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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » "2001:A Space Odyssey" re-issue (Page 4)

 
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Author Topic: "2001:A Space Odyssey" re-issue
Sean Weitzel
Jedi Master Film Handler

Posts: 619
From: Vacaville, CA (1790 miles west of Rockwall)
Registered: Dec 1999


 - posted 01-13-2001 03:57 AM      Profile for Sean Weitzel   Email Sean Weitzel   Send New Private Message       Edit/Delete Post 
Everyone has been talking about "..horrible pink scratched..." 70mm prints.. what ever became of the very nice (billed as freshly struck which I believe) mag 70mm print that played the Cinerama Dome in LA back in 1995?

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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 01-14-2001 06:15 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
I remember being told a while back that the European Union had banned (or was about to ban) one of the chemicals used in the mag striping process because it was environmentally unfriendly, and that as a result, 70mm mag striped prints would never be struck anywhere in the EU again (presumably this doesn't rule out importing them from elsewhere).

Sorry to be so vague - does anyone know anything further on this?

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John Eickhof
Jedi Master Film Handler

Posts: 588
From: Wendell, ID USA
Registered: Jan 2000


 - posted 01-14-2001 11:53 PM      Profile for John Eickhof   Author's Homepage   Email John Eickhof   Send New Private Message       Edit/Delete Post 
I ran 2001 on it's first re-release in 1976 ,in both 4 track 35 & 6 track 70, I would actually prefer it in DTS as the cleanliness of the sound would be greatly appreciated! Remember how many 'silent' space scenes there are! The Dolby system will only remove a portion of mag surface noise!!! So, my vote is for DTS. Granted the mag tracks were spectacular, But in this day of 'push button' operators, and many open magnetic field producing devices in the booth, DTS will simply prove to be more reliable and certainly less expensive to release! As of the last few years, ALL Mag striped prints are recorded after processing, MANUALLY! this is an expensive and time consuming job! Not to mention that no two prints are thus mixed alike! So, variables abound! Where a timecode optically printed, and the sound remastered on CD Rom, I can't think Mag could ever touch it for quality!

------------------
John Eickhof President, Chief Slave
Northwest Theatre Equipment Co., Inc.
P.O.Box 258
Wendell, ID. 83355-0258
208-536-5489
email: jeickhof@nteequip.com

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John Walsh
Film God

Posts: 2490
From: Connecticut, USA, Earth, Milky Way
Registered: Oct 1999


 - posted 01-15-2001 12:51 AM      Profile for John Walsh   Email John Walsh   Send New Private Message       Edit/Delete Post 
I agree: 70mm mag is just too expensive today.

But, I would politely disagree with with you, John. The best soundtracks I ever heard were with SR-70mm mag. Where I work, we have 4 THX, bi-amped theaters with digital(three SR-D, one DTS.) The digital sounds very good, but mag is (IMHO) better.

I admit, I don't know exactly what it is.. a certain clarity, warmth, richness... It's funny how we use words for other senses to describe sound. I understand that if you were to measure all the elements that make up sound (S/N, dynamic range, freq response, IM distortion, etc.) digital would probably have better techinal specifications.

But, (consistantly) my ears tell me 70mm mag sounds best. I know a soundtrack may not be reproduced *exactly* perfectly- 70mm may "color" the sound. I only know that it's right- because it sounds best.


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Dick Vaughan
Phenomenal Film Handler

Posts: 1032
From: Bradford, West Yorkshire, UK
Registered: Jul 2000


 - posted 01-15-2001 02:15 AM      Profile for Dick Vaughan   Author's Homepage   Email Dick Vaughan   Send New Private Message       Edit/Delete Post 
John,

4 hours to convert from 35mm to 70mm? What projectors are you using?

It takes a fraction of this time on a Vic 8 ,pause for torrent of US based Cinemeccanica abuse

Leo

As far as I have heard the only two places that you can get mag striping done now a days are those two environmentally aware countries Mexico and China.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 01-15-2001 05:48 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
AFAIK, the solvents used in magnetic striping are not banned. But new environmental regulations (especially in Southern California) would require massive investment in "scrubbers" and recycling that is not justified by the small volume of striping business. Audio tape, video tape and floppy disks will continue to be made, because the large volumes justify the investment.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 01-15-2001 06:46 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
America Film and Tape in California still does stripping (they are currently striping new prints of A Place to Stand)
Mag SR usually outperforms any of the digital systems in both dynamic range and distortion and noise should not be a problem with modern oxides, heads and preamps
The only machine that I have found to take 4 hours to convert is the Ballantyne Pro35/70
The DP70 is one of the faster ones

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Dick Vaughan
Phenomenal Film Handler

Posts: 1032
From: Bradford, West Yorkshire, UK
Registered: Jul 2000


 - posted 01-15-2001 07:06 AM      Profile for Dick Vaughan   Author's Homepage   Email Dick Vaughan   Send New Private Message       Edit/Delete Post 
Gordon

As always your news from across the pond adds to my knowledge.

