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Author Topic: 78's
Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 12-31-2006 03:34 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Whoops, sorry on that Phil. Didn't mean "flat" as in the RIAA correction curve for the output circuit, but 'flat' as in so pallid of the sound output in what you said as in 'bright' since the actual recording curve is reversed so the needle doesn't have to track in extreme conditions, especially at low frequencies.

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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 12-31-2006 06:41 AM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
quote: Phil Hill
I would think since the RIAA recording curve attenuates the low freq up to about 20dB at 20 Hz and boosts the HF at 20kHZ about 20dB, that the playback without RIAA EQ would be VERY "bright" and not flat.
I've never tried playing RIAA-equalised vinyl through a non-RIAA preamp (e.g. the mic input of a PC sound card), but that's exactly what I'd expect to happen, too - lots of HF, nowhere for the surface noise to hide and muddy, indistinct bass. By the same token, when you play a record with a less severe EQ curve to RIAA (e.g. a Blumlein or Westrex 78) through an RIAA preamp, you get loud, rumbling bass and a reduction in high-end surface noise, but at the expense of grossly amplified midrange surface noise (which means that records which had an abrasive agent added to the shellac mix in order to grind down steel needles to the groove seats, e.g. inter-war HMVs, sound absolutely horrid) and most of the HF signal being totally lost. On an orchestral track or a male singer it can sound OK, but piano solos or female singers played this way sound hideous.

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Phil Hill
I love my cootie bug

Posts: 7595
From: Hollywood, CA USA
Registered: Mar 2000


 - posted 12-31-2006 05:15 PM      Profile for Phil Hill   Email Phil Hill       Edit/Delete Post 
Ummmm, I think that's what I said, Monte.

Please re-read what I said for the reasons for the RIAA (and CCIR, and other curves as Leo pointed out in his post).

BTW, "bright" is a sound term and not an electical term.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 01-02-2007 04:58 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Dang, Phil - sorry to make a mess out of this.

Maybe, I'd just better start over and just simply say that when someone inputs the leads directly from a turntable to the mic input, that that output sounds like it's missing something real bad - just not at all normal.

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Charles Greenlee
Jedi Master Film Handler

Posts: 801
From: Savannah, Ga, U.S.
Registered: Jun 2006


 - posted 01-02-2007 07:12 PM      Profile for Charles Greenlee   Author's Homepage   Email Charles Greenlee   Send New Private Message       Edit/Delete Post 
Is the RIAA correction part of the turntable itself? In it's electronics? Or in the phono input of the reciever?

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 01-02-2007 07:47 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
The 3rd one. Louis

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Charles Greenlee
Jedi Master Film Handler

Posts: 801
From: Savannah, Ga, U.S.
Registered: Jun 2006


 - posted 01-02-2007 07:52 PM      Profile for Charles Greenlee   Author's Homepage   Email Charles Greenlee   Send New Private Message       Edit/Delete Post 
Well, the first 2 were part of the same question, but that does help a bunch.

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Phil Hill
I love my cootie bug

Posts: 7595
From: Hollywood, CA USA
Registered: Mar 2000


 - posted 01-02-2007 09:44 PM      Profile for Phil Hill   Email Phil Hill       Edit/Delete Post 
Monte, just yankin' yur chain and givin' ya a ruff time bud. [Smile]

But thanks for the clarification of what you meant! [thumbsup]

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 01-03-2007 07:00 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Perhaps this explanation will help out......

"RIAA equalization is a specification for the correct playback of vinyl records, established by the Recording Industry Association of America. The purpose of the equalization is to permit greater playback times, improve sound quality, and to limit the physical extremes that would otherwise arise from recording analogue records without such equalization.

The RIAA equalization curve has operated as a de facto global industry standard for the recording and playback of vinyl records since 1954. Prior to that time - mainly between 1940 and 1954 - each record company applied its own equalization; there were over 100 combinations of turnover and rolloff frequencies in use, the main ones being AES, LP, NAB and FFRR.

Before 1940, most records were cut flat, with a low-pass turnover of 6 dB/octave below 300 Hz to 800 Hz. This included broadcast recordings (transcriptions) and motion picture recordings before sound-on-film. If you play a pre-WWII 78rpm record through a modern preamp, you will effectively be playing it with a scratch filter whose cutoff begins at 2200 Hz, giving lack of high frequencies and muffled voices.

