Jedi Master Film Handler

Posts: 938
From: Madrid, Madrid, Spain
Registered: Oct 2008


 - posted 08-04-2009 05:17 AM      Profile for Julio Roberto     Send New Private Message       Edit/Delete Post 
Canon is pbbly a quite miss-managed operation. With so many branches (photocopies, printers, semiconductors, optics, photography, video) etc, there's bound to be issues.

I'm no fan of Canon (or Nikon, or any brand, really), but it has always struck me of why Canon isn't a much bigger significant player than it is.

After all, they are the only company in the world that basically makes ALL the important parts of their cameras, from optics to sensors, and not only that, but they also make the machinery to actually make the parts.

I.e. Canon is one of the top sellers of sensor and other semiconductors manufacturing machinery, including the sophisticated optics and stepper motors needed for semiconductor photolitography manufacturing equipment.

http://www.encyclopedia.com/doc/1G1-99123410.html

quote:
Canon, Inc. is one of the world's leading manufacturers of advanced step-and-repeat and step-and-scan photolithography systems used to manufacture semiconductor devices, flat panel displays and thin film heads.

Investing for your future

For several decades Canon has been in the forefront of optical technology development. Overall, Canon invests more than $1B in R&D annually. In 2001 alone, Canon registered 1,877 patents. And for each of the past seven years, Canon has placed within the top three US companies in total patents registered.

All the rest, like Nikon, depend on either third party manufacturing of their sensors (Sony) or, even Sony, depends on third party manufacturers for the actual machinery to make the sensors.

Only Canon does it all. Semiconductors (DIGIC dsp image processors), sensors (CMOS and CCD), optics (TV camera lenses, semiconductors), precission motors (scaners, photocopies), camera bodies (from their old 35mm division) ... AND also a lot of the machinery to actually make all those things. If Samsung and others weren't more competitive, they could even make their own memory chips ... RAM and flash.

Part of the problem could be the billions they lost on their bet for the "next generation" flat panel TV's based on SED technology, which is great, but pbbly will never compete with LCD in terms of price/performance and will have to be a (big) write-off on Canon's balance sheet.

From wikipedia

quote:
Canon is a manufacturer of business and consumer imaging products which includes printers, scanners, binoculars, compact digital cameras, film and digital SLR cameras, and lenses.

The Business Solutions division offers print and document solutions for small and medium businesses, large corporations and governments. These include multi-functional printers, black and white and color office printers, large format printers, scanners, black and white and color production printers, as well as software to support these products.

Lesser known Canon products include medical, optical and broadcast products, including ophthalmic and x-ray devices, broadcast lenses, semiconductors, digital microfilm scanners, and Handy Terminal Solutions.

Nikon, on the other side, it's a much smaller player with a focus on their customers, in spite of being at times number 2 in steppers for the semiconductor industry, over Canon, and although technologically they are worlds behind (sort of like Panavision and Arri in a digital world), their optics are renowned and their will to achieve top notch products is undeniable.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 08-04-2009 09:45 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Julio Roberto
Nikon, on the other side, it's a much smaller player with a focus on their customers, in spite of being at times number 2 in steppers for the semiconductor industry, over Canon, and although technologically they are worlds behind (sort of like Panavision and Arri in a digital world), their optics are renowned and their will to achieve top notch products is undeniable.

I don't quite agree with that. The camera bodies Nikon produces are more or less indestructable. There are still alot more old F series Nikon bodies around than there are Canon F1 series. Canon produced more of it's automatic A series cameras then did Nikon produce automatic cameras. To me that says alot and alot as to what market each company was targeting at the time. Even today at any major sporting event you'll find alot more news photographers toting the heavier Nikon cameras around than you'll find them toting Canon cameras. Canon used to have the best telephotos you could buy... the 300mm f2.8 flourite and so on but today Nikon and others, even the smaller Asian lens manufacturers such as Tamron and several others have had the flourite advantage now for well over a decade. The other interesting fact is the lack of Canon lenses in use in Hollywood while Nikor lens sets can be found with almost every special effects camera.

As for sensors that is a very debatable point as to who makes the best. Sony has been making CCD sensors far longer then all the others combined and they have eliminated many of the side effects that early CCD sensors suffed such as the smearing problem when shooting into bright light. Then there is Kodak who is also a world leader in CCD sensor design and manufacturing. And then Canon who probably produces far less sensors then either of the other two. So who's are best? That I can't answer for sure and in reality no one may know. One thing I am sure is that each manufacturers sensors probably has it's own set of advantages.

Mark

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 08-04-2009 08:08 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Hey, I own a Nikon F2a (25th Anniversary Edition) and a Canon AE-1

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 08-04-2009 09:12 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
Me, my wife, three of my sisters and my mom all have Canon cameras and they are excellent! But, never had to deal with the service dept. For these inexpensive-ish consumer cameras, would be better off just getting a new one if (when) one of these breaks.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 08-04-2009 11:16 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
I agree Mike... I have a box full of old pocket digital cameras on a closet shelf... five or six in the box so far but then my cameras do take a beating and get VERY dusty.