New prints of A Place To Stand?
Ontari-ari-ari-o !!
I haven't seen that for nearly 10 years.
It's an interesting film but why new prints? Do you still run this at Ontario Place?

Is there a spare print that we may be able to borrow sometime for a festival screening?

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John Eickhof
Jedi Master Film Handler

Posts: 588
From: Wendell, ID USA
Registered: Jan 2000


 - posted 01-15-2001 01:25 PM      Profile for John Eickhof   Author's Homepage   Email John Eickhof   Send New Private Message       Edit/Delete Post 
To John Walsh...No offense taken!!! I can only remember when I ran it in straight 35 mag & 70 mag, at that time we had no noise reduction, so I can not fairly compare with SR-70 mag or simular new processes. I can only say that digital would far exceed the track quality of the 1974 prints I ran! I too have always preferred the 'sound' of mag! That's why many of the films I have collected through the years are either straight mag only or mag/opt!

For Gordon, I agree that due to scan speed of the mag that the quality is there! And the
newer mag oxide coatings are indeed better
nowadays, but the vulnerability of the oxide to wear, abuse and magnetic fields leaves the probabilty of a lasting high quality run in the average multi plex very unlikely! How many people take and de-gauss there sprockets, film traps, etc on a regular basis, and how many even have a way to check for magnetism in these items?? I am sure besisdes a few old timers, techs and projectionists, and really serious theatre
owners, The average multi plex equipped with 70mm mag isn't even aware of the extra maintenance required! So I still stand on the
virtue of digital sound as the best all around way to reproduce with little or no degradation and minimal maintenance!
The average audience is not going to hear any difference between mag & digital anyway!! It's only nuts like me that like that stuff including vacuum tube amps!!! Oh well...

------------------
John Eickhof President, Chief Slave
Northwest Theatre Equipment Co., Inc.
P.O.Box 258
Wendell, ID. 83355-0258
208-536-5489
email: jeickhof@nteequip.com

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 01-15-2001 10:53 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
The new print of A place to stand is being struck for a awards ceremony for Chris Chapman the originator of the film and also a new print of Volcano
FYI North of Superior is also getting a new print
All will run this summer at Ontario place for our 30th anaversary

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 01-16-2001 05:57 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
"North of Superior" was the first of many IMAX films that I've enjoyed. I recall it was around October 1971 at Ontario Place in Toronto.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com

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Dick Vaughan
Phenomenal Film Handler

Posts: 1032
From: Bradford, West Yorkshire, UK
Registered: Jul 2000


 - posted 01-16-2001 07:19 AM      Profile for Dick Vaughan   Author's Homepage   Email Dick Vaughan   Send New Private Message       Edit/Delete Post 
John's right. NofS is a fine Imax film and one that a lot of current large format film directors/producers should see.We have a much loved ,previously enjoyed print with over 3000 passes on it which we have held since 1984 . I would love to see a brand new print. " What kind of man would come to this country...." Perhaps I can make it to Lakeshore this summer ,well I can dream.

Volcano is an interesting one as well especially when you hear the story about how it was made. Tripod legs melting in the Lava flow etc

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 01-16-2001 08:31 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
A Place to Stand is interesting as it one several Academy Awards in 1967
Best short subject
and technical awards for the optical printer used to composite the multi images and its inventor

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Dick Vaughan
Phenomenal Film Handler

Posts: 1032
From: Bradford, West Yorkshire, UK
Registered: Jul 2000


 - posted 01-16-2001 09:12 AM      Profile for Dick Vaughan   Author's Homepage   Email Dick Vaughan   Send New Private Message       Edit/Delete Post 
We have just had confirmation that we will be screening the new 70mm print of 2001 as part of the Widescreen Weekend segment of the Bradford Film Festival.

This will be the first screening in the UK after the print returns from the Berlin Festival and before it starts a run in London.

Tickets are not on sale yet but keep an eye on http://www.bradfordfilmfestival.co.uk for details

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Martin Frandsen
Master Film Handler

Posts: 270
From: Denmark, Europe
Registered: Jun 99


 - posted 01-16-2001 12:32 PM      Profile for Martin Frandsen   Email Martin Frandsen   Send New Private Message       Edit/Delete Post 
Just got some bad news - 2001 will not be released in Denmark. As i understand ONLY 70mm prints will be made, and with the high price attached to such a print ( and printing subtitels ), the film depot will not spend the money. I beleave it was first intended to make 1 print to share between Sweden, Norway and Denmark, and with-out subtitels. Why not?

------------------
Martin Frandsen
Film crazy!, Big 70mm fan!


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