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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » New DTS Anti-Piracy Security Enhancements (Page 6)

 
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Author Topic: New DTS Anti-Piracy Security Enhancements
Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 12-07-2003 02:44 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Hello? Can anyone tell me approximately where in the movie this occurs?

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Phil Hill
I love my cootie bug

Posts: 7595
From: Hollywood, CA USA
Registered: Mar 2000


 - posted 12-07-2003 03:46 AM      Profile for Phil Hill   Email Phil Hill       Edit/Delete Post 
Mike, it's at the part where she asks "Who is this girl?" and the guy sez it's his daughter Rachel.

I hope that helps. Good luck.

>>> Phil

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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 12-07-2003 05:11 AM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
As long as there are analog means to copy a soundtrack, there will always be piracy. Most ears cannot determine the difference between the actual thing and a pirated copy anyway as long as it involved top-of-the-line analog equipment that almost everyone can afford to purchase or already have in their possession.

For eons, people have been pirating analog sounds and they were (and are, for the most part), happy with the quality.

So who should really give a crap? I don't.

As far as I am concerned, there is nothing out there worth pirating in the first place. This includes movies, (which 90% are mostly garbage that is not worth the polyester stock it is printed on), sound tracks, CD's, or what have you. RIAA and MPAA are running scared. Everyone knows that. It is a monster created by the digital technology. And, there is nothing they can do to stop it because any good quality recording can be done by technology that is upwards to 60 years old, if not older. That being -- you guessed it -- analog means.

What I just said is a fact of life. Accept it.

I have run (and so have most of you) movies that we should pay the customer to watch!

OK - flame me....see if I care. [Mad]

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 12-07-2003 05:48 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Paul G. said:
quote:
As far as I am concerned, there is nothing out there worth pirating in the first place. This includes movies, (which 90% are mostly garbage that is not worth the polyester stock it is printed on), <> I have run (and so have most of you) movies that we should pay the customer to watch!

OK - flame me....see if I care.

Why flame you Paul? You are totally on the money. And you know what? GOTHIKA is one of them. In fact, I ran it as a FREE sneak and the patrons hated it.

Those beeps are a digital code that pirates have hacked into the digital datastream on the movie SET and inserted into the film's soundtrack. If you use the hacker's special software that they make available free on their website www,hackmeifyoucan.com, using metacap debyterizer technology, it will translate the code into text on your screen. I've run the beeps thru this software and it translates thusly: THIS PIECE OF DOG POO MOVIE WAS PIRATED BEFORE IT WAS MADE....JACK VALENTI SUCKS. [Big Grin]

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James Falloon
Film Handler

Posts: 72
From: Wigram, Christchurch, New Zealand
Registered: Oct 2003


 - posted 12-07-2003 08:06 PM      Profile for James Falloon   Email James Falloon   Send New Private Message       Edit/Delete Post 
Could it be possible to modify the timecode on the film to contain the print number. The DTS machine then interprets these and plays a series of beeps or something depending on the print number. Could that be their new "security enhancement".

Anyway, thats my theory

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 12-07-2003 08:15 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Rather than burn a different CD for each theatre or make a new sound negative (!) for each print, it would be easiest just to have a "hardware ID" value built into each player which generates some sort of identifiable sound element (like the beeps) when commanded to do so by the encoded soundtrack. Presumably DTS knows where its units have been installed (for the most part) and could track down "hardware ID xxxx" to a specific theatre. One would expect that there would also be "special" players for screening rooms, premieres, etc. which wouldn't generate the annoying information.

Still (if this DTS code even exists), it wouldn't be any more useful than CAP code, as it would just identify the player used (and, presumably, the theatre), and not the actual pirate. It would be helpful for tracking down "inside jobs," but not for the "audience member with 24P camera" type of pirate.

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James Falloon
Film Handler

Posts: 72
From: Wigram, Christchurch, New Zealand
Registered: Oct 2003


 - posted 12-07-2003 10:09 PM      Profile for James Falloon   Email James Falloon   Send New Private Message       Edit/Delete Post 
ok, points taken Scott, that would be much eaisier to do. just take the BIOS / cdrom drive serial number (if it has one) or something

BTW here is a slightly enhanced pic, basically the same as on page 4, it is interesting to note, that the first two tones do not seam to have harmonics, but that could be a feature of the mp3 encoding.

Brad do you have that as an uncompressed wav file? i'm just interested to see what that would look like.

