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Author
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Topic: 70 vs. DC starring Larry Myres
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Larry Myers
Master Film Handler
Posts: 371
From: Herndon, VA, USA
Registered: Jan 2001
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posted 01-28-2006 09:57 PM
Hey, all you got to do is post the right math to you prove your point. So why not do it? It's as easy as one, two, three. I know! I know! Math, Math, I don't need no stinkin Math. Oh sorry, wrong movie.
Besides, no matter what you or I say, agree or disagree, 70mm is never coming back. In fact, as DVD copys are released at the same time 35mm hits the streets, it will mean death to the theaters and I bet death to film, 35mm or otherwise.
Digital photography has already took a big chunk out of the Rochester economy. The GM thing going on now just about killed the city. Things are really bad for film in general. Things are really bad for Rochester specifically
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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004
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posted 01-29-2006 02:26 AM
quote: Bobby Henderson At least it looked decent. But the 35mm prints had the image reduced down to a tiny window-boxed postage stamp inside the frame
(Sorry, missed this one where I could have replied sooner..)
I ran that 50th anniv. of "Fantasia" in 1990, and we had the full frame release print. With this full frame presentation of 1.33/1, we used a longer flat lens, and added more side maskings, which were of a light material to allow the left/right sound through to the screen, to fit the picture.
Excellent presentation, to say the least. Just too bad it was printed on Eastman stock instead of an dye transfer Technicolor IB stock.
the 1998 release of "the Wizard of Oz" was the "postage stamp" release by Warner Bros .Didn't look bad, but was somewhat inhibited due to the smaller frame being presented on a big screen.
quote: Greg Mueller why don't you got to a theater and see 70MM?
..especially a 70mm release that is on IB stock...
quote: Darryl Spicer Some final scenes had to be reworked after Natalie Woods death during the filming.
..yes, that was unfortunate, and the ending of the movie finished rather abruptly to save the feature instead of canning the film alltogether.
"Brainstorm" was excellent in 70mm at the Cottonwood in SLC where I saw it.
quote: Larry Myers Alien I think had two 70mm prints made.
I saw "Alien" in 70mm at the Centre (the old Centre) in SLC on a flat screen which that theatre had. Machinery were the Bauers U-2's with Strong Futura II's carbon arc lamphouses - and in a well-operated union booth.
Yet, I was wondering if "Alien" was shot in Super35 and blown up for the 70mm release since the imagery just didn't have the clarity as would if the print was shot in 65mm.
thx-Monte
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