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Author Topic: Is 3D already dying?
Hillary Charles
Jedi Master Film Handler

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From: York, PA, USA
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 - posted 08-18-2010 11:37 AM      Profile for Hillary Charles   Email Hillary Charles   Send New Private Message       Edit/Delete Post 
quote: Bobby Henderson
The budgets and technology is there to shoot entire movies in 5-perf 65mm or even full blown IMAX (Christopher Nolan is considering doing just that on the next Batman installment).
I'd love to find out that Nolan is checking out the IMAX Solido camera. Then we'd have 3D with the true IMAX quality he wants.

But I won't be holding my breath.

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Frank Angel
Film God

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 - posted 08-19-2010 03:16 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
quote:
Well, not if the trailers is any indication...There was hardly any 3D in it at all,
Mike, you are confusing 3D depth perception (stereo vision) with 3D in-your-face effects. Big difference.

In a 3D movie when the stereoscopic process is used properly, the 3D depth is there throughout the entire film and not a single object need be thrown at the audience to appreciated the dimentional depth effect, just like you don't need to have a recording of a ping-pong game to appreciate the depth of stereo sound.

When a filmmaker has nothing to say except, "here, duck because we are hurling car parts at you and they are on fire," then 3D won't save his film, and worse that than, he will give 3D a bad name. You don't need to have things throw at you in order to appreciate 3D depth; in fact, I am afraid that was exactly what was off-putting for most people years past; 9 times out of 10 those exagerated 3D "effects" don't advance the story, they are contrived and intrusive and after the first few objects come flying at you, those boring 3D effects simply become annoying. I came to see a MOVIE, not to dodge a 90 minute rock slide.

GOOD 3D is a natural with the gentle feeling of space and depth of stereoscopic vision, just like you have with your everyday natural stereo sight. You don't need to have chairs and baseballs and knives hurling at you to appreciate seeing in 3D; we see in stereo every day of our lives and can go for weeks and months without ever having to duck.

3D films full of 3D effects and nothing else was the biggest complaint the other two times 3D surfaced....and faded just as quickly as it came. Wise filmmakers won't make that mistake a third time.

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Don Furr
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 - posted 08-19-2010 06:09 AM      Profile for Don Furr   Email Don Furr   Send New Private Message       Edit/Delete Post 
Frank is absolutely right. I think the best example of 3D done right is "Dial M For Murder". Nothing in your face but great 3D.

Don

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Mike Blakesley
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 - posted 08-19-2010 07:04 AM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
Frank I agree with everything you said, but the Tron trailer didn't seem to have any depth to it, either. It just looked flat to me. At first I thought maybe the file was mislabeled or something, but there were a few depth scenes, but painfully few for such a marquee 3D film.

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Hillary Charles
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 - posted 08-19-2010 07:10 AM      Profile for Hillary Charles   Email Hillary Charles   Send New Private Message       Edit/Delete Post 
I agree, very well said, Frank. It's stunning how many times I hear or read people complaining that a 3D movie "only had a few 3D scenes." Of course, they're talking about the gimmicky stuff. Even Roger Ebert believes that's how 3D is always presented:

"There is a mistaken belief that 3-D is "realistic." Not at all. In real life we perceive in three dimensions, yes, but we do not perceive parts of our vision dislodging themselves from the rest and leaping at us. Nor do such things, such as arrows, cannonballs or fists, move so slowly that we can perceive them actually in motion. If a cannonball approached that slowly, it would be rolling on the ground."

He is an entertaining writer, isn't he? [Roll Eyes]

But the greatest quality of 3D to me is the immediacy from the sense of sharing space with the onscreen action. It makes the experience more entertaining and enjoyable.

EDIT: Mike, I was writing this before your post. I'm not impying your experience with the TRON trailer is an example of those people I mention above. [Smile]

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Stephen Furley
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 - posted 08-19-2010 10:35 AM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
quote: Frank Angel
Wise filmmakers won't make that mistake a third time.
But unwise ones will.

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David E. Nedrow
Master Film Handler

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From: Columbus, OH, USA
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 - posted 08-19-2010 11:32 AM      Profile for David E. Nedrow   Author's Homepage   Email David E. Nedrow   Send New Private Message       Edit/Delete Post 
quote: Don Furr
Frank is absolutely right. I think the best example of 3D done right is "Dial M For Murder". Nothing in your face but great 3D.
Don,

There is an "in your face" moment in DMFM. It's when the inspector pulls the key out from the stair and turns to show it "out" to the audience/Ray Milland. I'm willing to bet the only reason Hitchcock shot this in 3-D was studio pressure and the ability to do this one gag. Which stands out in the film, since it's the only time in the movie that something goes negative X.

I would also note that, while we always have stereoscopic vision, our brains don't always process the information in a 3-D space. The brain frequently goes into what is called a "low-resolution" or 2-D mode when depth isn't important. Once your brain has acquired enough information to establish the relative positions of the trunk and appendages, it's no longer necessary to process three dimensional information -- assuming the body or another object doesn't move in such a way that the brain is kicked into 3-D evaluation again.

For that reason, any 3-D film is actually a non-natural way of seeing the world. Because an artificial 3-D set of coordinates is being created within our natural 3-D space (e.g. the auditorium), the brain is forced to constantly process information that it would normally ignore. That's why 3-D can be stressful (headaches, anxiety, etc.) for some people watching 3-D.

