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Author Topic: Best/worst projector
Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 12-17-2004 05:53 AM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
Could someone post some pics of the Apogee please? k.thx.bye.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 12-17-2004 06:54 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Possible New Moderator
Could someone post some pics of the Apogee please? k.thx.bye.
As someone I would nominate for moderator you really should know first that its not wise to waste bandwidth.....

Mark

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 12-17-2004 06:59 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Not the best pic, but a pic nonetheless....

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 12-18-2004 12:13 AM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
Yikes! Where's the PRNDL?

The framing...um, I hesitate to call it a knob...the framing T-handle...in picture, at first glance looks like it says KRAMS on it. That would give anyone pause! [Razz]

Is there a Perigee to follow?

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Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 12-18-2004 04:02 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
That's a great picture of the Bally's showroom carpet, thanks Brad.
If you want a really long gate and an overly complicated soundhead mechanism without the framing thing in the way, just buy an Ernemann 15, that's where they "quoted" the "design innovations" from anyway.

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 12-18-2004 06:27 AM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
The current production PR-1014 has that same framing "handle" on the operator side, too. They still use the black round "FRAME" knob on the non-operator side for some reason, though.

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Richard Fowler
Film God

Posts: 2392
From: Ft. Lauderdale, FL, USA
Registered: Jun 2001


 - posted 12-18-2004 09:28 AM      Profile for Richard Fowler   Email Richard Fowler   Send New Private Message       Edit/Delete Post 
The Ernemann gate bands, even though thin in width, has a velvet strip bonded to the metal; little chance of breaking [Wink]

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 12-18-2004 09:32 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
The Ernemann 15 is not that bad of machine and the 24 or so of them in this area give us far less trouble combined than the Simplex's that are out here. The Ernemann has some quirks and I know Guttag hates the thing. As for the bands they don't break but the velvet doesn't hold up very well in a miltiplex situation. Other than the bands we have only experienced two motor failures. Some of them are approaching 9 years old... all still have their original Lasers.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 12-18-2004 03:28 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
With the pict of the Apogee, it looks like the Christie CINE X-35, has this one beat hands down without a fight! That Apogee is a "horrible" design and one ugly machine - it looks like they were starting and trying something in creativity, got confused then gave up.

I can easily see scraped knuckles working with this thing, and that's even operating that "T" handle FRAME device. (Yeah, what's was wrong with the old round "XL" FRAME knob anywho...)

Does that thing in the pict have SPECO arms? ..yeech! Kelmars and Neumades are tons better.

(UH..oh - The "EDSEL" from Strong is upon us..)

-Monte

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 12-19-2004 12:11 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
I'll take an oil bath machine over a belt drive any day and twice on Sunday....and yes you can keep your Ernemann things too. Another lousy design.

Steve

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 12-19-2004 08:19 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Steve Guttag
I'll take an oil bath machine over a belt drive any day and twice on Sunday....and yes you can keep your Ernemann things too. Another lousy design.

Seems to me that with the exception of the Apogee and a couple of Kinotons that all machines that are oil bath are also belt driven. Or should we say that all of todays projectors important parts are in an oil bath anyway... that of course would include the Christie, Simplex X-L, Century, Ernemann, DP-70, and just about every other projector out there being made today.

Mark

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 12-19-2004 03:31 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
No, no...none of this quasi-belt driven crap.

The only belt I'll tolerate is the motor to projector OR Soundhead...the rest must go. I'll take direct drive too.

All of the Kinoton D projectors are beltless...I do not count chains as belts in that I have NEVER had to change one or heard of one freying...etc.

I've always preferred the SH-10XX soundheads (gearbox) over the 5-star varients in Simplex...I like the direction Strong took with the Apogee in moving away from the belt driven soundhead.

The Norelco DP-70 had the right idea too with the beltless (except for the lower motor) projector.

One of the things I dislike most of the Kinoton E projectors are the belts and o-rings.

As to Ernemann...most recent page...belt broke that drives the sprockets...and what stupid tensioning system they have...an unsupported idler pulley.

Simplex and Kinoton remain the low-end of the service call chain for us. Keep the oil changed and they run and run...service time is much less too.

Once you get belts into the works, it becomes messy and service calls and PM times go up.

Mark, I'm surprised at your endorsement of Christie's projector since you discount Strong's efforts with the Simplex. I can think of no projector that has had as much constant tinkering as the Christie projector since it came out. I remember when they first came out..."the first projector designed by a computer" or some such nonsense...then all the changes started happening...motor changes (including all the flywheel and capcitor vaients in addition to frame size), shutter boxes, intermittent gears, pullies...heck it took them years to "discover" the curved gate and these are some MAJOR changes...then the big switch to the gearless projector...another major change. They had the most "wow-free and flutter-free" soundhead in the industry...until digital sound proved otherwise.

This isn't a pick on Christie so much as to show when a new product comes out...it isn't until it is in the field with the "sorry state of the art" operators and the real projection environment get their hands on it until you find just what needs improvement.

As to Christie being right out of the crate...Christie's assembly has always been top notch...sure a few slip out but in general...they assemble their products real well. Then again, I've had Christie soundheads (back in the solar cell days) with cross-talk so good it actually was scratching the film! Any tech that thinks that they shouldn't have to do the final alignment on an installation just isn't that good. It is great that the factory gets it 90% there but one shoudl expect that final aligment should be done in the field where it is installed.

