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Author
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Topic: Most Painful Mistake?
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Jason R. Weinsteiger
Film Handler
Posts: 34
From: Kutztown, PA, USA
Registered: May 2000
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posted 05-21-2000 11:39 PM
scott sayeth:"How does one zap oneself using a Christie platter? Is there some "do not touch this part" part that is electrically live? Or is this a static problem with ESTAR-base film and the fiberglass decks of an AW-2?" ----- it's not the platter, it's the lightswitch. The platter just provides a nice place for the current to go after it travels through me jasoN ------------------ "That's what life is - a series of down endings. All Jedi had was a bunch of muppets." -Dante Hicks
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Anthony Matarazzo
Film Handler
Posts: 30
From: Brisbane Australia
Registered: Jun 99
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posted 05-22-2000 06:53 AM
The worst projection disasters I've had almost entire print go onto floor while I was on my meal break. I can't remember the movie but what a MESS!. Took about 45min to fix. I nearly vomited all over itwhen I first saw it tangled around the take-up on the Vic 8 base.When I was training the projection dropped the print of "Das Boot" onto floor while moving it. It was impossible to pick up so I unscrewed a platter and we slid the print onto it. It worked . While running the head program during a preview I noticed that the cinema tech didn't splice the perf holes on the foil tape for the lens change, when it went through, I showed the audience what film is like when it burns. Lacing the wrong feature While I was doing the ad changes on a Cinemaccanica 35/3CNR platter the grill next the light fell off and when I went to put it back on I got zapped. The worst things I seen Dirty Diapers under the seat after a children preview Syringes Vomit - all different mixtures Human feces ( on the floor and in coke cups also urine in cups as well ) A young couple came in with a cooked chook and a loaf of bread.Lets have a picnic The usual sex senses Thanks all I can think of at the moment.
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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999
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posted 05-25-2000 01:25 PM
Here's one. I once talked a manager through changing an intermittent in a Century. He had me on the phone on his shoulder, and a screwdriver in hand (I was two states and a day or so away, working another emergency). Everything progressed fairly uneventfully, and after an hour and a half or so, he'd successfully reassembled the machine and run it in. "Great, I'll see you day after tomorrow, for the PM call."Somewhere in the middle of the Texas panhandle I thought, "Oh, no! I forgot to have him TIME THE SHUTTER!" I figured he must've hit it perfectly, because he didn't call back and a whole day had passed. A few hours later, as I walked into the theatre, I told him about my oversight and how he'd evidently aced the shutter without knowing. He allowed that he guessed so, as it looked okay to him and no one had complained. When I put the machine on the screen, however, I found it awash with travel ghost... top to bottom! ------------------ Better Projection Pays!
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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 05-25-2000 01:51 PM
Tim: In pre-historic times, when I worked at the Grandview Drive-In in Angola, NY (it's still operating), the other projectionist, Carl, and I used to hone and test our skills by changing "defective" projector, lamp, or sound system components between 2000-foot reel changeovers. At least twice each season, we would challenge each other to change the intermittent and retime the shutter on our Century C projectors. The pressure of having to do this, or change a silicon rectifier in the stack, or water-cooled silver carbon "jaws", or reflector, etc. in less than 15 minutes really kept us on our toes. The hardest part was that some of those things hadn't had a chance to cool down much before we "had" to work on them. Amazingly, we never missed the next changeover. If we had, we know we would have heard 300 horns honking in unison.The stupid (but fun) things you do in your youth.  ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Eastman Kodak Company Research Labs, Building 69, Room 7419 Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com
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