Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » CDS-Equipped Theatres (Page 4)

 
This topic comprises 13 pages: 1  2  3  4  5  6  7  ...  11  12  13 
 
Author Topic: CDS-Equipped Theatres
Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 08-04-2003 05:19 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
Metropolis was the first soundtrack recorded digitally. Release prints were optical.

What happened with CDS was that ORC touched it.
[Razz]

 |  IP: Logged

Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 08-04-2003 05:20 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
I regret never having heard CDS, I've managed to experience most of the others, Fantasound being the other major one I've not heard. I doubt that I'll ever get to hear either of them now.

Anyone have a complete Fantasound setup, and print tucked away at home somewhere? [Smile]

There are some photos in the Widescreen Museum, and it's amasing, something like nine full-height racks, plus the spekers, and the two 'film phonographs', a strange term for them.

Peter, I've mastered that ***** acop! In the past I've killed it by taking the relay out of the control box, it's marked 'this one', so it looks like smeone else has done the same in the past. On Friday, I arrived just over half an hour before the show, so I laced up the trailers reel, and gave it a go. Three times I failed to start the machine without the thing tripping, but the fourth time I managed it. With polyester, most films will fit on two spools, so there are only three starts per show, trailers, first half of feature, and changeover. Having it trip on either of the first two wouldn't matter too much, the audience would only notice a few seconds delay, but for it to trip on the changeover, would be a disaster. Both the trailer and feature starts were ok, so I decided to leave the acop active. I was feelng very nervous, coming up to the changeover, but it went through fine, and now I've done it a few times seems quite simple to get right. It's still a horribly designed system though, and if it were my cinema, it would be changed. It's just far too easy to trip the thing when starting.

I've seen plenty of films there, without problems, so the normal projectionists have obviously mastered it long ago!

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 08-04-2003 05:23 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Here are a couple of quick shots of the track on 70mm...

 -

 -

 |  IP: Logged

Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 08-04-2003 06:41 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
According to the print inventory list on the "T2: Ultimate Edition" DVD, only six 70mm CDS prints were made of "T2". Perhaps that's just the North American total.

I'd like to what the actual data compression ratio comes out to for the CDS delta modulation process. I can't remember where I read it having a 4:1 ratio (I think that came from an article in "The Perfect Vision"). But that just seems all wrong. With close to 6 million bits of data running per second, that's really more than one would need for a fully uncompressed LPCM 6.0 track. You could probably even do 8.0 LPCM at that rate. It would seem like a lot of the data in that stream was there for error correction, which would have big a big deal considering the state of technology back then.

I've seen only four movies in CDS, but never heard it drop out to silence.

 |  IP: Logged

Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 08-05-2003 10:47 AM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
CORRECTION: I have it on good authority that the 1982 release of Fantasia was the first soundtrack recorded digitally. Metropolis was 1984, and had some digital sound screenings using an interlocked playback unit.

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 08-05-2003 11:02 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
The digital sound version of Metropolis (Glen Glenn sound, Giorgio Moroder) premiered on December 6, 1984, using the sound system at the Century Plaza Theatre in Los Angeles.

Fantasia opened at the Century Plaza with double-system digital sound on February 8, 1985, and played in Washington D.C. in May 1985:

Digital Sound for 70mm

 |  IP: Logged

Bill Gabel
Film God

Posts: 3873
From: Technicolor / Postworks NY, USA
Registered: Jan 2002


 - posted 08-05-2003 11:10 AM      Profile for Bill Gabel   Email Bill Gabel   Send New Private Message       Edit/Delete Post 
quote:
Was there any CDS trailers that were played before the feature?
Besides Brad's answer, they also had THX Broadway in 70MM with a CDS track. They also stuck trailers with the CDS soundtrack on it. I have a 70MM CDS Broadway and a 35mm trailer for "Sleeping with the Enemy". Just like the regular THX logos at the end it has a CDS logo in the corner of the frame. I also have afew sound loops for to.

 |  IP: Logged

Carl Martin
Phenomenal Film Handler

Posts: 1424
From: Oakland, CA, USA
Registered: Feb 2002


 - posted 08-05-2003 01:40 PM      Profile for Carl Martin   Author's Homepage   Email Carl Martin   Send New Private Message       Edit/Delete Post 
did the cds track have an offset, and if so how many frames?

carl

 |  IP: Logged

Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 08-05-2003 02:36 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
quote:
Fantasia opened at the Century Plaza with double-system digital sound on February 8, 1985, and played in Washington D.C. in May 1985:

The 1982 release of Fantasia was the first soundtrack recorded digitally.

Fantasia 1982
"The 1982 re-release featured an entirely re-recorded soundtrack conducted by Irwin Kostal, the first-ever digitally recorded soundtrack for a motion picture."

 |  IP: Logged

David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 08-05-2003 03:07 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
That 1982 release of Fantasia may have had the first digital audio playback in a theatrical venue. I distinctly remember the LA Times doing an article about it. I have it stuck in my head that they were using a VCR synchronized to the film playback, something along the lines of the old Corvus Mirror, which could store digital data on a standard VCR. Anyone know for sure, or am I hallucinating all this? [Wink]

As far as early digital recordings of film soundtracks, Star Trek The Motion Picture had a digitally-mastered soundtrack. It came out in 1979 of course. I don't know if that's the earliest digitally-recorded movie soundtrack, but it's gotta be *one of* the earliest.

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 08-05-2003 03:23 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Yes. The system used to present "Fantasia" at the Century City Theatre was discussed in an interview published in Widescreen Review, Volume 2, Number 8.

The 1982 performance conducted by Irwin Kostal was recorded digitally, and mixed by Shawn Murphy. The projector was interlocked with the two track digital master using proprietary syncronizers developed by Disney engineers (led by Nelson Meacham) for EPCOT Center. The "Fantasia" digital sound presentation opened February 8, 1985, and generated considerable interest and business.

 |  IP: Logged

Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 08-05-2003 03:25 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Wasn't Fantasia recorded in 1754 or whenever the movie was made? All I know is that it is horribly old. How did they record digitally back then? Or did they just rescore everything in 1982? No matter how great the sound is, I still hate that movie with a passion.

 |  IP: Logged

Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 08-05-2003 03:38 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
Joe, this was a totally new recording of the score. It wasn't very popular, and for the 50th anniversary release the original recordings were restored as best they could be from the best surviving elements. The original 'Fantasound' recordings no longer existed at that time.

 |  IP: Logged

David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 08-05-2003 03:39 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
I'm afraid I've never "gotten" Fantasia either. I want to appreciate the pretty images and nice music, but then I fall asleep. [sleep]

 |  IP: Logged

Michael Coate
Phenomenal Film Handler

Posts: 1904
From: Los Angeles, California
Registered: Feb 2001


 - posted 08-05-2003 04:35 PM      Profile for Michael Coate   Email Michael Coate   Send New Private Message       Edit/Delete Post 
quote:
That 1982 release of Fantasia may have had the first digital audio playback in a theatrical venue.
Yes, but who heard it digital at that time? For clarification... the '82 re-release used the new digital re-recording of the music, but the theatrical soundtrack presentations were in Dolby Stereo (some mag, most optical -- many theatres likely still ran mono). It was in '85, as mentioned by several in this thread, that an audience could actually hear the film played back digitally.

quote:
As far as early digital recordings of film soundtracks, Star Trek The Motion Picture had a digitally-mastered soundtrack.
Again to clarify...I believe you're referring to the soundtrack album (i.e. the recording of the music score was digital), not the film's sound mix.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 13 pages: 1  2  3  4  5  6  7  ...  11  12  13 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.