RIAA equalization is a form of preemphasis on recording, and deemphasis on playback. A record is cut with the low frequencies reduced and the high frequencies boosted, and on playback the opposite occurs. The result is a flat frequency response, but with noise such as hiss and clicks arising from the surface of the medium itself much attenuated. The other main benefit of the system is that low frequencies, which would otherwise cause the cutter to make large excursions when cutting a groove, are much reduced, so grooves are smaller and more can be fitted in a given surface area, yielding longer playback times. This also has the benefit of eliminating physical stresses on the playback stylus which might otherwise be hard to cope with, or cause unpleasant distortion.

A drawback of the system is that rumble from the playback turntable's drive mechanism is greatly amplified, which means that players have to be carefully designed to avoid this.

RIAA equalization is not a simple low-pass filter. It carefully defines transition points in three places - 75 µs, 318 µs and 3180 µs, which correspond to 2122 Hz, 500 Hz and 50 Hz. Implementing this characteristic is not especially difficult, but more involved than a simple linear amplifier. The phono input of most hi-fi amplifiers have this characteristic built-in, though it is omitted in many modern designs due to the gradual obsolescence of vinyl records. A solution in this case is to buy a special preamplifier which will adapt a magnetic cartridge to a standard line-level input, and implement the RIAA equalization curve separately. Some modern turntables feature built-in preamplification to the RIAA standard. Special preamps are also available for the various equalization curves used on pre-1954 records."

Some of you might also be interested in Norm Schneiders phono remastering equalizer that is available from Smart Devices

Mark

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Charles Greenlee
Jedi Master Film Handler

Posts: 801
From: Savannah, Ga, U.S.
Registered: Jun 2006


 - posted 01-03-2007 08:22 PM      Profile for Charles Greenlee   Author's Homepage   Email Charles Greenlee   Send New Private Message       Edit/Delete Post 
Yes, Mark, it was already posted on the first page or 2, but quite worthy of being reposed, as well are some of the other devices previously posted. I would "run out and grab one" immediatly, but I'm not paid much better than floor employees, yet.

Btw, on a side note. If I didn't mention it before. I withdrew my resignation, and am working things out. In fact, I just dropped my second job and came on full time at the theatre, though at an overall paycut. But hopefully I can get back on tack with my jedi training, and move up to "Sound Technitian" Hopfully, not being around those crashing pins constantly will restore the suffering part of my hearing.

I have gotten more parts to work on my laser turntable, maybe make it self guiding. For now, the laser actually "reads" the track, but the tone arm is still guided by the stylus. And for now, it's mono only, and suffers from cross talk, whcih better alginment, and a slef guiding head should help a bunch.

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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 01-13-2007 04:25 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
There are some more 78s to download on my website, if anybody wants 'em...

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Charles Greenlee
Jedi Master Film Handler

Posts: 801
From: Savannah, Ga, U.S.
Registered: Jun 2006


 - posted 01-25-2007 08:29 PM      Profile for Charles Greenlee   Author's Homepage   Email Charles Greenlee   Send New Private Message       Edit/Delete Post 
I'm only getting the first n-th of a second of "To Make You Smile", "Stand to your post" sounds like its slowed, perhaps your friend was wrong. Or perhaps it was slowed down to accommodate the slideshow.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 01-26-2007 03:18 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote:
I'm only getting the first n-th of a second of "To Make You Smile",
do the "right click, save target as" option..then try to open it on your local computer ....

I'll have to post some pics of some old 100 plus year old Black Label Columbias, before they became the Columbia Grafola Company... mint condition 78 single side platters .. from my collection ..

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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 01-26-2007 04:00 AM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
As a kid I remember my Dad having a 78 (he has many) of Jerry Lewis singing a song called 'Sunday Driving'.

Anyone have that?

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 01-26-2007 05:01 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote: John Wilson
As a kid I remember my Dad having a 78 (he has many) of Jerry Lewis singing a song called 'Sunday Driving'.

Anyone have that?

chek this Radio Station page out...- Monte

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