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Author Topic: Is 3-D Still Going Strong?
Jesse Skeen
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From: Sacramento, CA
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 - posted 02-17-2015 12:50 AM      Profile for Jesse Skeen   Email Jesse Skeen   Send New Private Message       Edit/Delete Post 
quote: Justin Hamaker
Jessie, you are completely right on this issue. But it's not the theatres. Theatres were the ones who had to spend all the money to convert to digital projection, while studios are the ones who realize all the savings by not having to produce and handle all those thousands of prints for each movie.
So why doesn't SOMEBODY stand up to that? Yes, I know theaters don't get to keep most of the ticket money, but not many customers are going to sympathize with that- it just makes the studios look like the greedy ones, not the theaters, and in the end the customers are still shoveling out money. (And I know there are good theater owners out there and ones who are just plain greedy- I've worked for both, including one good owner who ended up selling his theaters to a particularly greedy company! I personally would only open a theater for the sheer love of it, NOT to make money. I've already gotten out of the theater business because I've realized I can't live on what it pays.) Look at some of the message boards for people who watch a lot of movies but don't know a lot about the theater business- a LOT of people there complain about the high cost of moviegoing and say they like watching movies at home a lot more. One recent thread I've seen people swear that they like 3D better at home than they do at the theaters! Something is clearly broken here, and I'm not the only one who thinks so- I've heard one person considered an "expert" by many say that the theater business is likely to "implode" in the next decade. With prices constantly going up, I have to agree- there's a point when people are going to just say "Enough!" and stop going- that's already happened with a lot of people but apparently not enough to cause any reaction on the industry's end. It's called the point of diminishing returns.

It's time for someone to think outside the box, and not just keep saying "oh well" whenever a show plays to zero customers- something I saw far more times than I can count when prices were lower than they are now.

quote: Mike Blakesley
It's a simple fact of business that if something costs you more, you have to charge more for it. Whether you LIKE it can't enter into the picture. You have to find out whether people will be willing to pay the extra before you incur the extra cost -- if they won't pay it, then you probably shouldn't invest in that technology.
I'm wondering just how much research went into that before deciding to charge extra for 3D? As I said, I could've told you at the beginning that likely wasn't going to work. On the other hand if they HADN'T been charging extra for 3D you would have seen me go to EVERY 3D movie, but since they have charged extra I've only gone to a fraction of them.

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Mike Blakesley
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From: Forsyth, Montana
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 - posted 02-17-2015 06:36 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote: Jesse Skeen
I'm wondering just how much research went into that before deciding to charge extra for 3D? As I said, I could've told you at the beginning that likely wasn't going to work.
Hindsight is 20/20. I don't know about anybody else, but before we put the 3-D in we did a survey (on "SurveyMonkey") and asked that very thing. "While we do not plan to increase our basic ticket prices, there will be a surcharge (likely $3.00) for each 3-D ticket, making our total ticket price for 3-D movies $10.25 ($8.25 for children). Are you willing to pay this type of price for 3-D movies?"

We got several hundred responses with about a 95% "yes" answer. At the time 3-D was the big new thing and people didn't care so much about the surcharge. It was only after 3-D became commonplace, and the media started running articles called "3-D: Is it really worth the extra money?" that the price objections began to surface. The debut of PLF theaters, which raise the price even more just for a bigger screen and poofier seats (no ongoing expense there!) didn't help.

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Travis Cape
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From: St. Louis, MO, USA
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 - posted 02-17-2015 06:56 PM      Profile for Travis Cape   Email Travis Cape   Send New Private Message       Edit/Delete Post 
The theater I work at has RealD. At the very least, we'd have to charge $1 to cover our additional cost. Remember, that the operator pays 50 cents to Real D. The other half of the upcharge would go to the distributor as film rental.

Now before someone jumps on me about buying the Dolby 3D system, I have seen plenty of mangled RealD glasses to know that our patrons wouldn't respect Dolby glasses.

In the past couple years, we've offered a 2D showing of the title daily. There are some that don't want to see a movie in 3D for whatever reason.

