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Author Topic: Movies are WAY too loud!
Martin Brooks
Jedi Master Film Handler

Posts: 900
From: Forest Hills, NY, USA
Registered: May 2002


 - posted 02-07-2018 07:17 PM      Profile for Martin Brooks   Author's Homepage   Email Martin Brooks   Send New Private Message       Edit/Delete Post 
quote: Carsten Kurz
the typical 20-30min pre show program at these levels will annoy the largest part of typical audiences.
In ALL of the NYC theaters I attend, the pre-show levels are actually quite low. You can easily have a conversation over them. The trailers are another matter.

I've got to remember to take the SPL meter with me next time I see a movie.

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Mike Blakesley
Film God

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From: Forsyth, Montana
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 - posted 02-07-2018 08:15 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
I always play our pre-show at 3.3, unless we have a largish crowd then I turn it up a little but never over 3.6. Then up to 3.8 for the trailers and then up to whatever we're playing this week's feature at.

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Frank Angel
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From: Brooklyn NY USA
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 - posted 02-08-2018 02:34 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
It just seams that in this marvelous digital age where servers control everything from house light levels to complex play lists, to be STILL gnashing our teeth and rending our garments over this issue and wondering what can be done about variations in audio levels between highly compressed, blaring trailers and feature audio levels seems absurd. How difficult can it be to add audio level cues in the playlist it to control overly loud trailers?

Before all this automation, it actually was difficult to tame trailers since the producers were purposefully ramping up levels and if you remember, there was a serious push to get sound mixers to voluntarily bring their trailer mixes back to normal reference levels. Of course that was a flop because no one could resist the desire to make their trailer "pop" and be noticed above everything else -- it was like telling ad agencies to not make their ads stand out -- never happened.

Now we have the way to do it no matter how a trailer or any other program material is authored -- the exhibitor just needs to put cues in the playlist to have the master volume adjusted to whatever is needed to keep preshow trailers at the same apparent level as the feature. Even before automation I believe it was Smart that had a device (was it called the AfterBurner?...sorry if memory fails) but it basically was a compressor to level the audio playing field -- exhibitions attempting to control audio levels at the theatre even if the ad agencies weren't going to do it themselves on their end. Now the exhibitor has the digital tool to do it fairly effortlessly.

With today's automation, an exhibitor can go thru the playlist at his/her preview/verification run, adjust the volume of all the junk before the feature...adjust each item to a reasonable comfort levels and in line to match the feature and then simply plug those level values as volume change cues. Why is this still an issue, 30 years after everyone agreed that it was an issue?! In 2018, is the industry actually saying it can't figure out a way to keep playback levels in cinemas at a comfortable level...we don't have the technology to adjust playback volume levels automatically? Really? I bet Alexa could do it without batting a digital eyelash.

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Mike Blakesley
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From: Forsyth, Montana
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 - posted 02-08-2018 05:47 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
The word isn't "can't" -- the word is "won't."

Showmanship is low on the priority list in these big mega complexes, unfortunately. They're too busy coming up with another dozen concession combos or whatever.

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Mark Strube
Master Film Handler

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From: Milwaukee, WI, United States
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 - posted 02-08-2018 07:44 PM      Profile for Mark Strube   Author's Homepage   Email Mark Strube   Send New Private Message       Edit/Delete Post 
At the three independent theaters that I run projection for, we're using exclusively JSD-100's, which easily gives complete control over volume level through simple cues in the playlist. It's not uncommon for me to have 5 trailers and 2-3 different volume levels throughout to compensate for varying levels. I generally run the feature at 0.5 - 0.7 louder than the trailers to account for the increased dynamic range and to bring dialogue to a good level.

I disagree that "movies are way too loud." In my area at least, the majority of screenings that I attend at multiplexes seem to have the volume adjusted for whoever complained last, and then the fader knob collects dust until the next complaint. The local "imax" would be the only consistent exception to this problem.

I also agree that many screenings that sound "too loud" are likely a result of a poor EQ and/or room.

