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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Batman vs superman in 70mm (Page 8)

 
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Author Topic: Batman vs superman in 70mm
Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 03-26-2016 06:24 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
It is possible to put a switch on the LED in a BACP reader. It has been a while but as I recall, there is a Molex KK type plug on the board that has the LED power on it...merely break the circuit there. I seem to recall mounting a switch through one of the holes on the top of the reader so one had an on/off switch.

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David J Hilsgen
Expert Film Handler

Posts: 192
From: SAUK RAPIDS,MN . USA
Registered: Aug 2004


 - posted 03-26-2016 08:59 PM      Profile for David J Hilsgen   Email David J Hilsgen   Send New Private Message       Edit/Delete Post 
I knew about the led adjustment, but the player wasn't kicking enough over, as soon as i connected the other player led got brighter,I'm sure they were off at the heights, were i borrowed the one from ,he run digital most of the time,but it was made in 2000 15yrs old. we went out & bought one off of ebay that came from the manufacturer for datastat, then we also just bought one from MTE on ebay they take 35mm ones & put the spacers in to make them into 70mm, hopefully they work well.now we will have our to readers. I just like having 2 reader it saved the show for me, a few times. Is that supply for the reader, led on that time code card in a 6d,thanks for your help.

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Tyler Purcell
Expert Film Handler

Posts: 180
From: Van Nuys, CA
Registered: Dec 2015


 - posted 03-27-2016 01:38 AM      Profile for Tyler Purcell   Author's Homepage   Email Tyler Purcell   Send New Private Message       Edit/Delete Post 
Little report on my viewing of Batman v Superman tonight. I must say, the guys at Arclight Hollywood know their stuff. I have NEVER seen bad projection there and tonight was no different. Absolutely 100% stunning 5/70 projection. The print was flawless, not a single scratch and the rare speck of dirt. Focus was perfect, no registration problems and even the splices had no dirt leading up to or after. I mean, this is how movies SHOULD be presented and it really shows you how bad other projectionists are in how they treat prints. This is not rocket science, but it can go wrong very fast if you're not careful.

In terms of the movie? Well, it wasn't really worth watching. Ya know, it's one of those silly films that doesn't mean anything. I went for the sheer pleasure of not seeing something projected in digital mess. Maybe worth while for "film" fan's, otherwise it's absolutely a skip.

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Rachael Barbash
Film Handler

Posts: 31
From: Columbus, Ohio, US
Registered: Feb 2009


 - posted 04-02-2016 11:00 AM      Profile for Rachael Barbash   Author's Homepage   Email Rachael Barbash   Send New Private Message       Edit/Delete Post 
Wondering if anyone here played this. We just got our print in from Seattle - an 11am delivery for an 8pm show - and it's combination locked. Being Saturday, no one will get back to us. Does anyone here have the combo? I'm just kinda hoping here that each print didn't have an individual combination but I'm in a panic so I thought I'd ask anyway.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 04-02-2016 11:12 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Seattle Cinerama only played it for one week? I thought it was a 2 week minimum. And you didn't start playing it last night?

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Rachael Barbash
Film Handler

Posts: 31
From: Columbus, Ohio, US
Registered: Feb 2009


 - posted 04-02-2016 11:24 AM      Profile for Rachael Barbash   Author's Homepage   Email Rachael Barbash   Send New Private Message       Edit/Delete Post 
Their last show was Thursday night then they shipped it our way. Actually our studio rep just contacted us with the code and it opens up every canister BUT THE FIRST. Now he's cussing over the phone because he thinks the lock got damaged in transit.

Our first show is tonight at 8, probably because of the shipping time.

UGH.

*edit* "Try hammering it open" they said about the first canister. That worked. I'm annoyed but it's open. Sigh.

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Stephan Shelley
Jedi Master Film Handler

Posts: 854
From: castro valley, CA, usa
Registered: Nov 2014


 - posted 04-02-2016 12:45 PM      Profile for Stephan Shelley   Email Stephan Shelley   Send New Private Message       Edit/Delete Post 
Seattle is playing it one week 70mm and 1 week laser digital Atmos sound. 2 weeks total just not 2 weeks 70mm.

Had one can of Interstellar that the lock would not open. Got some bolt cutters to open it with the studios permission.