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Geoff Jones
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 - posted 02-17-2015 06:58 PM      Profile for Geoff Jones   Author's Homepage   Email Geoff Jones   Send New Private Message       Edit/Delete Post 
quote: Mike Blakesley
It's a good idea to talk to 3-D objectors and find out what their objections are.
  • I don't like 3d because the frames of the glasses obstruct the edges of my field of view.
  • I don't like the image being darker.
  • I don't like the fact that the image will go out of focus if I don't hold my head in perfect horizontal alignment with the screen.
  • I don't like the fact that 3d usually isn't perfect and I often see minor alignment issues.
And most importantly,
  • I don't like how 3d looks. It looks artificial to me. In real life, I don't notice any parallax of motion when I'm sitting still and watching something happen. I only notice parallax when I'm moving.
It's worth mentioning that I like to sit up close, so that the image fills my field of vision, and I am often moving my eyes or head around to follow the action on the screen.
(I do like 3d when used at theme parks for short attractions.)

Hope that helps,

Geoff

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Mike Blakesley
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 - posted 02-17-2015 07:16 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
Thanks. For what it's worth, I've never heard any of those objections except the brightness issue.

Objections I have heard are:

- It gives me a headache
I ask if they've seen a 3-D movie in the last 10 years and they usually say no, so I encourage them to give modern 3-D a chance. Often they come out smiling and say it's much better than they remember. If they HAVE seen modern 3-D and still get headaches, I encourage them to sit closer to the back, and maybe take the glasses off or close their eyes for a minute once in a while to give their eyes a rest.

- I can't see in 3-D
I don't have a solution for that one and I can't quite understand it, unless a person is blind in one eye.

- The glasses are uncomfortable
I agree with this one. They feel fine for awhile but they develop pressure points after a time. I tell people to take them off for a minute every half hour or so if they're uncomfortable.

- My kids won't keep the glasses on
Solution: If the kids don't want to keep the glasses on, consider bringing them to the 2-D showings. Or, just let them watch without the glasses; they'll still understand the action as well as they would with the glasses.

- I just don't like 3-D
Well...personal preference, and again that's why we offer the 2-D showings.

I am sure we have local objections to the price but nobody has ever said anything to me. I assume (hope!) it's because they know we keep our prices as low as we can.

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Jesse Skeen
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From: Sacramento, CA
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 - posted 02-17-2015 07:27 PM      Profile for Jesse Skeen   Email Jesse Skeen   Send New Private Message       Edit/Delete Post 
Been wondering how charging extra for the "premium" theaters has been working out- the Regal I used to work at re-did its biggest auditorium as an "RPX" and it's an absolute joke- it originally had a proper side-masked screen but the new screen is fixed-ratio and shows scope movies letterboxed with no masking. I saw one movie there (in 2D, because it was made that way) and the whole thing just felt more like a big video setup than a theater.

Their motivation was CLEARLY to find another excuse to charge more money than improve the experience, no surprise at all for Regal [Razz] Just a 2D movie will set you back more than usual, and then you get the extra charges for 3D on top of that! I don't know how much it's affected business, but I saw several Yelp reviews from people who were annoyed by the increased price. Someone said they went to see a "romantic comedy" and was charged extra since it was in that theater, even though it didn't really benefit from any enhancement in the presentation.

Which makes for another reason not to charge extra for 3D- sure, people might go ahead and pay more for something like Transformers, but what if somebody made a small independent movie in 3D? A smaller movie could benefit from 3D, but not be worth paying extra for to most people. (Likely the reason the last "Step Up" movie was considered a disappointment business-wise- I certainly wouldn't have paid close to $15 to see that, but importing the 3D Blu-Ray, as it wasn't even released in the US, was well worth it at around $20.)

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Frank Cox
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 - posted 02-17-2015 09:59 PM      Profile for Frank Cox   Author's Homepage   Email Frank Cox   Send New Private Message       Edit/Delete Post 
quote: Mike Blakesley
I can't see in 3-D
I don't have a solution for that one and I can't quite understand it, unless a person is blind in one eye.

I'm not blind, but I was born with one of my eyes missing a part (can't remember what it's called) so my left eye is very weak and I see colour and movement. I have almost no peripheral vision on the left side either, so if you want to sneak up on me, that's the way to do it.

