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This topic comprises 6 pages: 1 2 3 4 5 6
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Author
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Topic: The Psychology of Showing DVD/BluRay
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Eric Hooper
Jedi Master Film Handler

Posts: 532
From: Fort Worth, TX, USA
Registered: May 2003
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posted 10-27-2010 04:08 PM
quote: Mitchell Dvoskin To answer the original question...
Film, to many of us, has a different look and feel, for lack of better words, from video. Both can look good, but it is not the same.
Additionally, for many of us so-called "film buffs", the reason we go out to see a classic film in a theatre is to see it the way it was originally shown. It's all part of the total experience.
As to picture quality, it may look acceptable, it is not. We are not talking about 2K-4K D-Cinema, but DVD at ½K or BluRay at 1K. Upconversion always leaves artifacts. Maybe you can't see the difference, but I sure can on a big screen.
For myself, I can think of no circumstance where I would pay money to see a DVD/BluRay in a public venue. These are consumer home formats, and I am quite capable of watching them at home. I would feel cheated.
I agree with every point Mitchell makes here. We have a local movie theatre here that closed but then has now "re-opened" as a movie theatre and live performance theatre. They just show the movies using DVD's, and have the nerve to charge $10-15 bucks for it. Umm, I can do that at home, for way cheaper. I felt totally ripped off.
And I guess what even makes it worse for this place, is they don't even bother to hide the projector and DVD player. Both are visable in the auditorium. You see the dude push play on the DVD player! It's not like they're projecting from a booth or anything. There's no professionalism to it.
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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002
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posted 10-27-2010 05:12 PM
I would not knowingly buy a ticket to see a home-video on the big screen. In fact, there aren't that many movies (contemporary or repertory) that would get me out of my house, even on film.
I've run repertory prints of many movies and, while I love *showing* movies, rep prints are usually too flawed/compromised for me to enjoy as a spectator.
Even with new movies, when I consider the TOTAL COST of going to the movies (including the out-of-control ticket prices, the hassle of adhering to a showtime schedule, dealing with traffic, parking and an increasingly annoying, ill-mannered audience)most experiences don't justify the cost.
So, if "film done right" isn't enough to get me out of the house, Home Video certainly ain't gonna do it.
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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99
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posted 10-27-2010 09:22 PM
Agreed with David--advertising is the key here. If the program says "35mm," then I fully expect that the theatre will show a 35mm print, and would be disappointed if it showed something else (except maybe 70mm). If the program does not state the format, and the theatre normally shows 35mm film, then I think that it is reasonable for the patrons to assume that the feature will be 35mm, and to be angry if the theatre shows a different format.
If the program says DVD, 16mm, Digi-Beta, HDCAM, etc., then patrons can make an informed decision about whether to take time out of their schedule and cash out of their pockets to see the show. Some only want to see film, some prefer video, and most won't care.
As I posted elsewhere, I do believe that films made before the mid-2000s (or made later, but not released in ) should be shown on film in repertory engagements. In the case of Psycho, Mr. Hitchcock made a _film_. Not a DVD, not a videotape, not a series of bits on a magnetic platter, but an actual film, which was intended to be presented as film. To show it in another format (without making that fact clear in advance, preferably along with some reasoning (e.g. "35mm print not available" or "no good 35mm prints available") would be like holding an art exhibition with photographic reproductions instead of actual paintings. Is it better to see the reproduction than not see the work at all? Sure. But that isn't the right way to showcase artwork.
One case that I find interesting is 16mm vs. video when a proper 35mm print is unavailable. Each has its virtues. The problem is that 16mm prints are pretty much all over the map in terms of quality, but some are truly beautiful. I would not wish a pan-and-scan or badly faded 16mm print on anyone, but for something shot in Academy and with mono sound, it can sometimes look much better (or, at least, closer to the original) than the video copy.
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