-David

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Hillary Charles
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 - posted 08-19-2010 12:28 PM      Profile for Hillary Charles   Email Hillary Charles   Send New Private Message       Edit/Delete Post 
quote: David E. Nedrow
There is an "in your face" moment in DMFM. It's when the inspector pulls the key out from the stair and turns to show it "out" to the audience/Ray Milland. I'm willing to bet the only reason Hitchcock shot this in 3-D was studio pressure and the ability to do this one gag. Which stands out in the film, since it's the only time in the movie that something goes negative X.

But there is another shot, the famous one during the attempted murder where Grace Kelly reaches out toward the audience, as if asking us for help. In both cases, I wouldn't consider them "in your face" like a paddle-ball or native spear. Those dramatic moments are heightened by those rare uses of negative space and don't feel tacked on for the sole purpose of gimmickry.

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Don Furr
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 - posted 08-19-2010 12:50 PM      Profile for Don Furr   Email Don Furr   Send New Private Message       Edit/Delete Post 
quote: Hillary Charles was the last to post

But there is another shot, the famous one during the attempted murder where Grace Kelly reaches out toward the audience, as if asking us for help. In both cases, I wouldn't consider them "in your face" like a paddle-ball or native spear. Those dramatic moments are heightened by those rare uses of negative space and don't feel tacked on for the sole purpose of gimmickry.

I didn't consider either of the scenes (key and knife) "in your face" shots. Not compared to today's 3D product.
[Smile]

Don

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Bobby Henderson
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 - posted 08-19-2010 01:38 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
I haven't seen the 3D Tron Legacy trailer yet, so I can't make a judgment about the trailer's 3D quality. The movie isn't set to open until the end of the year. My guess is a great deal of post production work is still being completed so maybe Disney just doesn't have all the rendering work finished to show off a proper 3D trailer.

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Frank Angel
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 - posted 08-20-2010 12:40 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
quote: David E. Nedrow
Because an artificial 3-D set of coordinates is being created within our natural 3-D space (e.g. the auditorium), the brain is forced to constantly process information that it would normally ignore.
Our brains are quite capable of that and lots more. Think of all the unnatural 2D material we watch where all the cues are from forced perspective, all the while our eyes are focused on a single flat surface at a fixed distance. Wouldn't the opposite be true there -- the brain trying to gather depth information that simply isn't there? Or the very unnatural persistance of vision -- how unnatural is that, watching an image for two hours plus that is flickering at 24fps....where do the eyes and brain have THAT to deal with in real life? Why do we not stress out and have nervous break downs from that? We don't.

Think of all the high speed car chases and super quick cutting amid dizzying motion that you would never see in real life, yet we have adapted petty well to all those artificial 2D visuals quite unscathed. The brain can learn. I think some of the grave concern about detrimental effects of watching a 3D movie, at least for healthy normal people, is very exagerated by "the sky is falling" crowd who start worrying with every new technology. Just like when the first motor cars were introduced -- there was quite a popular idea going around that it would be a terrible danger to move a human body at any speeds exceeding 20mph (and I am sure some people did get stressed and anxious on their first car ride), but the resiliency of the human mind and body is quite extraordinary. It will survive the stresses of watching a 3D movie, unnatural as it may be.

quote: David E. Nedrow
3-D can be stressful (headaches, anxiety, etc.) for some people watching 3-D.

Wusses. [Big Grin]

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Manny Montes
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 - posted 08-20-2010 05:17 AM      Profile for Manny Montes   Email Manny Montes   Send New Private Message       Edit/Delete Post 
We've been running step up 3 only in 3D since its release, I've been getting a lot of "oh you only have it in 3D? What else is showing right now?"

3D definitely has a place in film, its just not for every movie as i doubt customers are going to pay $3.50 extra for every single movie they see.

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Ian Parfrey
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 - posted 08-20-2010 08:18 AM      Profile for Ian Parfrey   Email Ian Parfrey   Send New Private Message       Edit/Delete Post 
quote: Manny Montes
3D definitely has a place in film, its just not for every movie as i doubt customers are going to pay $3.50 extra for every single movie they see.
EXACTLY. Thats it right there.

Once that "wow" factor has/is worn off, then the ease at which one can watch a 2D film will become re-apparant.

There is still that little birdie in my ear saying that the 3D push was to force more screens to go digi, and I think that birdie aint too far off the mark.

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Manny Montes
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 - posted 08-21-2010 02:18 PM      Profile for Manny Montes   Email Manny Montes   Send New Private Message       Edit/Delete Post 
even getting movies for free, I see myself asking "do i really want to wear glasses for 2 hours?", is it going to be worth it or is it just a gimmick? I saw step up in 3d not only because we only had it in 3d and I had to screen it, but because everyone said the 3D effects with the "fusion camera system" were great. I loved that, it looked great, but after watching clash, cats&dogs, and other bad conversions I doubt the mainstream audience is going to bet their $3.50 extra every time a 3D movie comes out. I've heard from so many people that the extra 9 minutes of footage or whatever isn't worth paying 13.50 to see avatar again, we'll see what it's grosses are.

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Mike Frese
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 - posted 08-21-2010 03:09 PM      Profile for Mike Frese   Author's Homepage   Email Mike Frese   Send New Private Message       Edit/Delete Post 
Keep in mind that with Real 3d being the market leader (by % of screens-no other measure), you will be hard pressed to find 3d tickets being priced the same as 2d due to that $.50 per ticket royalty. Even at $1, the theater loses money in most cases as the studio takes their cut. So the 3d up charge would have to be a min. of $1.15-$1.25 to break even to what a 2d would cost.

Of course that does not take into account any of the other costs that an exhibitor may have with 3d.

Plus, I thought I read that the studios require a $2 3d charge to pay for the glasses using the Real3d system??

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