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David J Hilsgen
Expert Film Handler

Posts: 192
From: SAUK RAPIDS,MN . USA
Registered: Aug 2004


 - posted 04-02-2016 01:27 PM      Profile for David J Hilsgen   Email David J Hilsgen   Send New Private Message       Edit/Delete Post 
They told me 4 week minimum cuz i was going to open my drive in with it & I passed, instead i waited 2 weeks now i'm opening on april 8 along w/ star wars & only have to run it a week. plus i'm just a weekend operation. i would think the 70mm would carry at least 4 weeks

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Terry Monohan
Master Film Handler

Posts: 379
From: San Francisco CA USA
Registered: May 2014


 - posted 04-03-2016 12:59 PM      Profile for Terry Monohan   Email Terry Monohan   Send New Private Message       Edit/Delete Post 
Just watched the 70mm film at Oakland CA's Fox Grand Lake Theatre last night. Stephan the projection man has done a great job as the print is still in great shape, no lines or scratches. The stereo split surround sound at the Grand Lake is very good on the Batman 70mm film. The Wurlitzer organ was played by Robert before the pre show. So nice that they start with DCP previews with the masking closed then open to the full large 70mm screen for the main movie. This is the only 70mm Batman/Super playing in the SF area but I hear the Imax in San Jose has It also in 70mm. This was a big week for 70mm in the SF area as the Castro showed the 70mm roadshow version of Hateful 8 with intermission ect on Fri/Sat and today Sunday 4/3 The SF Castro is playing a combo 70mm bill of The Master along with Inherent Vice on 70mm film. It's so nice to see these 70mm film prints in a large cinema with a giant screen and good sound to match in the San Francisco area.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 04-04-2016 12:06 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Times sure have changed. Used to bragging rights were for prints running more than half a year. Then towards the digital takeover point 3 months became the bragging point.

Nowadays people seem all excited with comments such as "we are 3 days into the run and not a scratch yet!"

If someone can't run a print for a measly 2 weeks without putting a scratch or collecting dirt, then they really, really, really suck at their job.

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Tyler Purcell
Expert Film Handler

Posts: 180
From: Van Nuys, CA
Registered: Dec 2015


 - posted 04-04-2016 01:31 AM      Profile for Tyler Purcell   Author's Homepage   Email Tyler Purcell   Send New Private Message       Edit/Delete Post 
I agree Brad, especially a 70mm print. I remember seeing films several months old on 35mm and there being barley a scratch or piece of dirt. I don't understand why projectionists treat film so badly today.

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Eric Carter
Film Handler

Posts: 13
From: Redmond, WA, USA
Registered: Aug 2002


 - posted 04-07-2016 05:33 PM      Profile for Eric Carter   Email Eric Carter   Send New Private Message       Edit/Delete Post 
Regarding the Seattle Cinerama run of BvS, it's actually three weeks total (1 week 70mm, 2 weeks 6p laser/Atmos). Then 1 week of THE HATEFUL EIGHT in 70mm, followed by two weeks of THE HUNTSMAN: WINTER'S WAR, followed by CAPTAIN AMERICA.

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Buck Wilson
Jedi Master Film Handler

Posts: 894
From: St. Joseph MO, USA
Registered: Sep 2010


 - posted 04-07-2016 07:51 PM      Profile for Buck Wilson   Email Buck Wilson   Send New Private Message       Edit/Delete Post 
quote: Tyler Purcell
I agree Brad, especially a 70mm print. I remember seeing films several months old on 35mm and there being barley a scratch or piece of dirt. I don't understand why projectionists treat film so badly today.
I doubt anyone is doing it on purpose. Now that film isn't being run daily, chances for damage go up as the better projectionists leave or get way out of practice, and the equipment becomes less familiar, and more dusty.

Not that any of this is a valid excuse, but I think it's worth noting it's likely all accidental and just the way it will be unless something big changes.

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Bill Brandenstein
Master Film Handler

Posts: 413
From: Santa Clarita, CA
Registered: Jul 2013


 - posted 04-09-2016 10:48 PM      Profile for Bill Brandenstein   Email Bill Brandenstein   Send New Private Message       Edit/Delete Post 
Arclight Hollywood and Sherman Oaks pulled BvS in 70mm after two weeks.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 04-10-2016 12:23 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
We are still playing them at both Dallas locations.

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