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» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Digital Cinema = The death of theaters? (Page 4)

 
This topic comprises 12 pages: 1  2  3  4  5  6  7  ...  10  11  12 
 
Author Topic: Digital Cinema = The death of theaters?
Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 09-15-2010 12:04 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
It would be ashamed if each playdate of those old shitty drives took a fall down a flight of stairs until Deluxe stops sending them. [evil]

Oh wait, Deluxe is doing that themselves by shipping drives in a freakin' un-padded UPS shipper box!!! [Roll Eyes]

(I had a screening last week where the drive showed up at the last second due to bad weather and plane cancellations on one of those damned drives and the manager had never seen one before. It took me 20 minutes to get her to get it plugged up right. [Mad] )

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Darryl Spicer
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From: Lexington, KY, USA
Registered: Dec 2000


 - posted 09-15-2010 12:40 PM      Profile for Darryl Spicer     Send New Private Message       Edit/Delete Post 
One of our locatins here just received a drive from deluxe wrapped in a UPS bag and it was one of the USB only drives too. Maybe they are trying to destroy them. [thumbsup]

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Phil Ranucci
Expert Film Handler

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From: Carpinteria,CA, United States
Registered: May 2006


 - posted 09-15-2010 01:22 PM      Profile for Phil Ranucci   Email Phil Ranucci   Send New Private Message       Edit/Delete Post 
CRU is the company that makes the shells for the drives.

http://www.cru-dataport.com/

Does anyone know how they are formatted or where they can be purchased to move content when the drive has been sent back? The resellers CRU lists don't sell the D-cinema drives.

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Chase Taylor
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From: Troy, Alabama, USA
Registered: Mar 2001


 - posted 09-15-2010 03:42 PM      Profile for Chase Taylor   Author's Homepage   Email Chase Taylor   Send New Private Message       Edit/Delete Post 
Phil

The CRU model Data Express DX115 is the unit they us. You can buy them at Provantage at a decent price. I think most are formatted for linux using EXT2, but I think some servers like the Qube server requires NTFS formated drive. Somebody back me up on that.

Chase

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Steve Guttag
We forgot the crackers Gromit!!!

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From: Annapolis, MD
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 - posted 09-15-2010 07:50 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Dolby sells them under the name of CAT 892. That will get you a 500GB drive already mounted in the CRU frame, formatted and ready to go. They are not horribly expensive either.

Steve

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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 09-16-2010 12:17 AM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
Lots of interesting stuff in this thread. Just wanted to throw in my 2¢ on the topic.

I think "digital cinema" will gain more respect and popularity once 4K resolution projectors AND 4K native resolution movie files are more common.

For years the window between theatrical release and home video release has been shrinking. Now there is a slim chance Hollywood movie studios could be forced into increasing the release window due to the deflationary spiral I think is going on with the home video side of the movie business.

We have dozens of Red Box kiosks all over Lawton now. Throw a rock and you'll hit one. Our local Hastings store gutted the prices of its rentals. Anything that's been out for a while costs 49¢ per night on DVD and 99¢ on Blu-ray. New releases are 99¢ and $1.99 for DVD and Blu-ray respectively. I don't know how Hastings can afford this. Netflix is becoming more popular. Basically it has become a lot cheaper to rent movies, cheaper than ever before in real inflation-adjusted dollars. Why even buy a movie when you can rent so many for the same amount of money?

Red Box and Netflix both have to wait 30 days after retail release to offer movies from certain studios to rent. With traditional stores like Hastings being forced to match the low prices the 30 day rental wait could be issued across the entire home video rental industry. It could actually end up hurting movie disc sales more than helping. With rental prices being so low it's much cheaper to "test drive" a Blu-ray disc before buying. 30 days isn't so long to wait. Lots of people already wait additional amounts of time before buying movies because they know the movies will be marked down in price after a few weeks or months. With all the back and forth choices between buying or saving money by waiting Hollywood studios could end up pushing off home video release dates and maybe doing away with the 30 day rental delays.

quote: Kyle Butler
If you ask me my opinion, id say that home theater technology will surpass what can be had at a theater in less than 15 years time.
When you're dealing with digital media files the content creator (the movie studios) can dictate the quality levels of movie software delivered to theaters, physical home video formats (Blu-ray, DVD, etc.), online streaming and network/cable broadcast.

