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Author Topic: Is 3-D Still Going Strong?
Terry Lynn-Stevens
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From: Toronto, Ontario, Canada
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 - posted 02-18-2015 10:52 PM      Profile for Terry Lynn-Stevens   Email Terry Lynn-Stevens   Send New Private Message       Edit/Delete Post 
All fair points Mike, but I do not see how it would increase business or make a difference to the people who go to movies. Regular moviegoers really do not care about the stuff we all talk about on this board, its kind of like how most people on this board have no idea how a car today is different from what it was in yesteryear, most drivers like what they like and drive it. Its the same thing for movies, people go to the movies and watch the movies, they don't put much thought into things.

Does anyone know that Starbucks no longer manually "Pulls" their espresso shots? Its now all automated on their machines, it changed 5-7 years ago. Does Joe Public care? Do they know? Does it matter to them? Same thing with the changes in movies theaters.

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Mike Blakesley
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 - posted 02-18-2015 11:04 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote: Terry Lynn-Stevens
All fair points Mike, but I do not see how it would increase business or make a difference to the people who go to movies.
The topic (most recently) has been reporting of grosses, so I'm not sure what you're talking about with this. People definitely care and are interested in the grosses -- there are whole websites devoted to it. Every now and then a customer will comment to me about how a movie "must be good...it did $80 million last weekend."

quote: Terry Lynn-Stevens
its kind of like how most people on this board have no idea how a car today is different from what it was in yesteryear, most drivers like what they like and drive it.
Hmm, you must not read the board very carefully. There are a lot of people on here who know INTIMATELY about cars of "yesteryear." My first car was a '73 Ford, but in our family we have cars going back to 1931. I'd be willing to bet there are WAY more car enthusiasts in the world then there are premium-large-format-movie fans.

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Bobby Henderson
"Ask me about Trajan."

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 - posted 02-19-2015 12:34 AM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
Terry steered this thread away from discussion about the good and bad of 3D and into the even more questionable area of premium so-called "large format" theater screens. Aside from the marginally bigger screens there's no way those higher priced screens are "large format"; that whole thing is a crock of [bs]

He tried impressing people with crude dollar gross figures from 50 Shades of Grey, particularly from his beloved IMAX brand theaters. Now that we've shot some giant holes through those figures he's trying to ask "why does the number of tickets sold matter?" It's just an attempt to protect that dear IMAX brand.

Let's see. $2.1 million from 75 IMAX-branded theaters. $28000 per screen. Okay, let's divide that $28000 by $13. That's approximately 2153 tickets per screen. Considering quite a few IMAX-branded theaters charge more than $13 for 2D shows and many of these theaters have at least 300 or 400 seats that 2153 tickets sold average doesn't sound so great. Neither does the 161,538 figure for overall tickets sold for IMAX theaters in opening weekend.

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Justin Hamaker
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 - posted 02-19-2015 01:09 AM      Profile for Justin Hamaker   Author's Homepage   Email Justin Hamaker   Send New Private Message       Edit/Delete Post 
In the real world, talking about how much a movie grossed is nothing but marketing. It lets the studio create extra demand by saying things like "The number one comedy in America" or "The most popular family movie of the spring". It's just a way of telling moviegoers they need to join the crowd and see this movie that "everyone" is going to see.

Realistically these numbers are meaningless without context - especially when comparing grosses on movies separated by more than a couple years. But I have had countless discussions with customers who feel that box office gross is a marker of quality, or that quality translates into big business.

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Terry Lynn-Stevens
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 - posted 02-19-2015 07:32 AM      Profile for Terry Lynn-Stevens   Email Terry Lynn-Stevens   Send New Private Message       Edit/Delete Post 
quote: Justin Hamaker
Realistically these numbers are meaningless without context - especially when comparing grosses on movies separated by more than a couple years.
What difference does it make? Even if you knew what the context was. Of course movie grosses are used as a marketing tool.

quote: Justin Hamaker
But I have had countless discussions with customers who feel that box office gross is a marker of quality, or that quality translates into big business.
And I would argue that how customers view "quality" or what is a marker of "quality" is different for every person. Most regular moviegoers usually claim that the critics take on a movie are generally wrong. Box office success often indicates mass acceptance and good word of mouth. Those fancy scores from imdb.com or Rotten Tomatoes is something I never hear regular folks talking about. I also often also hear people say, "I don't what those Oscars voters are talking about"

The fact that you are having a discussion with your customers about a movie is a good thing.

