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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » New DTS Anti-Piracy Security Enhancements (Page 4)

 
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Author Topic: New DTS Anti-Piracy Security Enhancements
Oscar Neundorfer
Master Film Handler

Posts: 275
From: Senoia, GA
Registered: May 2000


 - posted 12-05-2003 06:45 AM      Profile for Oscar Neundorfer   Author's Homepage   Email Oscar Neundorfer   Send New Private Message       Edit/Delete Post 
Brad,

What Phil said. Maybe it is a normal part of the soundtrack.

I have not seen the movie (Gothika) so I don't know what is going on in the scene you recorded. It sounds as if it could be part of the scene, but without the context, I can't tell. The sounds are certainly obvious enough, and if they do not fit in with the scene, then they would be quite annoying. However, from what I have experienced, most people at the movies would probably never hear it or just think it was intended unless it became really obnoxious and did not fit the context.

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Greg Mueller
Phenomenal Film Handler

Posts: 1687
From: Port Gamble, WA
Registered: Jun 99


 - posted 12-05-2003 10:06 AM      Profile for Greg Mueller   Author's Homepage   Email Greg Mueller   Send New Private Message       Edit/Delete Post 
This is kind of like the "tree falling in the forest" question.
If you did not know there are plans for copy protection, would you have thought anything of it?
I mean if you've got to make recordings of it and listen real carefully and play it only in mono etc etc, does it matter?
Would you have thought anything of it 2 months ago?

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Thomas Procyk
Phenomenal Film Handler

Posts: 1842
From: Royal Palm Beach, FL, USA
Registered: Feb 2002


 - posted 12-05-2003 10:18 AM      Profile for Thomas Procyk   Email Thomas Procyk   Send New Private Message       Edit/Delete Post 
quote:
If you did not know there are plans for copy protection, would you have thought anything of it?
Apparently, nobody knew there were plans for the Deluxe CRAP code, but we still think something of it now that it's there.

I agree with the skeptics. Maybe it's part of the movie? It sounded to me like some Star Trek type equipment doing it's thing in the background.

Then again, it sounded a little bit like those digital "hiccups" on badly encoded MP3s, although not as loud and annoying.

If that IS a copy protection method, it will help our owner make his final decision between another DTS or another Dolby unit.

=TMP=

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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 12-05-2003 10:26 AM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
The tones are there, plain as day.

Cut out the section of the track, amplify it and filter out as much of the dialog as you can you get this:

Beeps.mp3

Display graphically (as a sonogram) and you get this:

 -

Yes, they are there. But, how/why they are there is yet to be determined. They look and sound like a modern version of the old Simplex tones.

Are you sure they couldn't have been inserted by some other piece of equipment in the chain? I have heard DSP-60s and CP-500s insert funky sounds into the mix when they malfunction, although NOTING like this!

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 12-05-2003 11:39 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Randy, I cannot connect to your link. Please email it to me and I will put it on our servers.

The movie moves into an SRD house. I will try and catch the same scene tonight. Both are on CP65s.

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Greg Mueller
Phenomenal Film Handler

Posts: 1687
From: Port Gamble, WA
Registered: Jun 99


 - posted 12-05-2003 02:12 PM      Profile for Greg Mueller   Author's Homepage   Email Greg Mueller   Send New Private Message       Edit/Delete Post 
Down at the shop I get noise from the computer driven machines. They produce RF like mad. You can't hear AM radio at all within 50'. FM gets it too but not as bad. I could be something (not saying it is) like computers, cell phones or(in my case) computer driven stuff, ham radio operators etc etc. If it's repeatable then there goes that theory

Why not simply call DTS and ask if that particular film has their copy protection scheme on it?

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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 12-05-2003 03:13 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
The exact same set of tones occurs at approximately five second intervals. Brad's clip is about 26 seconds long. I heard the tones 5 times. I only picked out the easiest ones to filter for.