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Louis Bornwasser
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From: prospect ky usa
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 - posted 02-14-2018 08:49 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
All I can tell you is---and this actually happened to me: Die hard With a Vengeance: A 12 year old boy came out and said: "Wow! Is that LOUD!!" We backed down to 6.25. (New Dolby Digital install with all great equipment in 1015 seat theatre.)

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Martin Brooks
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 - posted 02-17-2018 12:30 PM      Profile for Martin Brooks   Author's Homepage   Email Martin Brooks   Send New Private Message       Edit/Delete Post 
quote: Mike Blakesley
The word isn't "can't" -- the word is "won't."

Showmanship is low on the priority list in these big mega complexes, unfortunately. They're too busy coming up with another dozen concession combos or whatever.

I don't think it's just that. I think it's that they think these loud levels ARE "showmanship". Or that they don't want projectionists (when they have them) making subjective decisions about what's too loud, which is probably a good idea. And there is a portion of the audience who likes it that way (not me). But I do think they should be setting levels differently for full and empty houses.

(I remember many decades ago, I projected a 16mm print of "The French Connection" to a private group. One member of the group was a highly political guy (he's got a portion of a street named after him with an honorary name) who thought he was in charge of everything. He kept on asking me to lower the volume in loud scenes which I, of course, refused. He headed for the projector and was going to change the level himself and I had to warn him that if he touched it, I'd shut the show down.)

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Jarod Reddig
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From: Hays, Ks
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 - posted 02-17-2018 11:24 PM      Profile for Jarod Reddig   Email Jarod Reddig   Send New Private Message       Edit/Delete Post 
I agree movies are not too loud but previews can be silly loud. I have grown to absolutely hate trailers. Like Bobby said I avoid them if its a movie im excited to see. They outright spoil the movie.

My all time favorite trailer is the Star Wars A New Hope trailer Mike talked about with the tv in the beginning then the Falcon explodes out of it to great effect.

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Thomas Pitt
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From: Leeds, West Yorkshire, UK
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 - posted 02-19-2018 03:54 PM      Profile for Thomas Pitt   Email Thomas Pitt   Send New Private Message       Edit/Delete Post 
For me, the volume seems to vary between theatres and also depending on where I sit. With this 'assigned seating' system they all have today you can't just move around until you find a sweet spot any more. I try to avoid going to theatres that play movies too loud and always remember to bring my earplugs!

One of the theatres I frequent has 'box' seating (not to be confused with D-BOX) - a small walled-off area at the back of the auditorium with soundproof glass in the front, and its own sound system. It's designed so that private groups can book in and order food and drink during the movie using an internal telephone. The box also has a DTS volume control that allows the patrons to choose a volume level for the speakers in there - I like to have it as low as it'll go so I don't get blasted!

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Mike Blakesley
Film God

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From: Forsyth, Montana
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 - posted 02-19-2018 06:28 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote:
Die hard With a Vengeance: A 12 year old boy came out and said: "Wow! Is that LOUD!!"
If he was smiling you should have let it be! [Smile]

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Brad Miller
Administrator

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From: Plano, TX (36.2 miles NW of Rockwall)
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 - posted 02-24-2018 08:01 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
 -

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Marcel Birgelen
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From: Maastricht, Limburg, Netherlands
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 - posted 02-26-2018 06:43 AM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
So, what happened there? The little LED dot burned out? [Razz]

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Kenneth Wuepper
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From: Saginaw, MI, USA
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 - posted 02-26-2018 07:04 AM      Profile for Kenneth Wuepper   Email Kenneth Wuepper   Send New Private Message       Edit/Delete Post 
Sounds like "Spinal Tap"!

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Kenneth Wuepper
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From: Saginaw, MI, USA
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 - posted 02-26-2018 10:22 AM      Profile for Kenneth Wuepper   Email Kenneth Wuepper   Send New Private Message       Edit/Delete Post 
NO! His processor goes to "11"! [beer]

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Marcel Birgelen
Film God

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From: Maastricht, Limburg, Netherlands
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 - posted 02-26-2018 11:08 AM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
Ah, the infamous CP511? [Razz]

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