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Author Topic: Movies are WAY too loud!
William Kucharski
Expert Film Handler

Posts: 244
From: Louisville, Colorado, United States of America
Registered: Oct 2012


 - posted 01-31-2018 07:24 PM      Profile for William Kucharski   Email William Kucharski   Send New Private Message       Edit/Delete Post 
I've said this before, but if a theater isn't showing movies at reference level, I'm not going to return to that theater unless I have to.

Low sound levels are one reason why I more often wait to see a movie on home video, when I can actually listen to a movie at the proper volume. The only theater near me that comes anywhere close to proper sound levels is the Regal IMAX Colorado Center.

In the past few years the only theaters in my experience that regularly seem to actually play films at their proper volume levels are the ArcLight in Hollywood and one spectacular evening I got to watch a movie at the main Paramount screening room. (An experience I will never, ever forget as it is likely to be the only time I ever get to see a theatrical film presented as intended with the right sound level, the right brightness, perfect focus, no bleed-through from the theater next door, etc.)

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Mike Blakesley
Film God

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From: Forsyth, Montana
Registered: Jun 99


 - posted 01-31-2018 09:38 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
I'd be interested to hear your opinion of our sound here. If you said it was too soft, you'd be the first person to ever say that. But we almost never play at 7; it's really impressive-sounding, but the dialogue just sounds too loud at that volume. If memory serves, I think the last movie I played at 7 was Sully, it had a really low mix for some reason.

I saw a movie at the Dolby screening room a few years ago, and it was indeed impressive but it was just too damn loud to be enjoyable. (Part of the problem being it was a Transformers movie.)

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William Kucharski
Expert Film Handler

Posts: 244
From: Louisville, Colorado, United States of America
Registered: Oct 2012


 - posted 01-31-2018 11:03 PM      Profile for William Kucharski   Email William Kucharski   Send New Private Message       Edit/Delete Post 
I'm one of those who believes there is no such thing as "too loud" unless the system is being overdriven and can't handle it.

But that's why I always loved THX theaters where they were supposed to always show films at reference level.

Ironically, I bet the volume at which you heard that Transformers film is what I would have heard in the screening room at Paramount, given that's where Michael Bay screens.

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Pravin Ratnam
Jedi Master Film Handler

Posts: 844
From: Atlanta, GA,USA
Registered: Sep 2002


 - posted 01-31-2018 11:36 PM      Profile for Pravin Ratnam   Email Pravin Ratnam   Send New Private Message       Edit/Delete Post 
Actually the mid to late 90s were a pretty bad time for overloud theaters. It was like multiplexes wanted to show off their digital systems. AMC would overcrank those Sony surrounds.

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Marcel Birgelen
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From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 02-01-2018 02:02 AM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
quote: William Kucharski
I'm one of those who believes there is no such thing as "too loud" unless the system is being overdriven and can't handle it.

But that's why I always loved THX theaters where they were supposed to always show films at reference level.

Ironically, I bet the volume at which you heard that Transformers film is what I would have heard in the screening room at Paramount, given that's where Michael Bay screens.

Obviously, there is something like "too loud". Many of the better designed systems have sufficient headroom to drive sound at levels it actually becomes a health risk.

Many jurisdictions even limit the amount of sound pressure per time interval you may expose people to. Exceeding those levels can, in some cases, be seen as an offense or depending on the case and jurisdiction even be considered a criminal case.

I like to play movies the way the director intended them to be, in a correctly calibrated room where "7.0" meets the specs. This does have a limit though. If the intended volume hits a pain-threshold at the larger public and if it's actually a health risk for their hearing, I'm not going to follow the director's/sound designer's (most likely unintentional) wacky vision of a population with hearing aids.

Also, even between two perfectly calibrated rooms, "7.0" may not sound exactly like "7.0" for every soundtrack, even if there is a THX label on it.