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Dennis M Dow Jr
Expert Film Handler

Posts: 141
From: Bloomfield NJ USA
Registered: Oct 2003


 - posted 12-05-2003 03:44 PM      Profile for Dennis M Dow Jr   Author's Homepage     Send New Private Message       Edit/Delete Post 
Has anyone thought this might have been a piece of equipment operating in the background... After all the movie is supposed to take place in a hospital.

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 12-05-2003 06:17 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
FWIW, I think that the industry is simply using "anti-piracy" as an elaborate excuse to destroy any chance that film presentations could possibly look good.

IMO, the studios are guilty of "stacking the deck" so that dCinema can look better by comparison.

That's just my little conspiracy theory based strictly on a deep-seeded paranoia as far as "big business" is concerned. In truth, I have never actually seen electronic cinema but I wonder if they use CAP code for those?

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 12-05-2003 06:48 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Well, if it is a kind of audio cap code, how long will it be before, just like what happened to the fairly unobtrusive Kodak codes, they start turning them into audio CRAP codes and putting them in the soundtrack at +3 DB?!..."just to make sure" they copy thru to handheld video cameras in the theatre. [puke]

I think there may be something to the RF theory though, we once got a series of beeps in our studio when we used a particular Crown Audio Tape Recorder. It would be heard well under the recorded audio, but there it was nontheless, and it ruined many a live recording, much to my frustration. I couldn't find out where it was coming from or how it was introduced into the recorder's electronics. I called in some other techs and we all trouble shot the bastard for weeks. The guess was, although it was never definately proven, that the beeps were part of a master clock system that sent adjusting tones over the AC line. I never actually believed that because there were too many holes in the theory. But no matter, the problem was magically solved (for me, anyway) when I got a new job in another theatre. [Big Grin]

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Antonio Marcheselli
Phenomenal Film Handler

Posts: 1260
From: Florence, Italy
Registered: Mar 2000


 - posted 12-05-2003 09:25 PM      Profile for Antonio Marcheselli   Author's Homepage   Email Antonio Marcheselli   Send New Private Message       Edit/Delete Post 
Brad,

to my ears the beep can be clearly heard, without problems. I hope that that beeps are part of the soundtrack, otherwise DTS sound is over!!!!

BTW: Where is Karen?

Bye
A

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Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 12-06-2003 02:24 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Do these beeps occur throughout the movie or only in certain places? I would like to check them out, but don`t really have the time to watch all of "Gothika".

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Chris Trainor
Expert Film Handler

Posts: 161
From: Greenville, RI, USA
Registered: Jun 99


 - posted 12-06-2003 03:35 AM      Profile for Chris Trainor   Author's Homepage   Email Chris Trainor   Send New Private Message       Edit/Delete Post 
The thing is, if this is intentional, it's something that could be created by the playback unit. Ideally each unit would insert something like this in low scenes with a coding based on it's serial number. That way if you keep track of which serial number player is in each theater you can find out instantly where the camcorder shooting came from. It would also be great for digital cinema... same thing. The digital projectors could insert CRAPCODE in a sequence relative to it's serial number or something. I'm sure every theater dumping $100k is gonna send back the warranty card. [Smile] So they'd have a list of where each box is.

--Chris

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 12-06-2003 04:33 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Here is the same clip from an SRD auditorium (also with CP65).

SRD clip

I don't hear it, but I could flip flop players between the two auditoriums and see if the noise follows the digital format. I did not hear the noise during trailer green bands playing in dts though.

Anyone have this playing in SDDS?

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Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 12-06-2003 04:55 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
quote:
The thing is, if this is intentional, it's something that could be created by the playback unit.
Yes, I think you are right. Somebody must have broken into Brad`s location and installed the SBCG (Secret Beep Code Generator) in the dts-, sorry, DTS-processor.
Have you been SBCGed? The only way to tell is to open the unit and look inside. Look for the square orange box where it says SBCG. But don`t remove it - it is booby-trapped.

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