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Topic: Your Website
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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 04-02-2004 10:34 PM
Since no else has bothered do so (and risk being flamed) I'll stand up and defend the use of Flash....
...that is, Flash done sensibly.
Many wannabe graphic artists out there seem to have no clue at all Flash can be used to display non animated, still graphics. They only seem to use Flash whenever they want to stall someone with a pretentious 600K intro download.
Flash can display still image graphics, like logos and even graphic illustrations with better quality and better file size efficiency than GIF. JPEG doesn't even need to apply.
A lot of people don't bother to explore Flash for still graphics image uses, preferring to do stupid things like using JPEG for that purpose.
Now, I say "stupid" because it seems like 9 times out of 10 the person putting together the website is also the one designing the customer's "logo." And he does it using some bitmap image editor like Photoshop or Fireworks to put together the art instead of using a vector graphics program like Illustrator, CorelDRAW, Freehand or even Canvas to get the job done correctly.
I'm sorry to sound arrogant about it, but I just laugh at people anymore who put together a "logo design" in Photoshop in crude 72ppi form and then expect that shit to fly in print production, or even worse in areas like large format outdoor advertising.
I have to deal with lots of customer supplied artwork in my day job. If Flash were used more intelligently, I'm certain I would have more customers bringing me art someone else designed in vector form rather than the parade of stupid JPEGs. Several year ago (before the Internet became popular) that was indeed the case. Most customer supplied art came in vector form. The only issues I had to deal with back then were easy ones (missing fonts or the Mac/PC cross platform file exchange). It takes a lot more work to convert someone's pixellated raster image into a smooth piece of vector imagery. But they pay a $50 per hour digitizing charge to learn the deal. Or they can stay ignorant and keep shelling out those bucks.
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Brian Michael Weidemann
Expert cat molester

Posts: 944
From: Costa Mesa, CA United States
Registered: Feb 2004
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posted 04-03-2004 05:44 AM
The only issue I have with this site's frames is that it cuts off the buttons, so they read "Foru, Produ, Manu, Pictu, Revie, Vide, Tip, Reel, Cha, Lin, Hom, Contac, and Uplo" ...not to mention the scroll bars (horizontal AND vertical) that appear there.
Not EVERYONE has their browser maximized all the time, you know! I'm set to 1152x864 with my browser windows usually around 800x600. I think Outlook Express is the only program I ever use maximized. Most sites seem to align nicely regardless of browser size, but then, I'm not really in charge, now am I?
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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 04-03-2004 11:54 AM
quote: ALso... I learned about the 72dpi thingy. I always try to pring out at the highest resolution that I possibly can. I made a poster for my project at svhs and it turned out quite nice after I turned up the rez.
Actually, that's the attitude that gets me on my personal rant, and how I widely deride the Internet as being one of the worst things that ever happened to graphic design.
You don't "turn up the rez" somewhere down the road when you make an original graphic design. Items like logotypes, corporate signatures and many other types of graphical design and illustration are far better realized and reproduced when created natively in vector form.
A vector graphic has lots more flexibility. And if there needs to be a rasterized version, any drawing program can create it in whatever ppi rating is desired. That way the image doesn't look soft or have any pixels visible! Or you can copy the vector paths into Photoshop and do the same thing. Vector to raster is easy. Raster to vector is a pain in the ass.
Unfortunately there's a lot of dumbasses out there writing magazine articles for Photoshop User and other publications showing how Photoshop or any other image editor can be used to design logos. Fucking wrong! When the end result is some dopey bitmap, the work gets an "F" in my book.
For one thing, any basic logo design needs to start out with its first version as one single ink color and able to print at small sizes. It's pretty damned stupid to design a logo in Photoshop with all sorts of rastery effects that require four ink plates (CMYK) and doesn't reproduce worth a shit when shrunk down on a business card.
I wouldn't be so irritated by this kind of thing if it were only hobbyists putting together their own graphics schemes in Photoshop --only to use on their personal web pages. That's fine.
The problem is there's lots of amateurs out there taking paying graphics jobs doing the same damn thing. These guys are screwing up graphics workflows for the people who know what their doing: professional like me who actually bear formal training, degrees and paid registrations for their software. On top of that, they've driven down the wage scales for graphics people to such a degree that many folks with real talent are just leaving in disgust to find something else to do for a living. The logos as JPEGs from amateur designers just adds more irritating insult to injury.
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