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Author Topic: Star Trek (2009)
Stu Jamieson
Jedi Master Film Handler

Posts: 524
From: Buccan, Qld, Australia
Registered: Jan 2008


 - posted 05-10-2009 06:46 PM      Profile for Stu Jamieson   Email Stu Jamieson   Send New Private Message       Edit/Delete Post 
^ Nerd. [Wink]

I've read the word "reboot" a bit in reference to this movie,is this officially a reboot of the franchise? I presumed it was just a prequel.

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Chris Slycord
Film God

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From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 05-10-2009 07:20 PM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
The assumption is that with it's success this will reboot the franchise regardless.

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Stu Jamieson
Jedi Master Film Handler

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From: Buccan, Qld, Australia
Registered: Jan 2008


 - posted 05-11-2009 05:25 AM      Profile for Stu Jamieson   Email Stu Jamieson   Send New Private Message       Edit/Delete Post 
Yeah, not quite the same thing though. What I'm getting at is if this is a reboot then there is no need to maintain continuity with the existing canon - they can do whatever they like with the story and timeline. If it's a prequel, then it will have to mesh with the TV series at some point.

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Lyle Romer
Phenomenal Film Handler

Posts: 1400
From: Davie, FL, USA
Registered: May 2002


 - posted 05-11-2009 08:53 AM      Profile for Lyle Romer   Email Lyle Romer   Send New Private Message       Edit/Delete Post 
I thought this was an extremely entertaining and action-packed movie. I've never been a trekkie (I watched some series reruns growing up and saw most of the movies but don't remember much about them since I was young) but I liked how they mixed some of the "sterotypical" stuff into the script. I put this on par with an Iron Man type movie where it's got great action and enough seriousness but mixes in a little humor. It felt a lot shorter than the runtime which is always a high grade!

One minor critique - HOLY LENS FLARE BATMAN. Was it real from the lighting and photography design or did they go nuts with adding it in in post production?

4 1/2 out of 5 stars

*********SPOILERS BELOW*****************

A comment on some of the discussion going on about the coincidences I assumed that "Old Alternate Timeline" Spock knew exactly where "Young This Timeline" Spock would send Kirk and that's how he knew where to go to find him. I don't think it was destiny. Remember that he said something to him about "after today's events" or something like that indicating that he knew what happened on the ship. I guess you can nitpick that since he was from a different timeline he couldn't know and all kinds of other things but such is the downside of time travel plots.

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David Stambaugh
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From: Eugene, Oregon
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 - posted 05-11-2009 09:43 AM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
Saw Star Trek XI: Lens Flares on 5/9 at Regal 15 in Eugene, 6:30PM in #15, NEC 2K DLP. The show looked and sounded great!

Pretty much what everyone else has said, not much I can add. The movie is highly entertaining and I plan to see it again. Glad they made the decision to shoot it in 35mm anamorphic because dammit it just makes it look more "cinematic". [beer]

I give it 4.5 out of 5. [thumbsup]

Someone at Regal or NCM should think about redesigning that screen at the end of the preshow so it "works" with masking set to either flat or scope on screens with either top or side masking. It's kind of dumb to freeze on that screen and the top masking comes down and cuts off the Regal logo. Top masking is enough of an abomination without drawing attention to it like that.

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Chris Slycord
Film God

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From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 05-11-2009 11:00 AM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
quote: Lyle Romer
A comment on some of the discussion going on about the coincidences I assumed that "Old Alternate Timeline" Spock knew exactly where "Young This Timeline" Spock would send Kirk and that's how he knew where to go to find him. I don't think it was destiny. Remember that he said something to him about "after today's events" or something like that indicating that he knew what happened on the ship. I guess you can nitpick that since he was from a different timeline he couldn't know and all kinds of other things but such is the downside of time travel plots.
I don't quite buy that. Nimoy's Spock seemed to be surprised that Kirk wasn't a Captain, so he wouldn't have known that the other Spock would maroon him for being a stowaway.