 -

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 12-08-2003 05:12 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Sorry, I returned the recorder to it's owner already and didn't think to save it in wav format.

Scott, I don't know why anyone would bother going to the immense trouble to pull the audio off of a digital format anyway when 2 channel SR is effortless to grab. I would assume most pirated tapes are mono anyway (well, at least the stuff that the studios don't actually make that gets into circulation).

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 12-11-2003 08:35 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
I'm not quite sure that an ordinary DTS unit with its limited CPU power could add sounds to the output. Data is being delivered from the CD's to the decompression hardware but it would seem to me that to add...ADD not substitute...but ADD beeps to the track would require decoding the audio in software...mixing in the desired beeps...then re-encoding and delivering the data so that the audio can then be output by the same hardware.

What does our new DTS rep say about what those beeps are?

If this is in fact audio copy protection do we have a snazzy name for it yet? How about Pee Code (to go with Crap Code)?

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Carl Martin
Phenomenal Film Handler

Posts: 1424
From: Oakland, CA, USA
Registered: Feb 2002


 - posted 12-12-2003 06:46 PM      Profile for Carl Martin   Author's Homepage   Email Carl Martin   Send New Private Message       Edit/Delete Post 
have you tried calling dts about the "problem" with your system? if they can't troubleshoot it, maybe they'll replace it. if they have to keep replacing units, maybe they'll fess up. it's a long shot.

carl

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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 12-12-2003 09:37 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
For DTS to "serialize" hardware keys into the CDs it will take them knowing exactly where all active DTS-equipped theaters are and exactly how many units are in operation down to the serial number. I strongly doubt there are any fully accurate numbers on that.

One alternative may be utilizing a dongle. I have to use those damned things on my computer at work (one for FlexiSign Pro and another for Neon Wizard). It should not be too awful hard to put a parallel port on the older machines and simply use a USB version on the XD-10 models.

Still, I think the whole copy protection effort is a big waste of time. Much of the pirated movies on the Internet come from DVD screener discs, often before the movie is released to theaters. IMHO, this effort is just going to make it more difficult for legitimate DTS-equipped theaters to play their movies.

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Thomas Procyk
Phenomenal Film Handler

Posts: 1842
From: Royal Palm Beach, FL, USA
Registered: Feb 2002


 - posted 12-13-2003 02:13 PM      Profile for Thomas Procyk   Email Thomas Procyk   Send New Private Message       Edit/Delete Post 
Perhaps all of these "DTS Beeps" and visible CRAP code are exactly the "barely-noticable-by-the-average-consumer" subliminal messages that the industry is using to fuel its curiously-booming DVD sales?

"You know, Gothika really sucked but somehow I feel I still need to own the DVD."

=TMP=

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 12-28-2003 02:38 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Getting back to the point of this topic...

Anyone know what the first "uncopyable" dts disc title is supposed to be? I heard that it was to be LOTR3, so I tried to dupe them out of curiosity and had zero problems.

This whole thing all stems back to Valenti and will end up putting DTS out of business. At that point we will have Dolby Digital, which is what I preached to everyone back in the mid-90's to put in anyway after evaluating the 3 options. Few listened and purchased with their pocketbooks or went with SDDS because they wanted "the best" (again, deciding with their pocketbooks).

At least it will be nice to only have to deal with one sound format. [Big Grin]

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 12-28-2003 03:03 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
I doubt there will ever be a unplayable DTS system as it would be virtually impossible to implement a system that would be playable on all the versions of firmware out there
To copy a disk maybe a different story but to playit I don't think that will happen

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Greg Mueller
Phenomenal Film Handler

Posts: 1687
From: Port Gamble, WA
Registered: Jun 99


 - posted 12-28-2003 03:21 PM      Profile for Greg Mueller   Author's Homepage   Email Greg Mueller   Send New Private Message       Edit/Delete Post 
Back in the days of DOS and software anti piracy attemps. I ran into a number of programs that were so well copy protected that they would not operate in my computer. This problem varied from computer to computer. Eventually the software manufacturers gave up or went to dongles. Now we have on line registration.
Time will tell I guess, but does anyone think that the pirates that the industry fears will not beat the encryption techniques? Or will not simply take a copy off the analog outputs of the DTS/SRD/SDDS systems?
It's all pretty silly if you ask me. What moron would not wait a couple of months to have a real official non pirate copy with excellent picture and sound. [Roll Eyes]

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