The practical effect of this is that I don't see things in 3D and while I understand what 3D is in a theoretical sense, it's not the way that I see the world and I've never seen anything in 3D. A photograph, an image on a movie screen or a television set looks natural to me; that the way that things look in the real world.

When I was a little kid the optometrist decided that I had a "lazy eye" and I had to wear an eye patch over my right eye for several hours each day to correct that. Eventually they figured out that it's not a lazy eye, and that was that.

So a 3D image on my movie screen really does nothing for me personally that a 2D image doesn't do just as well since it looks the same to me. The customers like it so that's good enough for me.

If I want to check that my 3D image is actually working, I just hold the glasses in front of my right eye and look through each lens in turn. I wouldn't know for sure otherwise.

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Lyle Romer
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 - posted 02-17-2015 10:18 PM      Profile for Lyle Romer   Email Lyle Romer   Send New Private Message       Edit/Delete Post 
quote: Geoff Jones
I don't like how 3d looks. It looks artificial to me. In real life, I don't notice any parallax of motion when I'm sitting still and watching something happen. I only notice parallax when I'm moving.
This is the main reason that I don't like 3D. It doesn't look like reality at all. It always looks like a special effect and that is distracting. The actors always look like cardboard cutouts superimposed at a certain depth. The worst part is that it makes everything look smaller. You need to sit very close to the screen for it to really look "larger than life."

I think the reason it doesn't look real is because stereoscopic vision is only a small part of why we see the real world in 3D. I saw a show once on The Science Channel or a similar channel that talked about 3D. They were explaining that the main reason we see in 3D is because our heads are constantly moving around very slightly. Because of this, the brain sees the scene from hundreds of slightly different angles every second.

Basically they were saying that your brain uses this information to determine which objects are in front of others.

They showed some kind of 3D experiment that was done by projecting a single image but tracking the head movements and letting the brain see 3D that way.

Let's put it this way, if you close one eye during a 3D movie the picture will become 2D. If you close one eye sitting wherever you are now, the room doesn't suddenly collapse into 2D and you don't lose all depth perception.

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Terry Lynn-Stevens
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 - posted 02-18-2015 12:22 AM      Profile for Terry Lynn-Stevens   Email Terry Lynn-Stevens   Send New Private Message       Edit/Delete Post 
quote: Jesse Skeen
Been wondering how charging extra for the "premium" theaters has been working out- the Regal I used to work at re-did its biggest auditorium as an "RPX" and it's an absolute joke- it originally had a proper side-masked screen but the new screen is fixed-ratio and shows scope movies letterboxed with no masking. I saw one movie there (in 2D, because it was made that way) and the whole thing just felt more like a big video setup than a theater.
Putting aside whether or not members on this board think it is worth it or not, PLF and IMAX screens are very lucrative and the general population has seemed to embrace the formats. Both do very well when there is high demand for tickets and if there is a lot of anticipation or a built in audience for the movie.

Essentially both are like the extra charge for gravy on fries or butter on hot popcorn. Both are lucrative when a movie does well, and both under perform when a movie does not do as well.

To put it into perspective, Fifty Shades Of Grey broke down to roughly:

Total $85,171,450/3646 THEATRES and not screens for an average of $27,038
PLF $7,400,400/450 SCREENS not theatres for an average of $16,444 per screen
IMAX $2,100,000/75 SCREENS not theatres for an average of $28,000 per screen
These numbers are estimates for theatre and screen counts.

The highest price tickets are the VIP followed by IMAX followed by regular pricing.

quote: Mike Blakesley
Hindsight is 20/20. I don't know about anybody else, but before we put the 3-D in we did a survey (on "SurveyMonkey") and asked that very thing. "While we do not plan to increase our basic ticket prices, there will be a surcharge (likely $3.00) for each 3-D ticket, making our total ticket price for 3-D movies $10.25 ($8.25 for children). Are you willing to pay this type of price for 3-D movies?"
I imagine its better to have it and not use it all the time vs needing it for an Avatar or Gravity type feature and not having it.