Steve

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 12-19-2004 04:48 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Steve Guttag
The only belt I'll tolerate is the motor to projector OR Soundhead
Steve, thats a load of crap! Belts are more efficient if utilized properly and completely eliminate the need for a messy oil bath which I guess you love so much. There is only one more belt in the Christie than on a Mellennuim. Big wah who. All belts should get replaced yearly no matter the make of machine so whats one more belt.... its no big deal. All belt drive machines generate some mess form the belts wearing but the Simplex holds top honors in that catagory with the oil mixing with the belt compound on the 5 stars. I don't have much belt shedding in any of the Christies that I service. I use Film-Guard on them before they get installed [thumbsup] .

quote: Steve Guttag
Mark, I'm surprised at your endorsement of Christie's projector
In spite of Strongs improvements(and unimprovements)I've still never been a big fan of the Simplex X-L. Its an OK projector and there are certainly a large number of them in the field that can't and never will perform within SMPTE specs over the long haul. The quality just has never been there from the first machine! Those cheesy cast alumnium sprocket assys that are a pain in the ass to clean and still use bronze bushings that over time chew up the sprocket shafts..... yea, really great design! Even the Century with its sprocket shaft bushings was better in this regard. The tiny Simplex star and cam that cannot maintain accuracy over only 5 years time in normal multiplex environments, the tiny cam pin that wears flat faster than a hen can peck.... they sure sound like a hen pecking. I can go on and on about the literal hundreds of them which I have worked on and or overhauled.... should I bring up the huge variances that are in all the main castings wall thickness over the years, some of the older black ones are as thin as 3/32" up front? Ok, Strong did fix the casting dilemma....well done too.

Yes, the Christie right now is a far superior machine belts or not over the long haul and for less money too. Its performance on screen even through all its different gestations has always been consistant and much better than the X-L. There is one Christie S/N 23 thats on one of my routes.... sounds like hell but puts out an excellent ultra steady picture. This machine has only broken down once since it was first installed... lets see.... over 15 years ago and probably closer to 20.

The Christie has a better movement, better turrett, better sprocket assembly, and a far sturdier main frame made from 1/2" thick alumnium plate. OK, the change-over sucks to have to work on it. The fit and finish is second to none, makes Strong products look and feel cheap because Strong products are cheaply made.

As for checking sound heads, of course its always done... how else would I know that 99% of the time everyting at the factory is being done correctly......

P.S. The DP-70's that leave our shop ARE direct drive [Cool] . The motors also automatically jog to the thread position.

 -

Mark

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 12-19-2004 06:04 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
quote:
teve, thats a load of crap! Belts are more efficient if utilized properly and completely eliminate the need for a messy oil bath which I guess you love so much.
No...it is fact. Gear drive is the most efficient. If you've got belts...you've got extra service and many weak links.

quote: Mark Gulbrandsen
In spite of Strongs improvements(and unimprovements)I've still never been a big fan of the Simplex X-L.
You are certainly entitled to your opinion...and I to mine. The X-L was a wonderfully designed machine and a workhorse.

quote: Mark Gulbrandsen
Its an OK projector and there are certainly a large number of them in the field that can't and never will perform within SMPTE specs over the long haul.
And yet I've not had the problem of getting to perform within spec. And in terms of long-haul...the machines that consistantly have their original parts in them for the longest time...is the Simplex...can't beat that oil bath.

quote:
Those cheesy cast alumnium sprocket assys that are a pain in the ass to clean and still use bronze bushings that over time chew up the sprocket shafts..... yea, really great design!
You mean the assemblies that draw the oil into the bushing and back out...those assemblies...yeah, a great design...I've not had the damage you seem to have had.

quote: Mark Gulbrandsen
Even the Century with its sprocket shaft bushings was better in this regard.
No way...many more ST-2 changes ...oh wait...they are not oil bath...also on the R-31 penthouse...bronze bushing, no method of applying lubricant...don't even go into the Century versus Simplex on the mechanical designs...the Simplex was designed...the Century...slapped together with god awful loadings on the gears, shafts and bearings.

quote: Mark Gulbrandsen
Simplex star and cam that cannot maintain accuracy over only 5 years time in normal multiplex environments, the tiny cam pin that wears flat faster than a hen can peck.... they sure sound like a hen pecking
And yet, Century intermittent rebuilds consistantly for the last 25-years I've been involved with both are 10:1...more century intermittents gone bad. Is the Century intermittent more robust...absolutely...does it get oiled properly...many times not...it is typical to find orange residue once the case is cracked. If the Century intermittent was used in an oil bath machine...it would be near indestructable.

Ya know, if Christie made their projector with gears and an oil bath...it would have been a much better machine. Their precision is there but their dive system is not. I've had too many Ultramittent failures as well.

Help yourself to your belt-drive machines...I'm sticking with my oil-bath Simplexes. Look on the bright side...we won't deplete each other's equipment supply. [Smile]

Steve

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 12-19-2004 07:48 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
Has Christie ever increased the size of their shutter? There's a reason that other machines' shutters are the size they are: Light efficiency. Less percent time transitioning from light to dark and vice versa means more fully open time. That after-the-fact change to a 2X speed shutter helps but why not just have a full sized shutter. And if they want to 2X that like a DP70 then all the better even. Also weren't there problems with some lamps where the little shutter was incapable of fully blocking the beam for the entire film travel resulting in travel ghost no matter how it was adjusted?

Remember when Century was advertising "Built as one. Sold as one." ? Me not knowing any better back then actually thought the machine depicted was an actual one piece projector...that just happened to look a lot like an ordinary projector/soundhead combo! [Big Grin]

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