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This topic comprises 7 pages: 1 2 3 4 5 6 7
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Author
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Topic: "Classic" movies you hate...and why
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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999
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posted 07-06-2010 12:57 PM
JULES AND JIM. Gag me with a spoon. Had absolutely no emotional or intellectual connection for me. None, unless you can say bored to tears is a connection. Who cares about these people? Just typing the title I feel asleep.
Both GWTW and THE TEN COMMANDMENTS bore me to death except for the spurts of laughter at the stilted, dumbass dialog and laughable acting style (was there any director on the set of these pictures screaming, "All of you, STOP OVER-ACTING!).
BUT, and it's a big but, in spite of being unimpressed with them, I did LOVE running them. Because the BEST thing in both these films are the great, powerful scores. And the thrill a projectionist gets doing the Intermission "rubric."
In a perfect world, I could run the opening reel, the reels before and after the intermission and the last reel, and let some other poor slob run all the other reels in between, or, do the audience a favor and just skip them altogether.
2001 -- incredible; AND the one thing I would disagree -- you SHOULDN'T read the book. It is much more etherial if you can let your imagination run with the unanswered questions, because Kubrick gives you enough that it will make sense based on your own interpretation of what you are seeing and what your imagination brings to the film. How he could make such a "personal" statment and yet with such an epic scale. An incredible acheivement.
But I do respect those who give it two yawns, although I don't understand it. I guess it's just not everyone's cup of tea.
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Paul Mayer
Oh get out of it Melvin, before it pulls you under!

Posts: 3836
From: Albuquerque, NM
Registered: Feb 2000
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posted 07-07-2010 12:43 PM
For me, 2001 becomes a huge waste of time when trying to watch it on any video format. Even on 35mm the film looses a lot of its impact. If you haven't seen 2001 in at least 70mm (preferably on a Cinerama screen) you really haven't seen it. The film truly needs and uses every square inch of a giant screen and every last line-pair of resolution available from 65mm origination.
Kubrick composed and edited it for a very large screen, lingering on many shots to give the audience time to take in all the details in those beautiful wide images. Sorta like IMAX, another group of films that have their own rules for composition and editing; a whole group of films that generally don't work well on anything less than an IMAX-sized screen.
To a lesser extent, all of those spectacular roadshow event films suffer on a small low-def screen (yes, even 1920x1080p is "low-def" here). Many of the titles you guys are dissing here fit into that category. They were all meant to be seen in a theater - no thought was given at all to how they'd look or sound on video. Sadly for a lot of you, video is probably the only way you've seen most of these titles. Do yourselves a favor and figure out a way to see any of these titles as they were meant to be seen.
Video copies of any of these kinds of films are a waste of time. At best, video, even HD video, is a thumbnail.
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