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Mike Schindler
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From: Oak Park, IL, USA
Registered: Jun 2002


 - posted 05-11-2009 01:03 PM      Profile for Mike Schindler   Email Mike Schindler   Send New Private Message       Edit/Delete Post 
SPOILERS! DO NOT READ THIS POST IF YOU HAVE NOT SEEN THE MOVIE!

quote: Stu Jamieson
I've read the word "reboot" a bit in reference to this movie,is this officially a reboot of the franchise? I presumed it was just a prequel.
Creatively, it's a reboot. Story-wise, it's actually a sequel.

Think of it this way: Everything that happened from ENTERPRISE through NEMESIS played out exactly as it did. Eight years afer NEMESIS, Nero and Spock go back in time to the year 2233, which is 33 years before Season One of the original series. When that happened, a new timeline was created where anything can happen, regardless of what happened in the original timeline.

Because of that, this new movie may eventually lead into the original series, or it may not. Lots of stuff is already different from the original series. Vulcan is gone. Kirk has taken command of the Enterprise 8 years earlier than in the other timeline. There's a lot more than that.

The writers have said that they plan on taking certain elements from the original series and twisting them into another direction when you least expect it.

So, it's a reboot in the sense that they can do whatever they want, but it's a sequel in the sense that Spock has lived his life as portrayed in the original series, and this is where he's at now.

quote: Lyle Romer
A comment on some of the discussion going on about the coincidences I assumed that "Old Alternate Timeline" Spock knew exactly where "Young This Timeline" Spock would send Kirk and that's how he knew where to go to find him. I don't think it was destiny. Remember that he said something to him about "after today's events" or something like that indicating that he knew what happened on the ship. I guess you can nitpick that since he was from a different timeline he couldn't know and all kinds of other things but such is the downside of time travel plots.
Old Spock definitely would not know what Young Spock would do because those events were a direct result of Nero traveling back in time. In Old Spock's timeline, Kirk wasn't even stationed on the Enterprise at that point.

As for the "today's events" comment, he was referring to the destruction of Vulcan.

I've written a rather lengthy (and rather nerdy) essay on the problems I have with the movie as it relates to canon. Here it is, for those who are interested:

As much as I love J.J. Abrams' new STAR TREK movie, it sure has its share of problems.

Some are of a storytelling nature. This movie relies heavily on coincidence. Whether or not that was an intentional nod to the idea of destiny or just a bit of lazy writing doesn't really matter. Either way, it's a problem, and one which could have been drastically reduced.

Other problems are things that only the nerdiest of Trekkies would ever notice. And while I understand that it is more important to tell a good story than to appease Trek canon, they could have done both.

After skimming through Denise and Michael Okuda's STAR TREK CHRONOLOGY, I'm fairly certain that most of these continuity errors could have been avoided without sacrificing anything major in terms of story.

Now, I realize that any number of events could change based on Nero and Spock traveling back in time. But that seems like the lazy way out to me. I want to see cause and effect. So while there may have been some chain of events which caused Chekov’s parents to get it on four years earlier than they did in the original timeline, I want that shit explained.

With that in mind here is a list of the problems that I have with STAR TREK, and how I would have avoided them.

The film starts with Nero's ship appearing in the year the 2233, and destroying the U.S.S. Kelvin. When Captain Robau is killed, George Kirk assumes command. As he sacrifices his life, his wife, Winona, gives birth to their son, James, in a shuttlecraft.

While this may be very poetic and beautiful, it is highly coincidental that Nero travels back in time and space through a black hole created by Spock, and ends up in the exact place that Kirk is born. While the story hinges on Nero killing Kirk's dad, this did not have to occur through an act of heroism on George Kirk's part, and at the exact moment of Kirk's birth. That sequence could have played out more like the opening of SAVING PRIVATE RYAN, with some sort of reveal that one of many casualties resulting from Nero's attack was George Kirk.

The death of George Kirk is what causes significant changes to the timeline for the next 25 years. Without a father, Jim Kirk's life loses direction, and he enters Starfleet Academy four years later than he did in the original timeline. Luckily, the destruction of the Kelvin also caused the location of the shipyard where the Enterprise was built to change from San Francisco to Kirk's hometown of Riverside, Iowa. It's also fortunate that, for some reason or another, this also happens to be where new recruits gather before departing for Starfleet Academy in San Francisco.