The thing that irks me about Canon is the service fee. My EOS Rebel has a tiny pin that pops up when the flash releases to activate the flash mode.Many digital and film EOS cameras have this pin. This pin is underneath the flash itself and you don't normally see it. Many cameras have had this pin stick and then when the flash pops up you get an error on the camera's display and the camera essentially locks up. I was lucky enough to find a good camera repair shop in Bozeman, MT that knew what my problem was. He told me to put a few drops of alcohol on the pin and try to work it free. Well, it did free up and has been working fine ever since. Fact is that Canon factory service would have charged me 300 bucks just to free the pin!!

Mark

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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 08-08-2009 02:05 AM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
I haven't had to deal with Canon's service dept. (knock on wood). The big, legit bitch-fest I heard about Canon in recent years was how it handled its rebate program. A true nightmare. I was thankful I got an instant $50 rebate when I purchased a new Speedlight a few weeks ago.

With the usual Nikon versus Canon contest set aside this one thing is certain: The Canon EOS-5D Mark II has received excellent reviews overall from sites like dpreview, macworld, dv.com and more. The camera is not any piece of junk despite what any die-hard Nikon fan with the zero sum "Canon must die" game in mind can say.

I received mine a couple days ago and am pretty impressed and very happy with it. It puts my Rebel XTi to shame, and I liked that camera. Although the EOS-5D Mark II isn't as big as a Canon EOS-1Ds Mark III or Nikon D3x it still makes the Rebel XTi look pretty small by comparison.

 -

The EOS-5D Mark II feels almost twice as heavy as the Rebel XTi too. It took a little getting used to the new controls on the camera, but I got used to them and spoiled by them pretty quick (after reading the instruction manual). The menu functions are pretty slick.

The EOS-5D Mark II has been criticized for not having as fast a frame rate of the EOS-50D or one of the top of the line EOS-1D bodies. It's fast enough for my needs (landscape photography, product photography, portraits, etc.). But I'm not getting paid to stand on the sidelines of an NFL game either. The 5D Mark II has a 9-point autofocus system, which seems grossly inferior to what you get in an EOS 1D body or certain Nikon bodies. However, it is not the same 9-point system I had in my Rebel XTi either. Six invisible assist points are added. Certain points, particularly the center point, have greater sensitivity when a lens featuring a f/2.8 or larger aperture is used. Truth be told, much of the time I focus off the center point and then simply recompose for the shot I want, 999,087,007 focus points lacking be damned. I'll bet a lot of other shooters do the same thing whether they want to admit to it or not.

The camera body I received must have been manufactured perhaps only a month before I received it. It already had the latest 1.1.0 firmware installed. Out of the box it could do the 1080p/30 HD thing in full manual mode. You can even change the aperture, shutter speed, etc. while you're shooting a video clip (although the changes will be abrupt and noticeable). An image stabilized lens is definitely recommended for any handheld HD video shooting. However, I didn't do too bad with a handheld test shot using a non-stabilized 24-70mm f/2.8L lens. I think the weight of the camera body, lens and a 580EX II Speedlight helped damp out some of the camera shake. Still, get a tripod for that sort of thing.

One thing that arrived in the package that wasn't up to date: the software. The EOS Utility, Digital Photo Professional application and Canon RAW codec plug-in had newer versions available at the Canon web site. I really do not understand why Canon insists on installing Microsoft NET framework 2.0 to run its software when the NET crap is up to version 3.5. Why does it need any MS NET crap at all? I'm just pulling photos off the camera and editing RAW imagery (as an alternative to editing RAW images using Photoshop). Why does MS need to be involved in that?

Anyway, I have no ill will toward Canon gear. I got a lot of good use out of an old Canon F-1 body when I was in art school. That body was originally owned by Pulitzer prize winning photojournalist Bill Foley -a friend of my father's from days in Beirut. Foley sold that one to my dad after my father's own F-1 got stolen during a move from Virginia to New York City.

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Julio Roberto
Jedi Master Film Handler

Posts: 938
From: Madrid, Madrid, Spain
Registered: Oct 2008


 - posted 08-09-2009 08:20 PM      Profile for Julio Roberto     Send New Private Message       Edit/Delete Post 
Bobby,

Welcome to the club of happy 5d MKII owners [Smile]

I got mine with the 24-105 estabilized lens about 1 1/2 month ago. It also came already with the new firmware from the factory.

Of course, no camera is perfect and there is always better ones coming out all the time.

But for around $2.3K for the body, this camera is a good buy.

In Europe it carries a 2 year warranty by law (like all electronic products), although I purchased mine from the USA (cheaper, only place I got availability, as the sucker is sold out everywhere more often than not since it came to market almost a year ago).

Anyway, can't wait for what the 6D Mark III will bring in the future [Wink]

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Mark Ogden
Jedi Master Film Handler

Posts: 943
From: Little Falls, N.J.
Registered: Jun 99


 - posted 09-02-2009 08:38 AM      Profile for Mark Ogden   Email Mark Ogden   Send New Private Message       Edit/Delete Post 
In case anyone's interested, this is a list that's been going around the industry of what episodic television shows are shooting what for the 2009 - 2010 season. This was compiled over a few months, some of these shows are closed/dark/between cycles already.

