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» Film-Tech Forum ARCHIVE   » Community   » The Afterlife   » Let the HD DVD format wars begin... (Page 2)

 
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Author Topic: Let the HD DVD format wars begin...
Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 10-06-2004 09:12 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
How visibly lossy is WMV-9 when used to put feature length material into a conventional DVD/R? I have the Terminator 2 disk but haven't tried it yet and obviously would not have a new technology disk to compare against. My limited tests projecting clips downloaded from the MS site looked pretty good, I thought.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 10-06-2004 10:00 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
WMV-9 looks pretty darn good projected on a 3 chip DLP considering how absurdely compressed it is. However you don't want to get too close to the screen!

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 10-11-2004 10:49 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
quote:
WMV-9 looks pretty darn good projected on a 3 chip DLP considering how absurdely compressed it is. However you don't want to get too close to the screen!

I was distracted by the compression artifacts when it was shown at ShoWest (clips from "Beat the Devil" and other films in the BMW series). Don't sit too close, and you might be satisfied.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 10-12-2004 01:14 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
What kind of compression artifacts were these? I find compression artifacts very distracting from any distance, as artifacting almost always results in overall loss of resolution. Compression should not be used on theatrical presentations in my opinion, and should be used only moderately on Blu-Ray DVD. With the cost of storage going down, I can't think of an argument FOR compression in theaters.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 10-12-2004 10:55 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
I recall mostly blockiness, and some temporal artifacts. Contouring artifacts also were noticable in uniform density areas like skies.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 10-12-2004 05:18 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
What are temporal artifacts? Is that where one part of the picture advances but another part does not?

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Phil Hill
I love my cootie bug

Posts: 7595
From: Hollywood, CA USA
Registered: Mar 2000


 - posted 10-12-2004 05:58 PM      Profile for Phil Hill   Email Phil Hill       Edit/Delete Post 
(AFAIK, for me): It means the frame data update rate is less than the frame/field refresh rate and as such the moving objects will "ghost" along the path of the object's motion.

>>> Phil

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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 10-12-2004 07:03 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
quote: Joe Redifer
Compression should not be used on theatrical presentations in my opinion, and should be used only moderately on Blu-Ray DVD.
Much of it comes down to the rate sustained data transfer for the playback device. A disc based medium like BluRay would probably not be able to play a mildly compressed HD video stream. I certainly don't expect it to match data transfer rates of HD digital video tape or high speed hard disc systems.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 10-13-2004 11:52 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Is Phil's definition of temporal artifacting what you meant by the term, John?

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 10-14-2004 06:55 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
I usually notice any "stutter" in the action, not just the "ghosting". Although film can have "motion blur" and "strobing", the action is usually rendered smoothly.

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Phil Blake
Jedi Master Film Handler

Posts: 558
From: esperance western australia
Registered: Nov 2003


 - posted 10-15-2004 10:23 AM      Profile for Phil Blake   Author's Homepage   Email Phil Blake   Send New Private Message       Edit/Delete Post 
I wonder where It will stop , if it ever will.

As a kid I collected movies on super 8mm , which had progressed from standard 8 , then I went on to collecting on Betamax video , which fell to VHS , I then collected on laser disc which has now fallen to DVD , my collecting reluctantly continues on DVD , while wondering where It will go next, having read this , I now know.

Maybe the studios just like making lots of $$$ out of selling the same movie a thousand times over on many different formats .

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Adam Wilbert
Jedi Master Film Handler

Posts: 590
From: Bellingham, WA, USA
Registered: Mar 2002


 - posted 10-15-2004 01:37 PM      Profile for Adam Wilbert   Author's Homepage   Email Adam Wilbert   Send New Private Message       Edit/Delete Post 
... or maybe technology helps the movie look and sound better than it did before. While I won't deny the perk of selling the same essential product over again, if that were the true motivation, there would be a ton of intervening steps, instead of the relatively large technological leaps. Only people who strive for the best presentation possible need to replace their collection.
Phil, if you're really concerned with keeping up with better formats, just jump straight to the end and purchase 35mm prints!

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 10-15-2004 05:41 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
After HDTV there is something called "Ultra-High Definition" or some such nonsense. It offers up to 4000p of resolution. Dead serious.

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Liam Utley
Film Handler

Posts: 42
From: Australia
Registered: Oct 2003


 - posted 10-19-2004 07:57 AM      Profile for Liam Utley     Send New Private Message       Edit/Delete Post 
In that case i'll skip buying a BD or HD DVD player and wait another year for the UHD DVD player. I'm one of those suckers that buys superbit DVD's despite my better judgement.

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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 10-19-2004 04:07 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
Here's another thing which demands that you be careful when buying a HDTV set. According to a news story on CNN's website yesterday, some fellow with a Toshiba brand plasma TV suddenly had a bunch of cops and fireman running into his house looking for someone to rescue. His plasma screen TV was emitting a signal that a satellite picked up and interpreted as a distress signal. The frequency band emitted by the TV set is usually only used by boats. It is a mystery how the TV set was able to put out a signal strong enough that a satellite in orbit could receive it. The TV set owner was ordered to keep the thing turned off or face a $10,000 fine. Toshiba is reportedly replacing the guy's TV with a new model free of charge, sans the distress signal.

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