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This topic comprises 6 pages: 1 2 3 4 5 6
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Author
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Topic: New DTS Anti-Piracy Security Enhancements
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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000
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posted 12-07-2003 05:11 AM
As long as there are analog means to copy a soundtrack, there will always be piracy. Most ears cannot determine the difference between the actual thing and a pirated copy anyway as long as it involved top-of-the-line analog equipment that almost everyone can afford to purchase or already have in their possession.
For eons, people have been pirating analog sounds and they were (and are, for the most part), happy with the quality.
So who should really give a crap? I don't.
As far as I am concerned, there is nothing out there worth pirating in the first place. This includes movies, (which 90% are mostly garbage that is not worth the polyester stock it is printed on), sound tracks, CD's, or what have you. RIAA and MPAA are running scared. Everyone knows that. It is a monster created by the digital technology. And, there is nothing they can do to stop it because any good quality recording can be done by technology that is upwards to 60 years old, if not older. That being -- you guessed it -- analog means.
What I just said is a fact of life. Accept it.
I have run (and so have most of you) movies that we should pay the customer to watch!
OK - flame me....see if I care.
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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99
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posted 12-07-2003 08:15 PM
Rather than burn a different CD for each theatre or make a new sound negative (!) for each print, it would be easiest just to have a "hardware ID" value built into each player which generates some sort of identifiable sound element (like the beeps) when commanded to do so by the encoded soundtrack. Presumably DTS knows where its units have been installed (for the most part) and could track down "hardware ID xxxx" to a specific theatre. One would expect that there would also be "special" players for screening rooms, premieres, etc. which wouldn't generate the annoying information.
Still (if this DTS code even exists), it wouldn't be any more useful than CAP code, as it would just identify the player used (and, presumably, the theatre), and not the actual pirate. It would be helpful for tracking down "inside jobs," but not for the "audience member with 24P camera" type of pirate.
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This topic comprises 6 pages: 1 2 3 4 5 6
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