Call me crazy, but wouldn't it be ever so slightly more plausible if, upon the death of her Starfleet officer husband, Winona Kirk would hook up with another Starfleet officer who might be stationed at Starfleet Command in San Francisco? This would give reason for her to relocate her family, where young Jim could interact with new recruits who are naturally in the town where their training will take place.

Of course, the other problem with Kirk witnessing the construction of the Enterprise in his hometown is that the Enterprise should have been built eight years prior to when those scenes take place. There is no reason why Kirk needs to see the Enterprise being built, and there is no reason why this needs to be the story of the Enterprise's maiden voyage.

When I first heard of the plan for this movie, I was most skeptical of how they intended to include all of the cast members in this story. In particular, Uhura, Chekov, and McCoy did not appear until after WHERE NO MAN HAS GONE BEFORE.

While it is possible that Uhura was on the Enterprise at the start of Kirk's five-year mission in 2264, it's not very likely. The communications officer in WNMHGB was Lieutenant Alden. But she could have been a lower ranking officer. Who knows?

Chekov is even less likely, since he would have only been 19 years old, but I suppose that is also possible.

The one that I found hardest to believe was McCoy. The doctor in WNMHGB was Mark Piper, suggesting that McCoy had not yet been assigned to the Enterprise.

Much to my surprise, The inclusion of McCoy works perfectly in the new timeline, and actually makes his relationship with Kirk more believable. This is due to the fact that George Kirk's death inadvertently postpones Jim Kirk's entry into Starfleet Academy for four years. This allows Kirk's time at the Academy to coincide with McCoy's, and explains how they became such close friends. McCoy's promotion to Chief Medical Officer is explained in the movie by the death of his predecessor in the battle at Vulcan.

Uhura's inclusion in the film works too. Much like Kirk and McCoy, Uhura is also a cadet during the movie. Uhura's age was never established in the original timeline, so the filmmakers were able to mold her backstory to suit their needs.

However, Chekov has no place in this film. Based on original series continuity, he was born in 2245. That would make him 13 years old at the time of the film, not 17 as the movie states.

I can understand fudging facts a little bit if you really want him on board the ship. But I don't see what he's good for. His character is portrayed as a Wesley Crusher-like boy genius to explain away his presence as ship's navigator. But once on board, he doesn't do much of anything, least of all navigation. His one shining moment seems like it would fall more into the realm of physics. Which leads me to my next complaint.

There's nothing wrong with having Sulu aboard the Enterprise in the new timeline. Much like Uhura, his age was never established over the course of the series, and there's no reason to think that he isn't an academy graduate and officer.

However, he did not begin his career aboard the Enterprise as a helmsman. In WNMHGB, Sulu is a physicist. So why not make him a physicist in this movie, giving him all of Chekov's stuff to do? And as for the helm, why not use THE CAGE's helmsman, Lieutenant Jose Tyler?

Speaking of CAGE continuity, it doesn't really make much sense that Spock is Pike's first officer in the new timeline. In THE CAGE, which takes place four years prior to the film, Spock is the science officer. He doesn't become first officer until Gary Mitchell is killed in WNMHGB.

It would have made more sense for Number One to still be Pike's first officer at the start of the mission in the new movie, with Spock as science officer. Then in the battle at Vulcan, Number One could be killed, making way for Spock to take command.

On the whole, Spock's backstory is very true to the original timeline. It seems that most changes to his character will result from the events in this movie, most notably, the destruction of Vulcan.

The one problem I have with the portrayal of Spock in the movie is his romance with Uhura. As much as I loved this storyline, it doesn't make any sense how the destruction of the Kelvin would have altered events to a point where this relationship would occur. It was a nice touch by the filmmakers, but ultimately not necessary, and so it should go.

The only other minor gripe I have with changes to Trek canon is the inclusion of Delta Vega. Nice touch, but it doesn't make any sense. Delta Vega's location in the galaxy is problematic. So why not just ignore it, and name the planet something else?

Delta Vega is also responsible for the most ridiculous series of coincidences in the entire movie. Okay, so the planet is near Vulcan, and that's why both Kirk and Old Spock end up there. Fine. I can also accept that Kirk is shot down to the planet and lands within 14 miles of a Starfleet outpost. It makes sense that Spock would intentionally do that so as not to completely leave Kirk all on his own.

