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» Film-Tech Forum ARCHIVE   » Operations   » Ground Level   » Star Wars Episode 2 is DYING! (Page 3)

 
This topic comprises 7 pages: 1  2  3  4  5  6  7 
 
Author Topic: Star Wars Episode 2 is DYING!
Mark Lucas
Film Handler

Posts: 44
From: CA, USA
Registered: Mar 2001


 - posted 06-13-2002 03:53 PM      Profile for Mark Lucas   Email Mark Lucas   Send New Private Message       Edit/Delete Post 
Hmm... It does look like they pulled in the side masking a few feet. I'm not sure if that qualifies as "signicantly reducing the image size" though. The screen image is still a good 60 to 65'. I'll try to go there tonight for the last screening and measure the side masking.

Here's another pic of the screen


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Tom Fermanian
Expert Film Handler

Posts: 101
From: Sainte Adele, Quebec, Canada
Registered: Dec 2001


 - posted 06-13-2002 04:02 PM      Profile for Tom Fermanian   Email Tom Fermanian   Send New Private Message       Edit/Delete Post 
Very Interesting gang!, but shouldn't this topic become "Mann's Chinese screen size differences"??

I'm curious about topic SWep2 Dying,
ps. keep up the good work!

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-13-2002 04:10 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
And with that let's make this entry into the Mann's Chinese "screen shots" the last one. Unless the pictures are taken from the same seat, posting these doesn't really show much differences due to the perspective. Plus it just slows down loading time for our loyal dial-up members.

Hopefully Mark can do an actual measurement as hard data.


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Paul Linfesty
Phenomenal Film Handler

Posts: 1383
From: Bakersfield, CA, USA
Registered: Nov 1999


 - posted 06-13-2002 04:27 PM      Profile for Paul Linfesty   Email Paul Linfesty   Send New Private Message       Edit/Delete Post 
Well, SOMEWHAT back on the topic, Mann's Village theatre is also giving up STAR WARS: AOTC tonight (the same four-week run they had for Episode 1). I'm guessing these two LA showcases (considered the most prestigious by many (notice I did NOT say by ALL)) got the special terms because of their visibility in prime theatre locations.


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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 06-13-2002 09:41 PM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
Oops, I thought Windtalkers was later this summer. I hope my theater can get out of the eight week contract, because that show is doing no business anymore. And I want to see a real movie shot on film in DLP, so I really hope we get Windtalkers.


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Charles Everett
Phenomenal Film Handler

Posts: 1470
From: New Jersey
Registered: May 2001


 - posted 06-14-2002 07:52 AM      Profile for Charles Everett   Email Charles Everett   Send New Private Message       Edit/Delete Post 
Episode 2 sheds 763 theaters for its 5th week (per Box Office Mojo). The Edgewater Multiplex in New Jersey drops the DLP but keeps 2 35mm prints.

Ken L: Windtalkers opens today. The Regal listing (via Fandango) doesn't specify whether it's in DLP.


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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-14-2002 08:35 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Ken Lackner said: "I want to see a real movie shot on film in DLP, so I really hope we get Windtalkers."

I saw the DLP-Cinema screening of "Windtalkers" at ShoWest. I was especially disappointed by the limited tone scale, primarily the lack of highlight detail (look at the sunlit rocks and highlights of the fleshtones), and the poor black level (look at the night scene with the drunken Nicholas Cage among the graves). Unfortunately, I also had to sit quite close to the screen in the Paris Hotel Le Theatre des Arts, so the pixel structure was easily seen in the highlights and titles.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 06-14-2002 08:45 AM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
I am not with Regal anymore. Cinema Wolrd, in Melbourne, FL, is the theater I work at. Regal does not have any DLP. Good for them!

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-14-2002 08:52 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Ken said: "I am not with Regal anymore"

Then a new photo of you would be appropriate.



------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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Jesse Skeen
Phenomenal Film Handler

Posts: 1517
From: Sacramento, CA
Registered: Aug 2000


 - posted 06-14-2002 01:35 PM      Profile for Jesse Skeen   Email Jesse Skeen   Send New Private Message       Edit/Delete Post 
Though the "What's wrong with me" comments sounded like people who would work at Regal (meaning the ones telling you to relax while they thread out of frame!)


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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 06-14-2002 07:35 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
Hey, the Regal booth people here in Eugene consistently thread in frame! Unfortunately their prints seem to be dirty within a matter of days. The booth is partially open to the lobby and this can't be good for film hygiene (no excuse for not having film cleaners though I guess). So the lesson is see the movie on its opening day and it will probably look great. After that, all bets are off. Ep2 was surprisingly dirty on only its 3rd day but looked absolutely pristine on the 1st day. I've noticed this dirt problem on other movies there too. If they could get this problem under control it would be a great improvement to their presentation quality (after opening day or so).

Ken, you really need to submit a new picture, or else maybe digitally edit out the Regal logo from your shirt. Maybe replace it with "Xenon Molestor & Film Handler Workaholic" or something.


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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 06-17-2002 12:19 AM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
David, was that the old Rose Theatre in Portland? That one had the projection booth sitting on top the lobby like a balcony. I kind of liked it when I saw it, but it sure was noisey to hear all the projectors running when buying gedunks from the concession stand.

They must have been a bear trying to keep the machines clean with all that popcorn grease and smoke floating around in the air.


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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 06-17-2002 12:27 AM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
quote:
Then a new photo of you would be appropriate.

Cough, cough...ahem...Brad.

Seriously, I have submitted a new photo. Brad has told me it will be posted when he does the next batch of registrations. I'm so excited, I can hardly wait!


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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-17-2002 12:33 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
David, the only way a print can get that dirty over 3 day's time is if there is a major shedding problem. If you see it on every print, then my guess is the projectionists are not cleaning out the projectors after each show, so the last run's dirt has turned into a hard deposit and is now scraping off new dirt on the next run. (That's the best way to destroy a SRD or SDDS track too.) If it is a Regal theater, all they have to do is fill out a form and fax it and they can have a bottle of FilmGuard in about a week's time from their booth supplier. They should at least use it to wipe the edges of their prints to cut down on most of that shedding. My Episode II prints look better now than they did on opening day. No shipping dirt or any distraction. (George needs to get his butt down to Dallas!)

Ken I'm sorry, but did you say something.


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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 06-17-2002 12:49 AM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
What? Me, say something? I was merely clearing my throat. Sorry 'bout that.

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