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Justin Hamaker
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 - posted 02-19-2015 08:13 AM      Profile for Justin Hamaker   Author's Homepage   Email Justin Hamaker   Send New Private Message       Edit/Delete Post 
I'm not talking about people who have seen the most popular movie and think it was a good movie. I'm talking about people who hear a movie was #1 at the box office or made X dollars, so it must be a good movie. Especially in an age where the majority of a movie's business is crammed into the first few days, it is not practical to use ranking or gross as an indicator of a movie's quality. A movie like American Sniper is the exception because it has done strong business over a period of time and as a result of word of mouth, rather than pre-release hype and marketing.

I also think you're confusing quality with value. Most people know the average Adam Sandler movie is crap in terms of movie making - poor writing, mediocre acting, and so forth. In other words, poor quality. However, many people enjoy watching Adam Sandler movies because they make them laugh. They walk out of the theatre having been entertained. Thus they feel they got value for their money.

I will agree that quality is subjective to an extent. But the average moviegoer does not watch enough movies to really know the difference between a poorly made movie and a well made movie.

It's kind of like eating a steak. If all you ever have is chuck, then you judge one chuck steak vs another. But when you have a rib eye or fillet, then you realize the chuck wasn't really a very good steak after all. Moviegoers who watch a wide variety of movies tend to be more discerning about what constitutes a quality movie.

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Louis Bornwasser
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 - posted 02-19-2015 09:48 AM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
From personal experience, I know a sizable number of people who no longer go to the cinema because of 3D. They just assume that all movies are 3D and since they don't like 3D movies, they stay at home. They now assume that all films are expensive, too. This may not be right, but it is well deserved when you remember the nonsense that occurred just after Avatar.

There is no question that some of the reduction in ticket sales in general is because of 3d's aftermath. (Bad films didn't help, either.)

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Bobby Henderson
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Bad movies and "we've seen this 1000 times before" movies are the biggest problem for Hollywood movie studios right now. Instead of taking any chances on new, untested ideas they keep feeding us the same old shit, just put into partially new packaging. It's getting bad enough that when I'm in the theater I'll hear the audience buzzing with groans and comments like "why are they remaking that" out loud when the trailer for yet another sequel or remake gets going. But you're going to go see it anyway! What the hell else are you going to do on Friday night!? Stay home and watch Shark Tank?

quote: Louis Bornwasser
They just assume that all movies are 3D and since they don't like 3D movies, they stay at home. They now assume that all films are expensive, too. This may not be right, but it is well deserved when you remember the nonsense that occurred just after Avatar.
I think the IMAX company deserves a lot of blame over this. They're the ones who showed it's possible to stick a pair of HDTV resolution digital projectors into an existing theater booth, enlarge the screen a little and then jack up the price by $3, $6 or even more than $10 per ticket, passing it off like it's real IMAX.

Big theater chains jumped on board with that. 3D was a part of the recipe, but wasn't always necessary since people could be price gouged just the same for a 2D movie (like 50 Shades of Grey in "IMAX"). Theater operators just automatically assumed no one minded if no one bothered to go out of their way to complain to management about it. The truth is people see $13, $17 or even over $20 per ticket to enter what only looks like a moderately bigger auditorium and they silently decide to just wait to see that movie on video.

quote: Justin Hamaker
Especially in an age where the majority of a movie's business is crammed into the first few days, it is not practical to use ranking or gross as an indicator of a movie's quality.
Artistic quality and popularity are indeed two entirely different things. 50 Shades of Grey isn't going to win any literary or cinematic awards from film critics and other knowledgeable film buffs. Despite the mixed reviews for the book and worse movie reviews 50 Shades of Grey ranked in a respectable opening weekend haul.

Grosses alone don't mean anything because they don't reflect actual attendance numbers, much less take into account the effect of ticket price inflation which has been pretty significant in recent years.

We live in a time now where a movie can gross $100 million and not just be a box office failure, but a complete financial disaster. I remember being impressed when movies like Jurassic Park, The Lion King and Forrest Gump crossed the $300 million gross mark. A new movie grossing $300 million doesn't impress me at all. Not one bit. Those early 1990's movies had no benefit of double digit ticket prices artificially pumping up their earnings.