I'm even okay with Scotty being there. Not much is known about his time in Starfleet prior to joining the Enterprise, so who is to say he wasn't on that outpost?

But Kirk randomly running into a cave that Old Spock happens to be in which is also mere miles from Scotty's outpost? That's stretching it a bit. At the very least, they could have had Old Spock find the outpost on his own, which is where he would eventually meet up with Kirk. Isn't it coincidence enough that Spock would find the outpost on his own?

So there you have it. I feel somewhat guilty for harshly criticizing a movie as fantastic as STAR TREK. But the fact of the matter is that it should have been better. Nearly all of what Abrams had set out to accomplish could have been achieved without sacrificing continuity. True, it doesn't matter in the grand scheme of the movie, but this level of attention to detail, along with a decreased sense of coincidence, would probably have made this the best Star Trek film of all-time.

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Geoff Jones
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From: Broomfield, CO, USA
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 - posted 05-12-2009 09:58 AM      Profile for Geoff Jones   Author's Homepage   Email Geoff Jones   Send New Private Message       Edit/Delete Post 
I saw Star Trek on the Giant 78" Wide Screen at Denver's Continental Theatre on 5/11 at 7:30.

The 35mm image was bright, clean, sharply focused (except during the Nimoy scenes) and I *think* it was very steady... It was hard to tell for sure because of the epileptic cinematography.

The sound was loud, clear, and widely separated. The (sparse) audience was quiet.

All in all, it was an excellent presentation, with only one complaint: There are some vertical lines (Stains or seams?) at the top of the screen that are distracting during bright scenes.

I thought the film was only ok. The only time I was really "engaged" was during the opening scenes w/ Pa and Ma Kirk. Everything else felt very by-the-numbers. I never felt any real sense of danger, urgency, yearning, fear, awe, etc.

I didn't regret seeing it, but I didn't have any desire to ever see it again. I had more fun watching Khan on the same screen earlier this year.

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Joe Redifer
You need a beating today

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 - posted 05-12-2009 09:41 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
OK, finally saw this one and it is a good movie in its own right for the most part. I am a "casual" Star Trek fan. But it would have been better if it was an official reboot through and through. Instead, they thrashed the story around so it could include Nimoy and connect itself with the original series. Now we officially have a fake Star Trek. A real reboot would have just been a different Star Trek, not an officially fake one. Also, there would be less to explain. Like, for example, how Christopher Pike knew so much about Romulons and their planet Romulous. In season 1, humans and Romulans had never seen the other, but here they know all about each other even before the timeline is altered into the fake one. This really bothered me, but if it was a real reboot with no connection to the official Star Trek cannon, it wouldn't have. There was no need to make this a time travel saga. Because they tried to tie it to the original series, it makes the movie more confusing as a whole especially to those not familiar with the franchise. They did it wrong. Maybe that's what happens when they let the person responsible for one of the shittiest TV shows ever take control of the movie. That's right, LOST is shit. I said it, now go cry in your corner. This movie is not as good as Batman Begins.

I won't be picking this up on Blu-ray or seeing it again.

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Mike Schindler
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 - posted 05-13-2009 01:24 AM      Profile for Mike Schindler   Email Mike Schindler   Send New Private Message       Edit/Delete Post 
quote: Joe Redifer
Also, there would be less to explain. Like, for example, how Christopher Pike knew so much about Romulons and their planet Romulous. In season 1, humans and Romulans had never seen the other, but here they know all about each other even before the timeline is altered into the fake one.
They've never seen each other, but they have fought a war against each other.

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Joe Redifer
You need a beating today

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 - posted 05-13-2009 02:49 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
How would McPike know that Romulous was still intact? Why was McPike in a wheelchair in the end?

Sorry, I am calling everybody Mc because of the director of Terminator 4, McG. McFuckin' G. Jesus Christ.

Oh, and I agree with Brad that Transformers 2 is gonna suck major ass. The first one was awful. Couldn't even tell the robots apart, especially the bad ones. McBay sux.

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Steve Guttag
We forgot the crackers Gromit!!!

