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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Interstellar locations running in 70MM (Page 19)

 
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Author Topic: Interstellar locations running in 70MM
Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 11-17-2014 09:47 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
On the subject of Inherent Vice, I suspect that there could be 5/70 prints made. There is definitely a DTS/Datasat version of the audio mix, because the 35mm print we showed at AFI had a timecode and we got a set of discs. We didn't actually play them, because the studio wanted the SR-D track played in the end, but what is the point of doing a DTS/Datasat mastering if you're not going to make any 5/70 prints, especially if the 35mm ones have SR-D already?

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 11-17-2014 09:53 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Not every existing 35mm system out there has a functioning SRD system. I'll bet there are a number that do have dts though. In the end how much can it really cost to have Datasat master a track?

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Terry Lynn-Stevens
Phenomenal Film Handler

Posts: 1081
From: Toronto, Ontario, Canada
Registered: Dec 2012


 - posted 11-18-2014 12:01 PM      Profile for Terry Lynn-Stevens   Email Terry Lynn-Stevens   Send New Private Message       Edit/Delete Post 
quote: Mike Blakesley
Considering it's not even the massive blockbuster they were hoping for (#2 the first week, #3 the second, combined with so-so reviews) despite all the fuss'n'bother, I'm sure you are right.
I think what killed the box office for the North American market was the whole 70mm, 35mm, IMAX-70 differentiation ad campaign. Aside from the record setting IMAX (70mm/digital combined) grosses, everything else has performed under expectations. I would be plenty pissed off if I was told over and over again by the Nolan, the critics, Paramount etc that "I have to see Interstellar in film" only to find out that it was pretty damn difficult to see the movie in film on the opening weekend or the weekend after. Also, after being continuously told that film is the way to see it, parting ways with $13 for a digital presentation is a bit insulting.

Are you planning to pick up Interstellar at your theater?

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 11-18-2014 12:42 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
Yes, we're opening Mockingjay this weekend and probably will slot Interstellar in leading up to the Hobbit movie.

I suppose the other thing is, not everyone is into space-themed movies either. From its promotion, this movie comes off more like almost a documentary than an adventure film, so people outside the Nolan-sphere may not have been as drawn to it. I know I have lost some enthusiasm for seeing it since the reviews and comments have started to come in. And we've had almost no requests for it, which is telling.

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Frank Cox
Film God

Posts: 2234
From: Melville Saskatchewan Canada
Registered: Apr 2011


 - posted 11-18-2014 12:44 PM      Profile for Frank Cox   Author's Homepage   Email Frank Cox   Send New Private Message       Edit/Delete Post 
Based on the turn-out for Interstellar at my theatre, if you don't play it you won't be missing out on much. [Frown]

The few that are coming to see it seem to like it, though....

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Daniel Schulz
Master Film Handler

Posts: 387
From: Los Angeles, CA USA
Registered: Sep 2003


 - posted 11-18-2014 01:44 PM      Profile for Daniel Schulz   Author's Homepage   Email Daniel Schulz   Send New Private Message       Edit/Delete Post 
quote:
On the subject of Inherent Vice, I suspect that there could be 5/70 prints made. There is definitely a DTS/Datasat version of the audio mix, because the 35mm print we showed at AFI had a timecode and we got a set of discs. We didn't actually play them, because the studio wanted the SR-D track played in the end, but what is the point of doing a DTS/Datasat mastering if you're not going to make any 5/70 prints, especially if the 35mm ones have SR-D already
Most of the studios (Warner Bros. included) include Datasat Digital Sound tracks on all of their 35mm prints.

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Marcel Birgelen
Film God

Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 11-18-2014 06:42 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
Interstellar did draw some respectable crowds over here, especially the first week. But I guess it will not be a keeper, once Mockingjay rolls in later this week. This movie was highly anticipated, so most people who really wanted to see it, most probably already did so.

Personally, I don't think the killer really is the "space theme", as there are ample examples of more successful "space themed movies". I think it's rather word of mouth and the mixed reviews. The trailers, which made it look a bit like a documentary might indeed be a factor too.

Most people I've spoken to seem to appreciate it, but almost nobody was really blown away by the total product. Most do agree the visuals are spectacular, but those alone do not make a great movie.

I do hope the 5/70 prints will find their way to properly equipped second run theaters and art houses and will eventually be properly taken care of by the studio and not just find their way to the bin in little pieces.

quote: Terry Lynn-Stevens
I think what killed the box office for the North American market was the whole 70mm, 35mm, IMAX-70 differentiation ad campaign.
Most people don't have any clue what this is all about, so they just ignore it. They will just head to their local theater, no matter what format it's playing in. For the people that do care, this campaign improved the chance those people got to see a presentation in the format they preferred.

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Michael Coate
Phenomenal Film Handler

Posts: 1904
From: Los Angeles, California
Registered: Feb 2001


 - posted 11-18-2014 11:13 PM      Profile for Michael Coate   Email Michael Coate   Send New Private Message       Edit/Delete Post 
quote: Jason Whyte
The 70mm projector in Toronto's Varsity #8 is still sitting there, ready to go. I was there recently for a screening of THE DROP and it's still an amazing room. Same theater that premiered Star Wars in the city!
<off topic> Did the screen numbering change upon the expansion? I believe the Varsity was only a twin in 1977/78 when the original "Star Wars" played, so how did screen #1 (or #2) become screen #8? (And FWIW, "Star Wars" ran there in 35mm. It was for a time scheduled to play in 70mm at the University, but that deal fell through as did similar deals in Montreal and Vancouver.)