Home theater hardware will continue to improve. Computers, gaming consoles and other technology devices will force that to happen. I think the movie software end of things, Blu-ray in particular, will be stuck in one place for a long time for a couple of reasons. Blu-ray could be the last physical home video movie retail format. Internet movie downloads are becoming ever more popular due to their convenience. But the image and sound quality levels are very inferior to what Blu-ray can deliver. Movie downloads could improve to match Blu-ray quality levels, but only with widespread, aggressive improvements to general purpose Internet infrastructure. A great deal of that progress has been stalled by telecom companies throwing billions upon billions of dollars into celluar phone network infrastructure instead.

A couple or so years ago I thought the Internet would be delivering average download speeds of 20 million to 30 million bits per second across much of the United States by around 2015. Now I think it could be 2020 or years beyond that before that happens.

Meanwhile commercial movie theaters will see digital cinema technology, both in terms of hardware and software, continue to improve. It's easier to make big changes to a niche product like D-cinema than major consumer electonics and retail video formats like HDTV and Blu-ray.

quote: Edward Havens
The death of cinema has been predicted since the birth of cinema. Radio was supposed to kill cinema. Television was supposed to kill cinema. VHS was supposed to kill cinema. Cable was supposed to kill cinema. Laserdisc was supposed to kill cinema. The internet was supposed to kill cinema. PPV was supposed to kill cinema. DVD was supposed to kill cinema. Widescreen televisions were supposed to kill cinema. Gaming devices like the XBox and PlayStation which can also be used as an entertainment portal were supposed to kill cinema.
One thing that will kill most commercial cinemas is widespread adoption of day and date release in theaters and home video simultaneously.

I understand one of the big reasons why people go to theaters is to get out of the house and do something. Here's the problem with that: if someone lives in a city of any decent size there's lots of things to do outside of the house. If a new movie appears on home video and in theaters at the same time the overwhelming majority of people will save money buying or merely renting the video.

quote: Scott Norwood
I am not a big believer in the value of "alternative content," but I do think that it has potential for certain markets and demographics. This needs to be explored further by adventurous exhibitors.
I think alternative content can work in a commercial theater if the content really works in a movie theater environment. It would also help greatly if the content was found only in those theaters.

For instance I don't think sporting events, like the Super Bowl or a UFC PPV event, will work well in a theater for two reasons: 1. the theaters are not showing the event exclusively and 2. sporting events are more fun to watch in sports bars, restaurants and homes where crowds of people can get rowdy and put away lots of food and beer. A theater having the Super Bowl broadcast live in 3D might attract some people but most will watch in more traditional environments.

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Peter Castle
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From: Wollongong University, NSW ,Australia
Registered: Oct 2003


 - posted 09-16-2010 08:36 AM      Profile for Peter Castle   Email Peter Castle   Send New Private Message       Edit/Delete Post 
I thought I'd introduce another problem only Australia could come up with. Tried to book a movie within eight weeks of release, only to be told that there were no longer any DCI drives available as they had been reused for later releases.

So good luck in looking at showing a DCI copy of a 'classic'. I can only assume that no master copy of each digital release is kept in Australia.

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Martin McCaffery
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From: Montgomery, AL
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 - posted 09-16-2010 09:24 AM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
I can see it now. The studios keep a master server somewhere with everything they have on it, but the theatres have to supply the HD's. They send them in to get wiped and reloaded.

HD's will be like ink cartridges and theatres will be glorified printers. [evil]

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Bobby Henderson
"Ask me about Trajan."

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From: Lawton, OK, USA
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 - posted 09-16-2010 10:03 AM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
I'm surprised satellite download capability isn't installed in more theaters. Our local Carmike theater receives at least some of the movies it shows via satellite download. What sort of extra costs are involved with having the satellite download capability?

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Joe Redifer
You need a beating today

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From: Denver, Colorado
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 - posted 09-16-2010 01:43 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Why does it have to be satellite? Why not any internet connection that is fast enough, like ISDN? [Razz]

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Ramon Lamarca Marques
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From: Edgware, England, UK
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 - posted 09-16-2010 02:54 PM      Profile for Ramon Lamarca Marques   Email Ramon Lamarca Marques   Send New Private Message       Edit/Delete Post 
quote: Edward Havens
The death of cinema has been predicted since the birth of cinema. Radio was supposed to kill cinema. Television was supposed to kill cinema. VHS was supposed to kill cinema. Cable was supposed to kill cinema. Laserdisc was supposed to kill cinema. The internet was supposed to kill cinema. PPV was supposed to kill cinema. DVD was supposed to kill cinema. Widescreen televisions were supposed to kill cinema. Gaming devices like the XBox and PlayStation which can also be used as an entertainment portal were supposed to kill cinema.

