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Author Topic: Dolby Cinema
Manny Montes
Master Film Handler

Posts: 270
From: United States
Registered: Feb 2010


 - posted 04-26-2015 02:00 PM      Profile for Manny Montes   Email Manny Montes   Send New Private Message       Edit/Delete Post 
I'm sure the miami location they mentioned will be the aventura 24, they have one auditorium that is standalone with atmos already and an ETX. Plus they seem to get all of AMCs new toys.

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Lyle Romer
Phenomenal Film Handler

Posts: 1400
From: Davie, FL, USA
Registered: May 2002


 - posted 04-26-2015 02:42 PM      Profile for Lyle Romer   Email Lyle Romer   Send New Private Message       Edit/Delete Post 
I wonder if they will convert the ETX auditorium at Downtown Disney (soon to be Disney Springs) in Lake Buena Vista. If so, it will be interesting to see how they handle the design with the balcony.

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Terry Lynn-Stevens
Phenomenal Film Handler

Posts: 1081
From: Toronto, Ontario, Canada
Registered: Dec 2012


 - posted 04-30-2015 05:52 PM      Profile for Terry Lynn-Stevens   Email Terry Lynn-Stevens   Send New Private Message       Edit/Delete Post 
LATEST NEWS
Dolby Impresses CinemaCon with 1,000,000:1 HDR Projection Demo

by Alex Billington
April 23, 2015
Dolby Cinema

Lasers. They're the future of cinema, so you better get used to it. I've been attending CinemaCon (formerly ShoWest), the movie theater owners' convention, for the last 9 years and have seen many fantastic technical demos. One year James Cameron came and showed us his first look at High Frame Rates; one year Dolby introduced their (now everywhere) Atmos sound system with a custom install in a big auditorium where we get to see screenings. This year, Dolby held a demo of their latest offering - a system called Dolby Vision (we've written about it recently). It runs on two 4K laser projectors and they claimed that the contrast ratio they were getting up to is 1,000,000:1. Most cinemas today are barely 2,000:1. It was mesmerizing to see.

There's a few details to clear up about what we are seeing. First things first, lasers (and "HDR") are not the same thing as "HFR" (or High Frame Rates, which James Cameron is all about and many moviegoers don't like). Secondly, this High Definition Range (or "HDR") branding is actually a brand new proprietary system from Dolby installed in the Christie 4K projectors. Instead of one DLP chip, there are multiple DLP chips, designed in a way to minimize light loss so that all of the good light goes straight to the screen. That means completely crisp, clear projection with unprecedented color depth. No really, you have never seen anything like 1,000,000:1 contrast ratio. The blacks looks completely black. It all looks spectacularly more luscious.

Now here's the other thing about laser projection. Many are wondering: will I even notice a difference? The answer is, frankly, probably yes and no. If you're a diehard cinema enthusiast and visual purist like me, you will notice it immediately because there is so much more detail in the darker areas of each frame. However, not everyone may notice this at first. But the way to make them notice is giving a side-by-side comparison. At the beginning of our demo in CinemaCon, the screen comes up with some text saying something like "this is how it used to be", then the screen splits and the blacks really become black, the text fully stands out. That kind of side-by-side comparison will surely make your jaw drop, because of how much better it looks.

Dolby Cinema

I spoke with CJ Flynn of DCinemaTools.com while at CinemaCon about the Dolby system and what he knows about it. His discussion indicated that this new technology is so impressive, and Dolby is so heavily invested in perfecting the cinematic experience (including their Atmos sound), that it could cause other premium theatrical offerings to suffer when consumers start to realize just how spectacular this is. It's hard to believe that claim without actually seeing it yourself, but it sounds like (and from what I've seen here) this definitely is going to be the offering that cinema purists will always want to choose from now on. Except that even by next year, 2016, only 9 theaters in the US will have this installed. It's going to be a long roll out.

