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This topic comprises 8 pages: 1 2 3 4 5 6 7 8
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Topic: 70 million Americans are now federal criminals
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William Hooper
Phenomenal Film Handler
Posts: 1879
From: Mobile, AL USA
Registered: Jun 99
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posted 08-26-2002 01:32 AM
quote: Then kindly explain how 'NSYNC's (I know a bad group to illustrate with but the facts use them as the example) second-to-last album even though it was available on Napster almost a month previous to its street date was one of, if not *the* biggest selling album of that year???
Aaron, NSYNC's an off the curve example because it's basically marketing driven - to own ALL the NSYNC merchandise. Even after downloading the music, the NSYNC base must also be able to have the physical item, & every other NSYNC item made: the lunchbox, the videos, millions of pictures & cards, pencils, concert tickets, it goes on & on. "I've got that!" NKOTB & the Monkees were the same way, the music was actually to move the merchandise.
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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 08-26-2002 02:51 PM
Here is another wrinkle to add to the fallacy Internet copying is costing the industry millions: most people do not have high speed Internet access. And even when they do, getting a good download connection can be problematic. The new Morpheus 2.0 seems really flaky at that.The point is, most people don't feel like going through all the time and trouble to do a lot of copying. What is your time worth to you? In the amount of time it takes me to download an album's worth of mere-radio-quality MP3 files (I'm sorry, but MP3 is NOT CD quality), I could have made more than three times the cost of that CD by doing some artwork. It is actually cheaper and much more convenient for most people to just go and buy the disc. The trouble is, these days, there is very little content out there worth buying at all --much less wasting your time downloading. Another thing the recording industry should consider is the amount of "value" perceived in a plain CD. Is it really worth $20 anymore? Or even $10? C'mon, I get a hell of a lot more for my dollars buying DVDs. Case in point: The Eurhythmics Greatist Hits. Regardless of whether you like them or hate them, consider the differences in their Greatest Hits music CD versus the Greatist Hits music video DVD. I bought a copy of the DVD for $15. That's less than what I paid for the CD. Yet the DVD has nearly twice as many songs with 2.0 channel audio in full Linear PCM 16-bit 48kHz. I've got the songs, with video and true CD quality audio for less than that bare bones CD. The music industry has to put more work and value into their product to compete against DVD, video games and lots of other home entertainment products. They can't just blame it all on home CD dubbing and downloads of MP3s. That's a cop out for them providing what has, in general, degraded into a shit product. Look how DVD-A is languishing. My father has a $1500 Denon 5-disc DVD changer with DVD-A capability, yet he owns no DVD-A discs. Why? They're plain vanilla products with no extras, no videos, no lyrics, no interviews, no other ancillary content --not to mention most of the popular music titles are from 20 to 30 year old classic rock albums, that if anyone liked them at all they would already have bought the CD version by now. DVD-V is selling very well because it is an excellent product that is continually being improved. I see nothing in terms of improvement for standard music CD, DVD-A or SACD.
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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002
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posted 01-22-2003 05:54 PM
This is just a guess, but I bet the ban on payola is related to the fact that in the US, the airwaves belong to the public, and stations are granted the right to use them, subject to certain "fair use" restrictions. If an entity pays a broadcaster to play their product, that's no different from a commercial. Commercials are clearly identified as airtime paid-for specifically to promote a product.
Bobby, I don't get how money would be changing hands in the case of the "independent consultants" working for, say, ClearChannel. Wouldn't the money go in the other direction (broadcaster to the consultant)? Just trying to understand how that would work. If the consultants are working for record labels and are indeed passing money to the broadcasters in order to get airtime, and everyone knows it, why would that be different from payola?
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