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» Film-Tech Forum ARCHIVE   » Operations   » Ground Level   » Movies are WAY too loud! (Page 3)

 
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Author Topic: Movies are WAY too loud!
Carsten Kurz
Film God

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From: Cologne, NRW, Germany
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 - posted 02-04-2018 08:56 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
Using a center for dialog does not make much sense if you copy that signal to L and R.

I guess a minimal useful distribution would be to have dialog in center and stereo music on L/R.

That said - many of the music pieces 'typically' featured in Woody Allen movies certainly have been recorded in mono...

- Carsten

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Mark Gulbrandsen
Resident Trollmaster

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From: Music City
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 - posted 02-06-2018 12:21 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
The thread should be titled Previews Are Too Loud.... Movies in my own opinion are just about right.

Mark

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Mike Blakesley
Film God

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From: Forsyth, Montana
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 - posted 02-06-2018 01:48 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
Agreed on that...what ever happened to TASA?

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Carsten Kurz
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From: Cologne, NRW, Germany
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 - posted 02-06-2018 03:34 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
Actually TASA and SAWA regulations are stricter enforced nowadays than before. They are just not practical - while you may stand one or two ads or trailers at SAWA/TASA spec levels, the typical 20-30min pre show program at these levels will annoy the largest part of typical audiences. There is still a loudness war, in part because ad and trailer mixers now HAVE an LEQ(m) number, so they always maximize to it...

- Carsten

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Jay Wyatt
Film Handler

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From: Los Angeles, CA
Registered: Mar 2015


 - posted 02-06-2018 04:04 PM      Profile for Jay Wyatt     Send New Private Message       Edit/Delete Post 
quote: Mark Gulbrandsen
The thread should be titled Previews Are Too Loud.... Movies in my own opinion are just about right.
I feel the same way. The preshow ads and trailers play way too loud so ears are already fatigued by the time the movie starts.

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Brad Miller
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From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 02-06-2018 04:30 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
And right there Jay has hit the nail on the head.

If you look back over the last 18 years this subject has turned up on these forums, my standard fader settings still apply in most of my theaters.

Trailers run between 3.5 - 4.0 on the fader and I collapse the sound (no subs, no surrounds)

Features run 6.5 - 7.5 on the fader (all channels, no fold-down).

Nothing has changed as far as I'm concerned. Trailers should NEVER sound "bigger" or more "impressive" than the feature presentation...period. (And no I still don't give a flip if your profession is a trailer mixer.)

Complaints are VERY RARE to happen using this technique. The end result is people aren't fatigued by the time the movie starts and the features get played at or very close to reference level, the feature presentation overall is superior and everyone leaves the theater happy.

For those interested, preshow advertising audio is collapsed all the way down to mono. Then when content that people actually give a shit about starts (the previews), they get LCR stereo. Then the feature kicks in full throttle with all channels playing. It's an old classic presentation trick sort of like "opening the curtains", but with the sound.

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Monte L Fullmer
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From: Nampa, Idaho, USA
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 - posted 02-06-2018 07:54 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Now, if there was a way to attach a command in the show end cue to turn the volume down via network to the processors to a programmed level, then on the feature cue, attach a command to the preset volume for the desired feature setting...

..or, separate cues that could be place just before the feature and show end cues...

-Monte

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Kenneth Wuepper
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From: Saginaw, MI, USA
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 - posted 02-06-2018 08:40 PM      Profile for Kenneth Wuepper   Email Kenneth Wuepper   Send New Private Message       Edit/Delete Post 
Old processors were good for this. You could have the trailers at "remote fader control" and switch by automation cue to the "local fader" for the feature.

Only required one small piece of foil on the edge of the film to do it.

Certainly there is a digital equivalent.

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Bobby Henderson
"Ask me about Trajan."

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From: Lawton, OK, USA
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 - posted 02-06-2018 10:22 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
quote: Brad Miller
For those interested, preshow advertising audio is collapsed all the way down to mono. Then when content that people actually give a shit about starts (the previews), they get LCR stereo. Then the feature kicks in full throttle with all channels playing. It's an old classic presentation trick sort of like "opening the curtains", but with the sound.
These days I think that is a perfect way to handle it. There's nothing special about modern movie trailers. It's just like web sites cranked out via WordPress: nothing creative. It's the same edits, whoosh sound effects and other clip-art bullshit. The marketing department probably made 20 variations of it. In the off chance I buy a new movie on Blu-ray disc I really don't care if the trailers, TV spots, etc are missing.

I guess it was around the early to mid 1990's when movie trailers started bundling in 5.1 channel digital audio mixes. And years prior to that some trailers included with 70mm shows featured 6-track mixes.

Way back then such trailers had a novelty to them since most trailers were just stereo or mono. I would still love to watch a 70mm version of that Total Recall teaser trailer again (no proper 5.1 mix of it has ever been done on DVD or Blu-ray). The times I saw it, attached to 70mm shows in Manhattan theaters, late 1989 & early 1990 there wasn't a half hour of TV commercials and trailers to slog through before the feature. IIRC, when I watched Glory in 70mm that Total Recall teaser was the only thing that played before the movie started.

