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Author
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Topic: Boxoffice Magazine rant
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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999
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posted 08-16-2008 09:21 AM
quote: Frank Angel what are the areas that can cause a lost show(s) with digital?
In my growing territory, I service more digital locations than film. Most of the problems I've seen are due to operator error and unfamiliarity with the software (e.g., not building a playlist properly, putting cues in the wrong place, etc.). Second in line are problems I suspect are from bad cable or card connections, or "computer-style glitches" that are cleared by simply rebooting. The least amount of down time in my experience with Digital Cinema thus far, has been due to actual component failure.
One of the worst things they have done in implementing this whole thing, in my opinion, is to have the whole show at the mercy of a little plug-in Cat. 5 cable/Ethernet connection. This is the Cinelink, which when the signal is lost, causes the picture to freeze. I've can't tell you how many times I've found this cable being pulled sideways out of the connector, or very nearly so, and not making a connection. And it's right there on the side in the open, on most projectors, where you can catch your sleeve on it or rip it out as you walk by.
As important as this data connection is, it doesn't need to be on these little Office Depot cables! I've never been able to figure out why this connection isn't hard-wired, with spade lugs and screw-type terminal strips, on heavier-gauge wire! Even in a perfect world with the cables left alone, the fine little pressure-pin connections on the RJ-45 plugs will eventually become oxidized and fail to make a connection.
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