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Harold Hallikainen
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From: Denver, CO, USA
Registered: Aug 2009


 - posted 02-01-2018 01:43 PM      Profile for Harold Hallikainen   Author's Homepage   Email Harold Hallikainen   Send New Private Message       Edit/Delete Post 
By the way, the QSC LSS-100 logs the maximum SPL (C-weighted) it sees each day. Since the LSS is mounted on the back wall of the auditorium, it's not a super-accurate representation of what each patron is exposed to. Also, sound exposure limits normally use A-weighted and are integrated over a period of time. But, this is better than nothing.

Here's captured data from an art house theater. The one very low reading was Christmas eve. I guess they may not have been open that day.

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Harold

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Bobby Henderson
"Ask me about Trajan."

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From: Lawton, OK, USA
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 - posted 02-01-2018 02:40 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
quote: Pravin Ratnam
Actually the mid to late 90s were a pretty bad time for overloud theaters. It was like multiplexes wanted to show off their digital systems. AMC would overcrank those Sony surrounds.
They were probably struggling to keep up with rival theaters equipped with much better quality sound systems, able to do digital sound correctly. Theaters like the GCC Northpark 1-2 in Dallas could startle the hell out of you with the sheer dynamics, but the audio wasn't painful either. A cheaper sound system or even a good one not tuned properly will sound more harsh and even painful when cranked up. Some movies, such as Goldeneye (and several other MGM titles in the 1990's) had very hot DTS tracks. Top shelf theaters would re-adjust for each movie. Now that just about all those great theaters are gone and we have so much stadium seated same-ness all over the country movie sound has turned into a pretty ordinary, unremarkable thing. I watched The Shape of Water last night at a local movie theater. It was a good movie, but the theater's sound presentation of it was not special at all.

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Scott Jentsch
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From: New Berlin, WI, USA
Registered: Apr 2003


 - posted 02-02-2018 09:23 AM      Profile for Scott Jentsch   Author's Homepage   Email Scott Jentsch   Send New Private Message       Edit/Delete Post 
Even the premium theaters around here are unimpressive when it comes to sound, so I haven't encountered a situation where a theater was too loud. The good news is that I haven't encountered a theater where the sound was flawed because of distortion or failed equipment. I guess if you never drive the speakers very high, it's difficult to stress them out, so maybe that's their plan all along...

It's surprising to hear that movie soundtracks continue to be so variable in their mixes on DCP. I know that most home video releases are re-mixed in some way, but only rarely do I come across a need to move the volume knob off the usual setting when I watch movies in my home theater.

For that that find this great variability, or complaints when the sound is played at 7:

When is the last time you had your auditoriums checked and calibrated?

Is it standard practice to do so on a regular basis, or do you wait for complaints or your own observation that something isn't right?

I'm not trying to "blame the theater" for issues like this (at least not completely), but it's reasonable to determine if the environment has changed from the last time it was checked and calibrated.

I think it's a big mistake to play movies too softly, as that would be missing an opportunity to leave a positive impression on the audience that they're likely not going to get from their soundbars at home. If someone is going to an action movie like Star Wars or Black Panther and surprised when the action scenes shake their insides, they chose the wrong movie.

Maybe you could have a middle of the day low-volume-just-like-your-tv's-internal-speakers showing for those sensitive folks?

I'm happy to show up on your deadest evening if you promise to crank it up to reasonable levels and have the sound equipment and room to do the job, so maybe Monday night could be "we play it loud and proud" night?

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Carsten Kurz
Film God

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From: Cologne, NRW, Germany
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 - posted 02-02-2018 09:50 AM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
quote: James Westbrook
The worst offender, in my neck of the woods, are the movies from India. We do not run our processors at 7, considerably lower than that, actually, but we find when we play an Indian title we have to turn the fader down even more.
That's true, they leave no headroom at all in their mixes, they're already freakin' loud at our preshow level. They demand us to raise the level even further, and we usually end up somewhere between 5-5.5, which is around our standard fader setting, but boy...

Which is not a real problem, as these are special events, and while of course we do program these shows with fader cues, we know we always have to check and adjust manually.