I remember being blown away by teaser trailers for Twister and Independence Day. One of the trailers for Fellowship of the Ring was really awesome. But by the time the LOTR movies were hitting theaters trailer volume versus feature volume was ridiculous.

Since then movie trailers have committed all kinds of other serious sins, the chief one being spoiling the damned movie. So if I'm really interested in a certain movie I'll try to avoid watching trailers in advance. These days it's very easy to see any new movie trailer online, even with digital surround sound. Sites like The Digital Theater will let you download copies of them in multiple surround sound formats. Download it and crank it on your home rig. If a commercial movie theater tones it down during the pre-show you're not missing anything.

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Mike Croaro
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From: Millbrae, CA
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 - posted 02-07-2018 12:14 PM      Profile for Mike Croaro   Email Mike Croaro   Send New Private Message       Edit/Delete Post 
Bobby Henderson wrote:

"Since then movie trailers have committed all kinds of other serious sins, the chief one being spoiling the damned movie."

Mike C. responds:

Remember when trailers "wet" the appetite but didn't give away the whole story?

A perfect example IMO is the 1970's trailer for "The Little Girl Who Lives Down the Lane" Watch it on youtube...you'll see what I mean.

Mike

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Martin McCaffery
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 - posted 02-07-2018 12:43 PM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
The first trailer I thought of when thinking about trailers that don't give anything away:
Albert Brooks' Real Life
Real Life Trailer in 3D!

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Frank Cox
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 - posted 02-07-2018 01:18 PM      Profile for Frank Cox   Author's Homepage   Email Frank Cox   Send New Private Message       Edit/Delete Post 
quote: Mike Croaro
The Little Girl Who Lives Down the Lane
One of my all-time favourite movies.

My sound system and cuing is set up such that the trailers play at a lower volume and then the "feature" cue cranks it up (and turns the lights down one more notch). Otherwise some of those trailers would blow you out of the room.

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Marcel Birgelen
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From: Maastricht, Limburg, Netherlands
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 - posted 02-07-2018 03:02 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
quote: Bobby Henderson
These days I think that is a perfect way to handle it. There's nothing special about modern movie trailers. It's just like web sites cranked out via WordPress: nothing creative. It's the same edits, whoosh sound effects and other clip-art bullshit. The marketing department probably made 20 variations of it. In the off chance I buy a new movie on Blu-ray disc I really don't care if the trailers, TV spots, etc are missing.
If you look at old trailers, then I'm not so sure if the bar was really so much higher for a whole lot of them back then. You simply tend to forget all the shitty ones. [Wink]

The structure of the average trailer has most definitely changed and there are way too many trailers out there that outright spoil a movie, by exposing essential plot lines and even twists.

Making a really good trailer is an art in itself. There have been lots of bad trailers for good movies. I think a trailer should expose as little information as possible about the actual plot, but still try to capture the 'mood' of the movie.

I still remember this teaser for Spielberg's 2005 version of War of the Worlds.

Though the movie itself was probably only mediocre, the teaser, which featured almost exclusive content not in the final cut of the movie, I consider this to be one of the better teasers/trailers made until today.

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Bobby Henderson
"Ask me about Trajan."

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From: Lawton, OK, USA
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 - posted 02-07-2018 04:05 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
quote: Marcel Birgelen
If you look at old trailers, then I'm not so sure if the bar was really so much higher for a whole lot of them back then. You simply tend to forget all the shitty ones.
Yes, there was no shortage of shitty movie trailers back then. But at least some trailers were good. These days new trailers are pretty much all re-hashed crap. Standouts from the poop pile are exceedingly rare.

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Mike Blakesley
Film God

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From: Forsyth, Montana
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 - posted 02-07-2018 05:36 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
The other bad trend in trailers is the lightning-fast pace of the cuts. You can't even begin to take a scene in before it's off to the next scene. Last time I went to CinemaCon, the trailers were pretty much a blur by the second day, so I developed a little game of counting the seconds before a cut. It was very rare to get to more than 2 seconds.

On the subject of trailers spoiling the movie, when the remake of "Carrie" came out a few years ago, I was irritated because I thought the trailer gave away too many of the movie's surprises. So I looked at the trailer from the original movie in 1976, and it pretty much had all the same spoilers in it, so maybe things haven't changed all that much.

Some of my favorite trailers:

"Oh God!" - It was just George Burns' voice over a blank screen. "Hello, it's me, God. Yeah, God! I decided to come down and make a movie."

"Twister" mentioned by Bobby - it was about 85% black screen. I don't like to play the trailers loud but that one was really effective if played loud.

"Independence Day" - For this one I put a cue on the film to make the lights go to "dark" when the alien ship first arrived on the scene. It was really effective. Too bad I hated the actual movie. (Well the last third of it, at least.)

"Star Wars - A New Hope" from the late '90s reissue. It started off showing a small TV in the middle of the screen, with James Earl Jones narrating, "For an entire generation, people have experienced Star Wars this way...on the TV screen. But if you've only seen it this way, you haven't seen it at all." Then the Millenium Falcon flew out of the TV and filled the screen, with sound exploding into all the surrounds.

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