35mm Film (3-perf except where noted):

“24”
30 Rock
Beastly
Big Love
Boardwalk Empire
Breaking Bad
Brothers and Sisters (Started on HD, now 35mm)
Castle
The Closer
Cold Case
Copper
Criminal Minds
CSI: Crime Scene Investigation
Desperate Housewives
Entourage
Flashpoint
Fringe
Ghost Whisperer (said to be shooting 2-perf)
Glee
Grey's Anatomy
Heroes
House
Hung
Kings
Lost
Mad Men
The Mentalist
Nip/Tuck
Private Practice
True Blood
Two and a Half Men

16mm Film:

The Border
Burn Notice
Chuck
Crash
Degrassi
Eastbound and Down
Eastwick
Friday Night Lights
Greek
Heartland
In Plain Sight
Lincoln Heights
Men of a Certain Age
The Middle
Monk
One Tree Hill
Psych
Saving Grace
Scrubs

Digital Acquisition (cameras where known):

Accidentally On Purpose
The Beautiful Life
Brotherhood
Brothers
Bones - Sony F35
Bored To Death
Californication - F23
Caprica – F950
Cold Case – present day scenes on F35, some flashback scenes 35mm
Community - D21
Cougar Town
Criminal Minds
CSI: NY - F35
CSI: Miami
Damages - F23
Day One
Defying Gravity - F35
Dexter - F23
Dollhouse- now being shot on Panasonic 3700
Flash Forward
The Forgotten
The Good Wife
Gossip Girl - F23
Hank
Human Target
In Treatment - Sony 950s
Law & Order - Genesis
Law & Order: Criminal Intent
Law & Order: Special Victims Unit
Leverage - Red One & Sony EX1
Medium - Genesis
Melrose Place
Mercy
Modern Family
Murderland - F35
NCIS
NCIS: Los Angeles
Numbers - Genesis
Nurse Jackie - D21
The Office – Sony ?
Parenthood
Past Life
Royal Pains - F23
The Sarah Silverman Program - Red One
Sherri
Sons Of Anarchy
Southland – Red 1, Iconix
Supernatural - D21
Three Rivers
Trauma
The Tudors
Ugly Betty - switched to digital from 35mm
V - D21
Vampire Diaries
Weeds – F950
White Collar

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Julio Roberto
Jedi Master Film Handler

Posts: 938
From: Madrid, Madrid, Spain
Registered: Oct 2008


 - posted 09-02-2009 09:41 AM      Profile for Julio Roberto     Send New Private Message       Edit/Delete Post 
Film still has, at least, 1 or 2 years of very good health. Nobody is denying that.

What will happen after that period of time, when the new crop of electronic 4K cameras at much lower prices show up, doesn't take too much to imagine.

Most people agree that film will NOT "mostly dissapear" for some 5 years, if not longer, and will remain a strong contender.

But the writing is on the wall. Film is NOT a thriving industry with good outlook. Certainly not in the long run and it's even bleak and uncertain in the short term.

Also, several episodes of some of the shows listed in that list as "film" have actually been done on digital cameras, such as the show "24" ...

Also, it's normal for some shows that started many seasons back on film to remain with the same look, equipment and crew, since, as they say in spanish, ... better "bad-but-trusted" than "good-and-uncertain"...

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Martin McCaffery
Film God

Posts: 2481
From: Montgomery, AL
Registered: Jun 99


 - posted 09-02-2009 09:52 AM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
Interesting that a "dead" format, like 16mm is still in active use, on what appear to be mostly basic cable shows. How about in the rest of the world?

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Julio Roberto
Jedi Master Film Handler

Posts: 938
From: Madrid, Madrid, Spain
Registered: Oct 2008


 - posted 09-02-2009 09:57 AM      Profile for Julio Roberto     Send New Private Message       Edit/Delete Post 
TV shows in Spain are almost exclusively shot on video.

Standard definition at that, mind you.

S-16mm has always been "big" in TV production in the US, and remains very much an option there.

US shows often enjoy much larger budgets and world-wide distribution than, say, french/german/norwegian TV comedies/soaps/shows, so they can afford stuff like 35mm instead of plain old betacam ... [Wink]

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Brian Guckian
Jedi Master Film Handler

Posts: 594
From: Dublin, Ireland
Registered: Apr 2003


 - posted 09-02-2009 11:17 AM      Profile for Brian Guckian   Email Brian Guckian   Send New Private Message       Edit/Delete Post 
Super-16 is still in use in the UK TV market.

Film remains the right choice for quality (note: [Wink] ) television production.

Even Super-16 shows look richer and have more depth to their images.

You could readily see the difference when ER employed RED for its last season - the image was certainly a lot flatter. It was good - but not up to the standard of 35mm.

Also, with film you have an archivable negative...

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