The "Dolby Cinema" branding, which is what that image above shows, refers to perfecting the theatrical experience so that light loss/reflection/noise and other potential technical drawbacks are minimal. The entire theater, from floor to seats to screen, is constructed and designed in a way so that the audio/visual experience is truly perfect. That's where you'll actually see a contrast of 1,000,000:1, because even exit signs and aisle lighting used in most theaters today add too much ambient light that detracts from the amount of depth we see on screen. This is the ideal "premium" offering that many movie lovers have been waiting for.

While I have been discussing the future of cinema for many years, after this year's CinemaCon presentation I've got a really good feeling about the direction Dolby is going with this premium "Dolby Cinema" setup. AMC is already a believer too, as they've committed to a long term partnership with Dolby as well. I can talk about it and write about it all day long, but you have to experience this yourself, see the differences between standard projection and Dolby's HDR laser, to truly feel as excited for this future as I do. It will be worth it. Especially if you love the extraordinary glory of the big screen. For more information, check out Dolby.com.

web page

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Buck Wilson
Jedi Master Film Handler

Posts: 894
From: St. Joseph MO, USA
Registered: Sep 2010


 - posted 05-10-2015 04:30 PM      Profile for Buck Wilson   Email Buck Wilson   Send New Private Message       Edit/Delete Post 
GUYS LOOK!!

Microperf!

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760lbs [scream]

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 05-10-2015 06:43 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Gonna curve that 1.8 gain screen or just live with the hot spot?

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Buck Wilson
Jedi Master Film Handler

Posts: 894
From: St. Joseph MO, USA
Registered: Sep 2010


 - posted 05-10-2015 07:09 PM      Profile for Buck Wilson   Email Buck Wilson   Send New Private Message       Edit/Delete Post 
Well the current screens are the late 90s AMC toris screens so it'll probably just stay that way.

Aaaaand that picture was oriented correctly when I posted it.....

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 05-11-2015 10:05 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Hmm and how will they get the suck on a perf screen?

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Marcel Birgelen
Film God

Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 05-11-2015 10:11 AM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
It just needs to suck a whole lot harder. [Wink]

But I don't really get this, is this screen for a Dolby Cinema install?

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Jonathan Goeldner
Phenomenal Film Handler

Posts: 1360
From: Washington, District of Columbia
Registered: Jun 2008


 - posted 05-11-2015 10:19 AM      Profile for Jonathan Goeldner   Email Jonathan Goeldner   Send New Private Message       Edit/Delete Post 
don't see any mention for the DC metro area for a Dolby Cinema screen - pathetic... AMC you suck.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 05-11-2015 10:26 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Well if they hang that on a torus compound curve frame it will just belly out in the middle so much for a concept of quality presentation.

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 05-11-2015 10:57 AM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
Is the cross section the same for micro perf? (By that I mean solid vs. openings) If the cross section is the same the suction should not change. But of course the mechanical characteristics will be different.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 05-11-2015 12:07 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Suck screens were always non perf

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Buck Wilson
Jedi Master Film Handler

Posts: 894
From: St. Joseph MO, USA
Registered: Sep 2010


 - posted 05-11-2015 12:42 PM      Profile for Buck Wilson   Email Buck Wilson   Send New Private Message       Edit/Delete Post 
Yes it's for a Dolby Cinema install

And I guess I'm wrong about the toris. But the existing screen is indeed curved, and the corners rounded.

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Marcel Birgelen
Film God

Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 05-11-2015 01:54 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
Well, if Dolby Cinema is somewhat consistent, it should end up being a 100% flat screen, so no torus and no curve and also no sucking [Wink] .

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Buck Wilson
Jedi Master Film Handler

Posts: 894
From: St. Joseph MO, USA
Registered: Sep 2010


 - posted 05-11-2015 01:58 PM      Profile for Buck Wilson   Email Buck Wilson   Send New Private Message       Edit/Delete Post 
One can hope!

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