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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Most Painful Mistake? (Page 9)

 
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Author Topic: Most Painful Mistake?
Paul Harnden
Expert Film Handler

Posts: 107
From: Chandler, AZ, USA
Registered: Oct 2001


 - posted 12-01-2001 05:36 PM      Profile for Paul Harnden   Email Paul Harnden   Send New Private Message       Edit/Delete Post 
Maybe it would be a good safe idea just to wear those t-shirts with the ties printed on :-).

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Tom Sauter
Expert Film Handler

Posts: 163
From: Buffalo, NY, USA
Registered: Sep 2000


 - posted 12-02-2001 02:04 PM      Profile for Tom Sauter   Author's Homepage   Email Tom Sauter   Send New Private Message       Edit/Delete Post 
A co-worker with really long hair got herself wrapped up in a take-up reel once. Luckily the motor switch was in reach and she was able to save herself (and her hair in time).

Rumor has it that Gordon always wears a shirt and tie (and a tie tack) when making service calls. Everyone should take care to tie hair back, roll up sleeves, tuck in shirt, and remove anything dangling from their person when in a booth.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 12-02-2001 02:54 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Yes I were a tie almost all the time
They are handy for mopping up any spilt beer oops I mean oil
And usually a shop/lab coat as well that is anti-static


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Paul Harnden
Expert Film Handler

Posts: 107
From: Chandler, AZ, USA
Registered: Oct 2001


 - posted 12-02-2001 03:39 PM      Profile for Paul Harnden   Email Paul Harnden   Send New Private Message       Edit/Delete Post 
Gordon,

you wore a labcoat too? I used too but everyone used to pick fun at me and call me the "crazy scientist". i didn't mind it that much and it soaked most of the oil up that would have ordinarily ended up on my white shirts, but unfortunately I ended up ripping a huge hole in it in the end. Oh well at least i know I wasn't the only one :-)

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 12-02-2001 03:56 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Shop/lab coats are very practicle as the pockets hold all sorts of stuf
Also the ones I have been using are conductive anti static so the zapping of cmos and of me is a lot less

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Paul Harnden
Expert Film Handler

Posts: 107
From: Chandler, AZ, USA
Registered: Oct 2001


 - posted 12-02-2001 04:19 PM      Profile for Paul Harnden   Email Paul Harnden   Send New Private Message       Edit/Delete Post 
Good to know, thanks :-)

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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 12-02-2001 05:06 PM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
Wouldn't lab coats fall into the category of loose clothing? I wouldn't chance it.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 12-02-2001 05:26 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
I know of several circuits that it is mandatory to wear a lab coat

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Paul Harnden
Expert Film Handler

Posts: 107
From: Chandler, AZ, USA
Registered: Oct 2001


 - posted 12-02-2001 05:34 PM      Profile for Paul Harnden   Email Paul Harnden   Send New Private Message       Edit/Delete Post 
Actually as long as it's not really loose fitting on you, you shouldn't have any problems

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 12-02-2001 05:48 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
If you look at the pictures of the Ontario Place Cinesphere you will see your truly wearing one

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Tom Wurz
Film Handler

Posts: 17
From: Highland,CA USA
Registered: Jun 99


 - posted 12-06-2001 04:03 PM      Profile for Tom Wurz   Email Tom Wurz   Send New Private Message       Edit/Delete Post 
Hey,
I don't know if this was mentioned already, but my most painful mistake was when I had a manager start movies while I worked on a brain wrap.

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Paul Harnden
Expert Film Handler

Posts: 107
From: Chandler, AZ, USA
Registered: Oct 2001


 - posted 12-06-2001 11:32 PM      Profile for Paul Harnden   Email Paul Harnden   Send New Private Message       Edit/Delete Post 
Tom,

I had a similar incident happen to me when I was trying to fix a reverse wrap, my dumbass of a GM at the time thought it would be a great idea to start it. I had to run and grab the top guidance roller above the projector head to keep it from jerking to the side from all the tension, I hated that guy.

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Bob Healey
Film Handler

Posts: 93
From: Milford, CT
Registered: Sep 2001


 - posted 12-13-2001 01:57 AM      Profile for Bob Healey   Email Bob Healey   Send New Private Message       Edit/Delete Post 
Not physically painful, nor a mistake per se, but
Was running a show of Shrek on campus. 1st show of the night (7pm) Many of the professors etc had brought their kids to see the movie. During the 16mm Bugs Bunny cartoon we were showing before the main feature, the Eiki decided to eat a few frames. Had to changeover from cartoon to reel 1. Audience was not too pleased. The cartoon ran through the projector fine 20 min before show, then I took it off to rewind, and rethreaded it. After Shrek let out, I pulled the cartoon off to examine it, turned out to be two torn sprocket holes, after applying some splicing tape, the cartoon ran fine for the 9:30 and midnight shows. The onlu was you could consider me at fault is I was not in the booth at the time, but in the auditorium checking sound level.

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Bill Enos
Film God

Posts: 2081
From: Richmond, Virginia, USA
Registered: Apr 2000


 - posted 12-14-2001 05:12 PM      Profile for Bill Enos   Email Bill Enos   Send New Private Message       Edit/Delete Post 
Many years ago one of my coworkers was training a new man. After an appropriate time he seemed to have everything down pretty well so my friend was going to have the new guy run the whole shift while he watched. About 3 changeovers into the second show the new guy pulled the arc switch & instantly opened the lamp and grabbed the still white hot carbon tip to change it. Flame from the poor guys' fingers burning flared and the odor of burning flesh filled the room. Fortunately a major hospital with a burn center was only 4 blocks away. His fingers though burned to the bone were grafted and survived. He never did come back to the booth.

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William Hardie
Film Handler

Posts: 8
From: Calgary, AB, Canada
Registered: Jan 2002


 - posted 01-29-2002 12:36 AM      Profile for William Hardie   Email William Hardie   Send New Private Message       Edit/Delete Post 
Where this is my first post, I thought this would be a good spot to make a post. I have been a Projectionist for close to 20 years and I still have mistakes (Did I say that?). Most are funny, but a couple have been painful. I won't mention them all here

The first mistake I remember doing was while I learning the Craft in 1982. I apprenticed at the Capitol Theatre in my hometown of Antigonish, Nova Scotia. I learned on Century SA Projectors/Century R3 Sound Reproducers and Gaumont/Kalee President Carbon Arc Lamps. The thing I was told more than anything else to check after I threaded up was to check the carbon trim. Needless to say, I forgot and the Positive Carbon was a bit short, and the patrons missed seeing Tom Selleck and Bess Armstrong landing at the mission in the film "High Road To China". The last thing that was seen was the waterfall. Then the light went out. Talk about the Intercom Buzzer going off.

Another funny thing that happened while I was still apprenticing was when we opened Monty Python's "Meaning Of Life". If you remember, this film came with a Short for Reel #1 that actually tied into the film later on. We run Reel #2 as Reel #l after our House Trailers Reel as the start of Reel #2 said "Our Feature Presentation". Then went into Reel #1 with the short. Where it was a Monty Python film, no one noticed and it looked like it was supposed to run this way. It was on the second show, we realized we were running the reels wrong.

But the most painful experience was after I took over the Capitol's Booth as Main (And I should add "only") Projectionist and having my carbons go out in Lamp #2 while the show was on (we were using Marble) and opening up the door to the Lamp then striking an Arc. I had spots before my eyes for awhile. Of course this was close to a changeover.

In later years I almost ripped my finger off breaking down a print from a Strong AP3 Platter by catching my finger on a fin on the underside of the platter deck. (But That's Another Story)

This is all for now.

MW


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