- Carsten

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Pravin Ratnam
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From: Atlanta, GA,USA
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 - posted 02-03-2018 01:31 AM      Profile for Pravin Ratnam   Email Pravin Ratnam   Send New Private Message       Edit/Delete Post 
I saw Baahubali 2 in a Regal multiplex and the sound was obnoxiously so loud I wanted to take a gun and shoot the damn screen.

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Marco Giustini
Film God

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From: Reading, UK
Registered: Nov 2007


 - posted 02-03-2018 05:02 AM      Profile for Marco Giustini   Email Marco Giustini   Send New Private Message       Edit/Delete Post 
Loudness in cinemas is a quite debated and subjective matter.
Indeed I don't go to a cinema unless I know they are going to show the movie at a decent level. But the issue is not just the fader setting here.
I believe a few points have to be kept into account

1. Room acoustic. Bad acoustic will make the movie sound loud and 'bad' in general. You can have the best sound system and the best EQ but the sound will be awful if acoustic is not good.
2. EQ. A good EQ is a rare thing. Not many technicians will spend much time on an EQ (checking everything before starting, doing sound tests at the end etc). The average EQ is a single mike on a broomstick, X-curve dialled in and walk away.
3. Sound system. Does the sound system have enough headroom to avoid distortion? Distortion won't be necessarily very noticeable but the more distortion you have, the more unpleasant the sound becomes. When distortion actually becomes noticeable that means the sound system is WAY underspec'd and I wouldn't consider that a cinema!
4. Sound system 2 - Is the sound system of good quality?
5. Sound system maintenance: is the sound checked periodically, are all the amps working etc?
6. Subjectiveness. What sounds great and enjoyable for one may be ear-bleeding for someone else.
7. Staff does not really check movie levels these days. They set the volume to a fixed value and that's it. As not every film - unfortunately - are mixed at the same level, the only level that can work with all of them is the dreaded 5.5.

A movie shown at 7 in a very good room may sound very pleasant while the same movie shown at 7 in a bad room may sound absolutely awful to the point where it's turned down to stop offending.

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Mike Blakesley
Film God

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From: Forsyth, Montana
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 - posted 02-03-2018 08:53 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
A movie played at 7 here doesn't sound "bad," it just sounds like the dialogue is a lot louder than dialogue needs to be. So we usually settle on somewhere around 5 and it's still nice and thumpin'.

There is about twice the difference between 4 and 5 as there is between 6 and 7 though. There was a graph somewhere on the forum that illustrated this -- on a Dolby processor at least, most of the "difference" is from 3 to 4 and the curve levels off quickly after that.

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Sascha F. Roll
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From: Berlin, Berlin / Germany
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 - posted 02-03-2018 10:13 PM      Profile for Sascha F. Roll   Email Sascha F. Roll   Send New Private Message       Edit/Delete Post 
Mike is partly right.
Indead most Faders are non-linear below 4.0 but 4.0 to 5.0, 5.0 to 6.0 etc. is always 3dB difference.

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Frank Angel
Film God

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From: Brooklyn NY USA
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 - posted 02-04-2018 06:41 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
When films like the Woody Allen films are mixed mono, to they usually utilize only the center channel or is that mix spread over the screen L C R? A tech I am working with is pretty sure all screen channels are utilized even in a mono mix. I am skeptical. I would grab one of the BluRays and have a listen but it is folly to assume that the BluRay mix is what was heard in the theatre, especially since they know consumers' penchant for wanting ALL of the speakers in their home systems to be making sounds regardless. We know how everyone insists on hearing those surrounds as loud as the screen channels...even theatre owners.

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Martin McCaffery
Film God

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From: Montgomery, AL
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 - posted 02-04-2018 08:22 PM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
I can't recall how Woody Allen's films have worked, but I've had lots of "classics" converted to DCP that utilize LCR with the center getting about 90% of the action and LC as filler for, I guess, a little depth reinforcement.

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