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 - posted 05-13-2009 06:55 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
I'm with Mike on this one...way too many inconsistancies. Star Trek, despite being ficition, has a very well established universe and time line. Hand waving just doesn't do it for me. And, quite frankly, there is NO REASON that ALL of the old crew has to assemble at the same time on THIS FILM. There is nothing wrong with Chekov coming in later in the series (presuming it makes it that far). Even Batman delayed Robin's inclusion.

In addition to all of Mike's timeline problems...I'm sorry... going from Cadet (one about to be bounced out for cheating) to the rank of Captain and being given one of the top ships in the fleet? Would any organization do that? It isn't believable. While Kirk was a fast rising officer and the youngest Star Ship Captian in TOS...it wasn't THIS fast.

To aid in the timeline of TOS one could use rank as an indicator of age...Note Uhura and Sulu were Lts. Scotty/McCoy a Lt.Cmdr and Spock a Commander. Certainly they all moved at different rates through Star Fleet but it kinda give one a since of how long they've been in.

I think they lost opportunities with other old characters that Kirk went through the academy with that were introduced TOS that in this time-line would actually be ahead of Kirk.

FWIW...the bridge certainly seemed too bright.

I did like some of the sound effects that paid respect to TOS...they were nice touches.

However...for me, this was a 2/5 film. Maybe on another viewing I might warm up to it more...or perhaps if future movies (or possibly a TV series)...they could make the story work for me...right now, it doesn't.

Steve

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Claude S. Ayakawa
Film God

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From: Waipahu, Hawaii, USA
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 - posted 05-13-2009 02:08 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
I had some business to take care of in Honolulu and decided to make time to see the new STAR TRECK movie in digital IMAX at Regal's Dole Cannery 18 late yesterday afternoon. The presentation was awesome but unlike WATCHMAN and MONSTERS & ALIENS 3_D, the first two Digital Imax films I saw which were originated in the digital format, the STAR TRECK film's visual quality was lacking on that large screen because it was shot on film. It was good bot not as good like the others but the fantastic IMAX sound made up for it. I just purchased the STAR TRECK Trilogy on Blu Ray yesterday and the trailer for the new movie was included and seeing how great the movie looked in HD is something I am looking forward to seeing at home on BD in about five months. The movie was very entertaining and just as good as the first six films that featured the original crew. Although I had enjoyed the movie very much, the only part I could not figure out was how the older Spock could come back in time and play a part in the movie

4 out of 5 for me

-Claude

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Greg Anderson
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 - posted 05-15-2009 01:01 AM      Profile for Greg Anderson   Author's Homepage   Email Greg Anderson   Send New Private Message       Edit/Delete Post 
I can compress my reaction to 7 words: "This shaking camera rubbish must end immediately." Or... four words: "The cinematography was horrible." I give this movie a 50% success rating, for all the reasons you've already discussed. It should drop off fast.

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Lyle Romer
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 - posted 05-15-2009 07:07 AM      Profile for Lyle Romer   Email Lyle Romer   Send New Private Message       Edit/Delete Post 
quote: Greg Anderson
I can compress my reaction to 7 words: "This shaking camera rubbish must end immediately." Or... four words: "The cinematography was horrible." I give this movie a 50% success rating, for all the reasons you've already discussed. It should drop off fast.
As a stand alone movie this film is extremely entertaining and that's what the general public cares about. After today it will be the highest grossing Star Trek film and it has a pretty good shot at ending up being the most attended Star Trek film. That's because "non-trekkies" like the movie. Projections are for a less than 50% drop in week 2 which means it'll probably hit almost $150 million after this weekend. Then, with memorial day weekend it should hold very nicely also. My point being this will make good money with legs not because it had a ginourmous opening weekend followed by a bunch of 60% drops which means that most people that see it are ENTERTAINED.

As for the cinematography, it wasn't that bad. It wasn't Cloverfield shakey-cam and honestly I didn't notice it that much while viewing. The only thing distracting in the cinematography was the crazy lens flare that upon further reading was added on purpose using flashlights and things shined at the lens.

Films like this aren't meant to be Gone with the Wind and it wouldn't have been any more enjoyable if the plot was buttoned up better.

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