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Topic: LOTR: Return of the King will have 3 DTS discs
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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999
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posted 09-09-2003 11:23 AM
Distribution has been allowing intermissions to be inserted in films in foreign markets for decades. And as Gordon says, they even indicate where to put them. Intermissions in films overseas are not allowed because of equipment limitations but because in these countries intermissions are culturally demanded.
Seems to me American exhibitors and their audiences should be treated with the same flexibility (and respect). The exhibitor knows his audience. He should be able to say, "listen, I just cannot subject my patrons to a 4 hour movie without a break." My demographics include a large number of elderly. I know my audience and even 3 hours is a long time for many of them to sit without a break. If the people in dozens of other countries can get a potty break, then I should be able to do the same for my people. The studios aren't telling every theatre in India that either they play a 4 hour movie without a break or they don't play it at all -- if they demanded that, they would loose an awful lot of screens.
I certainly understand that the integrity of the filmmaker's work is a top priority, but if an intermission doesn't destroy the artistic integrity for millions of people overseas, then I can't see how it will over here. But of course we all understand that what ALWAYS tops artistic integrity in Hollywood is MONEY. If exhibition said in one unison voice, "we won't play any picture longer than two and a half hours if we are not allowed to put in an intermission".....how fast do you think those intermission snips would be shipped out from the studios?! FexEx overnight no doubt.
And Marty is right -- since when does distribution care about presentation quality? If they did, they wouldn't allow their product to play half the theatres in the outer boroughs of NYC. Make no mistake, LOTR will play in grind houses that used to be relegated to play underbelly runs long after a title moved out of the classy first runs, but today these same vermin infested holes get to open day and date with the very best first run flagship theatres. I don't think an intermission is nearly as much an assault on a film's integrity as is a theatre with a cropped screen, two channel front/rear sound, a xenon bulb putting out 1/3rd its light and narrow seats that have springs sticking you in the ass.
Concern for presentation quality doesn't prevent them from sticking huge CAP dots all over the print in full sight of the audience.
Intermissions are the least of the distribution's worries when it comes to demanding quality presentation.
Frank
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