Cinema's not going anywhere anytime soon. It's just evolving, like it always has.

It is a slow death indeed with more and more things against cinema over the years, as you well point out (this is why so many cinemas close down every year). Cinema has certainly adapted to new times but it does not mean that the cinema experience is any better. Many people on this forum fondly remember the times of big curved screens, 70mm projection and 5 speakers behind the screens. I miss this and also cinemas themselves, those gorgeous buildings, grand, majestic, imposing. The building itself was the most expensive piece of hardware and no way it is going to come back. We are mainly left with rubbish multiplexes in shopping malls.

But cinema certainly may thank digital for its demise. Thanks to digital films can be copied, and copied, and copied, and copied without any loss in quality. Piracy is killing the industry and in places like Spain big studios are considering to stop distributing any films at all on DVD/Blu-ray since hardly anyone buys anything. Everybody is downloading illegally, which is something regarded as cool and those who buy legal stuff are regarded as losers. In those times you mention, when VHS appeared, the difference in quality was abysmal and a third generation copy was already rubbish.

Now film is everywhere, people pay monthly subscriptions to their favourite movie channels in HD, Blu-ray rental by post is extremely cheap, actually the offer is so huge at home that one has to become selective as to what to see. This did not happen in the 80s or the 90s. Thank digital for this. Also, new TV programs like Lost or Mad Men have better production values than many films and are indeed very cinematographic.

Avatar was still having packed houses at the London BFI Imax after the Blu-ray was released. Avatar projected on real IMAX 15/70 is amazing and completely dwarfs any home cinema presentation, or even any multiplex presentation. I thought the film was rubbish and Roger Dean, the graphic designer, should claim royalties. But it is awesome to look at. I would never have watched this film on a multiplex or home cinema but at the IMAX, it was amazing, film projection removes the video-like look inherent to the film and its digital presentations and makes it more credible. Also the story may be rubbish but Cameron knows how to shoot 3-D with slow editing that allows viewers to marvel at the scenes. Moreover, the film is not in widescreen and so it suits IMAX screens.

Audiences will pay when something is completely different and this is why the real IMAX in London is so successful, which I do not think happens with the Liemax versions that coexist. Audiences in forums are still looking for more scenes like the ones that appear on The Dark Knight (they obviously refer to the sequences shot with IMAX cameras).

Studios will do simultaneous release to try to recover some of the money they lose because of piracy.

I personally think that theatrical exhibition will be limited to shopping malls and big event things like real IMAX. They should get more people like Cameron or Nolan to produce visual escapisms that suits the big screen. Proper 3-D (not cheap conversions) on big screens and the return of big wide screens with systems like SuperDimension 70 with products suited to them could attract audiences to cinemas.

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Mike Blakesley
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From: Forsyth, Montana
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 - posted 09-16-2010 04:58 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote: Ramon Lamarca Marques
more and more things against cinema over the years, as you well point out (this is why so many cinemas close down every year).
I don't know about the U.K. but in this country, the screen count is increasing, not decreasing.

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Ramon Lamarca Marques
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From: Edgware, England, UK
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 - posted 09-16-2010 05:25 PM      Profile for Ramon Lamarca Marques   Email Ramon Lamarca Marques   Send New Private Message       Edit/Delete Post 
quote: Mike Blakesley
I don't know about the U.K. but in this country, the screen count is increasing, not decreasing.
I love cinemas and cinema and so I am very happy if cinemas do well. However, as you well know, it is possible to have more screens and less seats and also how many of these seats are used? I have read that this summer in the USA the box office revenue was very high but that the number of people going to movies was the lowest since the summer of 1997(from an article on The New York Times) and this is because of the extra revenue for 3-D films.

I personally continue to go to the cinema but avoid multiplexes as much as possible.

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Mike Blakesley
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From: Forsyth, Montana
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 - posted 09-16-2010 07:22 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
It's true that this was a summer of low attendance, especially in the second half. That's probably partly due to the condition of the economy here, but it's also because a lot of the movies sucked. There were too many 3-D films that were crappy, and the sequels weren't that good either. (Excepting Toy Story 3.)

It's so tiring. Every time attendance goes down, you can count on the media to say we're a dying industry. Last year at this time we were victorious over the recession.

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Demetris Thoupis
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From: Aradippou, Larnaca, Cyprus
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 - posted 09-17-2010 01:39 PM      Profile for Demetris Thoupis   Email Demetris Thoupis   Send New Private Message       Edit/Delete Post 
The last movie worth watching was Inception. The other movie that was a time killer and should have been watched was Expendables. No other!
Demetris

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