The movie industry can keep on publicizing dollar gross figures if they like. But if they really want to track just how popular a movie is, particularly compared with releases from years or decades ago, they have to count how many tickets were sold.

I don't think a movie qualifies as a "hit" until 20 million people have seen it in the theater. That's not to much to ask, especially living in a nation of 318 million people. The loosely used "blockbuster" term ought to be reserved for movies that sell 50 million or more tickets.

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Terry Lynn-Stevens
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 - posted 02-19-2015 02:17 PM      Profile for Terry Lynn-Stevens   Email Terry Lynn-Stevens   Send New Private Message       Edit/Delete Post 
quote: Justin Hamaker
I'm not talking about people who have seen the most popular movie and think it was a good movie. I'm talking about people who hear a movie was #1 at the box office or made X dollars, so it must be a good movie. Especially in an age where the majority of a movie's business is crammed into the first few days, it is not practical to use ranking or gross as an indicator of a movie's quality. A movie like American Sniper is the exception because it has done strong business over a period of time and as a result of word of mouth, rather than pre-release hype and marketing
Justin why do you care so much? So would it be any different if they reported it as "how many tickets were sold" instead of dollar figures?

It is hard enough to get people to go the movies, usually when a movie that is doing really well at the box office it seems to suggest that the movie is pretty good, not always but more often then not the critic, polls, Cinemascores and Rotten Tomatoes or IMDB would agree.

quote: Justin Hamaker
But the average moviegoer does not watch enough movies to really know the difference between a poorly made movie and a well made movie
Sure they do, you Justin just think you are smarter than them, which you are not.

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Mike Blakesley
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 - posted 02-19-2015 03:25 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
How smart a person is, or isn't has nothing to do with it. It's all objective. A "movie snob" might look at something like "This Is Spinal Tap" and think, wow, this is a poorly made movie. But a person who enjoys that type of movie would love it. They don't necessarily care about things like camera angles, composition, the sound mix or whatever. Some people are more picky or critical than others.

There are a lot of movies I like that aren't necessarily "well made" but they tell a story I like and/or have people I like to watch in them.

quote: Bobby Henderson
if they really want to track just how popular a movie is, particularly compared with releases from years or decades ago, they have to count how many tickets were sold.
We have to report all our opening/closing ticket numbers, so you can be sure they DO track how many tickets are sold. They just don't publicize (or even release) those figures. Even Rentrak doesn't show that information, although the studios might get a more detailed version of Rentrak than we do.

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Terry Lynn-Stevens
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 - posted 02-19-2015 03:36 PM      Profile for Terry Lynn-Stevens   Email Terry Lynn-Stevens   Send New Private Message       Edit/Delete Post 
quote: Mike Blakesley
We have to report all our opening/closing ticket numbers, so you can be sure they DO track how many tickets are sold. They just don't publicize (or even release) those figures. Even Rentrak doesn't show that information, although the studios might get a more detailed version of Rentrak than we do.
What difference would it make if they were published?

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Frank Cox
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quote: Mike Blakesley
We have to report all our opening/closing ticket numbers
I email the total amount of ticket sales (dollars and cents) to Rentrak every night but have never sent them the number of tickets sold.

I send a pdf of a spreadsheet that does show actual ticket numbers for each night to the respective film company at the end of each week when I finish playing their movie but prior to that point nobody gets the number of tickets sold. I've never been asked for that information; everyone seems happy enough with the total sales in dollars and cents.

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Mike Blakesley
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 - posted 02-19-2015 06:17 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote: Terry Lynn-Stevens
What difference would it make if they were published?
Probably none. It would just make the numbers less sensational, as has been pointed out multiple times already.

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Terry Lynn-Stevens
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From: Toronto, Ontario, Canada
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 - posted 02-19-2015 06:42 PM      Profile for Terry Lynn-Stevens   Email Terry Lynn-Stevens   Send New Private Message       Edit/Delete Post 
quote: Mike Blakesley
It would just make the numbers less sensational, as has been pointed out multiple times already.
And what good would that do for theater owners like yourself and others? I don't get why everyone on this board bitches and complains about shit like this all the time, they post the movie grosses for marketing, we all know that. Operating a movie theater is about making money, and if that gets people in the door then so be it.

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Claude S. Ayakawa
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 - posted 02-19-2015 07:37 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
What happened to the 3D discussion? [Confused]

-Claude

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