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Mike Blakesley
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 - posted 02-18-2015 12:38 AM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote: Terry Lynn-Stevens
PLF and IMAX screens are very lucrative and the general population has seemed to embrace the formats.
There is still the argument that a given complex will put the biggest blockbusterish movie into its PLF house (with 3-D, if applicable) and give it the best showtimes, hence it's going to do the most business in that house, hence higher grosses. If I was going to see a movie I would certainly pick the PLF house with a big screen over a regularly-priced shoebox-sized auditorium -- not because I necessarily want the whole PLF thing, but because I don't want the shoebox thing.

I'm not denying that people seek out PLF or IMAX -- undoubtedly there are people who do -- I'm just saying you can't give the "format" 100% credit for the higher grosses.

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Terry Lynn-Stevens
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 - posted 02-18-2015 12:47 AM      Profile for Terry Lynn-Stevens   Email Terry Lynn-Stevens   Send New Private Message       Edit/Delete Post 
Mike I do agree with you, and I'm sure some others are going to add in their comments. But the general public in theory should balk at PLF or IMAX based on the surcharge. The customer must see value in the extra cost to pay it IMO.

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Bobby Henderson
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 - posted 02-18-2015 01:07 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
Why does the movie industry still track a movie's performance based on dollar grosses? The dollar figures hardly mean anything at all.

50 Shades of Grey grossed $82 million in North America over the weekend. Whoop-dee-fucking-doo. A broad guess would break that down to maybe 10 million tickets sold if we're going to be generous and perhaps more like 7 to 8 million tickets going on the conservative side. Obviously that doesn't sound as cool as "$82 million!!!!!!"

If the industry and entertainment press bothered to do the more accurate thing: count the number of tickets sold, the earnings from IMAX branded screens and other premium big screen houses wouldn't seem quite so impressive.

There are extreme price differences between what one theater playing a movie charges for tickets versus another. I could see 50 Shades of Grey for only $4.00 at the Liberty Theater in Carnegie, OK (the oldest continually operated movie theater in Oklahoma). Or I could pay damned near $17.00 to watch in what they call "IMAX" at an AMC's Northpark 15 theater in Dallas. Obviously it's not going to take very many tickets to rack up impressive looking sales figures at that Dallas theater when it's almost 4 times the price of the small town theater I mentioned.

If audiences are really favoring premium big screen theaters over standard ones I'd like to see a breakdown of tickets sales numbers versus auditorium capacity of all the houses in a multiplex showing the same movie. There's a strong chance the standard priced houses are going to have sales vs. seating capacity percentages right in line with the PBS houses.

This past weekend I watched Kingsmen: The Secret Service at a theater in downtown Oklahoma City I've visited frequently. They had 50 Shades of Grey playing on multiple screens, including the Atmos-equipped Cine Capri house that should have been playing Kingsmen: The Secret Service (read my movie review for more on that). I didn't see anyone holding out to watch 50 Shades of Grey on the huge Cine Capri screen. There were long lines of people outside any auditorium showing the movie.

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Mike Blakesley
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 - posted 02-18-2015 02:18 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
The movie industry does track the actual number of ticket sales, oh yes they definitely do. The problem is with the press (and also with the public, which for some idiotic reason cares about these numbers).

I liked it better when a movie was just a smash, a hit, a programmer, or a flop.

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Terry Lynn-Stevens
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 - posted 02-18-2015 09:26 PM      Profile for Terry Lynn-Stevens   Email Terry Lynn-Stevens   Send New Private Message       Edit/Delete Post 
quote: Mike Blakesley
The problem is with the press (and also with the public, which for some idiotic reason cares about these numbers).

I liked it better when a movie was just a smash, a hit, a programmer, or a flop.

What difference would it make? There is a segment of the population that are willing to pay a hefty premium for upgraded "experiences"...Starbucks sells different coffees, they never report how many "cups" they sell, just the overall sales.

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Mike Blakesley
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From: Forsyth, Montana
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 - posted 02-18-2015 10:16 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
True, but the public doesn't realize there is a huge difference between $100 million today and $100 million ten years ago. (Well they KNOW there's a difference but they don't think about it. They just look at the impressive big numbers.)

Studios know that if they publicized the actual ticket sales numbers they would look a lot less impressive, especially when the media pundits started comparing them with numbers from 1939 or whatever, when movies cost 50 cents.

Also there is never an article in every newspaper every Monday morning telling how many millions of dollars worth of coffee Starbucks sold over the weekend.

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