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Terry Lynn-Stevens
Phenomenal Film Handler

Posts: 1081
From: Toronto, Ontario, Canada
Registered: Dec 2012


 - posted 11-19-2014 12:06 AM      Profile for Terry Lynn-Stevens   Email Terry Lynn-Stevens   Send New Private Message       Edit/Delete Post 
quote: Brad Miller
I highly doubt Interstellar will still be on screen in 5/70 in a few weeks.
Cineplex is pulling 70mm from the Varsity this Friday for Hunger Games. Hopefully someone will pick up the print somewhere.

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Jason Whyte
Expert Film Handler

Posts: 132
From: Victoria, BC, Canada
Registered: Sep 2002


 - posted 11-19-2014 02:08 AM      Profile for Jason Whyte   Author's Homepage   Email Jason Whyte   Send New Private Message       Edit/Delete Post 
"Did the screen numbering change upon the expansion? I believe the Varsity was only a twin in 1977/78 when the original "Star Wars" played, so how did screen #1 (or #2) become screen #8? (And FWIW, "Star Wars" ran there in 35mm. It was for a time scheduled to play in 70mm at the University, but that deal fell through as did similar deals in Montreal and Vancouver.)"

Varsity opened in 1974 as a dual screen cinema with #2 being the largest theater, as you know. In 1997 six screens were added to the north side of the theater and those cinemas were numbered #1 to #6, making the original #1 and #2 now #7 and #8. A further expansion in 1998 added four VIP screening rooms, but those have their own VIP numbering #1 to #4. The entrance to the cinema was also moved to a different place, too, making access to #7 and #8 rather far.

You can still make out the older, two screen cinema on the layout of the theater today on how the screens and hallways are set up. The other addition was a bizarre wheelchair ramp/entry system that takes you all the way around to the back of the theaters, and you enter in through the front of the cinema through the exit doors (The now-closed Granville 7 in Vancouver also had this on a couple of their screens).

I know this answers your question the long way, but I like this cinema and talking about it. [Smile]

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Paul Gordon
Jedi Master Film Handler

Posts: 580
From: Ottawa, Ontario, Canada
Registered: Aug 2005


 - posted 11-19-2014 05:55 AM      Profile for Paul Gordon   Author's Homepage   Email Paul Gordon   Send New Private Message       Edit/Delete Post 
Missed it at the Varsity. Can't think of any other theatres in Ontario that can still do 70mm 5-perf other then the TIFF Lightbox who may pick it up for a couple days. The Mayfair Theatre in Ottawa is playing it next week in 35mm (so the reps are already getting prints).

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Jason Metcalfe
Expert Film Handler

Posts: 134
From: Austin, TX, U.S.
Registered: May 2010


 - posted 11-19-2014 09:14 AM      Profile for Jason Metcalfe   Email Jason Metcalfe   Send New Private Message       Edit/Delete Post 
We've got at least another week or week and a half, I think, at the Alamo Ritz.

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Bill Brandenstein
Master Film Handler

Posts: 413
From: Santa Clarita, CA
Registered: Jul 2013


 - posted 11-21-2014 11:45 AM      Profile for Bill Brandenstein   Email Bill Brandenstein   Send New Private Message       Edit/Delete Post 
It's official - Arclight's Cinerama Dome has moved Interstellar 70mm to a different screen, so it's still possible to see it in dig, 35, and 70 at that location.

Remarkably enough, both AMC CityWalk Imax and TCL Chinese Imax survived the Mockingjay inquest and are still showing 15/70 Interstellar.

Some of the SoCal 35mm locations have expired, most notably Vintage Vista (one of the last 35mm general holdouts), although looking at theater websites and Fandango it's pretty inconclusive as to which are digital and which locations from the Interstellar 35mm web page are still film.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 11-21-2014 12:25 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Pictures of the 70mm setup at Studio Movie Grill Royal in Dallas TX:

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Equipment wise this is virtually identical to the SMG Arlington (pics on previous page). The main difference here is the platter is on the non-operator side due to the lobby wall.

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Just like at the other sites, preshow and trailers are being ran off of the digital projector with an automated changeover to the 70mm.

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Film-Tech Safety Rings, large center rings, FilmGuard and so forth just like the other 70mm sites of ours. Dual dts XD10s into a BASIS for audio just like at SMG Arlington.

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Loaded and waiting on the changeover cue from the digital system.

The 70mm system is my personal equipment on loan to Studio Movie Grill free of charge.

Now where are pictures from the other 70mm sites???

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Marcel Birgelen
Film God

Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 11-21-2014 12:57 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
Again, nice pictures. It will be an empty room after the film equipment is gone again...

quote: Bill Brandenstein
Remarkably enough, both AMC CityWalk Imax and TCL Chinese Imax survived the Mockingjay inquest and are still showing 15/70 Interstellar.
As far as I know, there is NO IMAX release of this year's Hunger Games movie, not on film and also not in Digital. Last year's release had footage shot on IMAX film in it. I guess they didn't want to compete with Interstellar.

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