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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Interstellar locations running in 70MM (Page 18)

 
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Author Topic: Interstellar locations running in 70MM
Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 11-10-2014 08:11 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Nobody makes 5/70 leader anymore and getting a frame line every 3 pulldowns is plenty good enough to do the job. A big thanks to the super nice IMAX projectionists who sent me a few boxes of scrap leader. [Smile]

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Geoff Jones
Jedi Master Film Handler

Posts: 579
From: Broomfield, CO, USA
Registered: Feb 2006


 - posted 11-11-2014 07:39 AM      Profile for Geoff Jones   Author's Homepage   Email Geoff Jones   Send New Private Message       Edit/Delete Post 
quote: Geoff Jones
are those motorized recliners completely silent?
quote: Brad Miller
I doubt most people are futzing with them halfway through Interstellar.
quote: Bobby Henderson
Some fellow off to the right in our row was messing with his seat during a quiet scene.
MURPHY'S LAW!!!

[Big Grin]

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Marcel Birgelen
Film God

Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 11-11-2014 06:02 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
Murphs* Law from now on...

* Who names their daughter Murph anyway? Or was it just for this one "funny" line in a 169m movie?

quote: Andrew Thomas
The 70mm showing I saw had blacks like a.69 DLP.
That sounds somewhat disappointing. Was it on a silver screen? Or was there a problem with too much ambient light in the room? And was it a 5/70 or 70mm IMAX presentation?

quote: Brad Miller
So it was mid-frame?
Maybe I'm going slightly bananas, but I actually noticed something which looked like a lab splice in the DCP version today in one of those early corn-field scenes. You'd expect something like that to be digitally removed, but maybe Nolan liked the idea of leaving imperfections in the DCP, just like the slight "film jitter" which is clearly visible in the studio logos and credits, which would otherwise have been taken care off digitally.

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Jason Whyte
Expert Film Handler

Posts: 132
From: Victoria, BC, Canada
Registered: Sep 2002


 - posted 11-12-2014 12:59 AM      Profile for Jason Whyte   Author's Homepage   Email Jason Whyte   Send New Private Message       Edit/Delete Post 
Early in the movie there's a very tiny hair in the VERY top left of the frame in one shot. Also saw slight film dirt every now and again...and I was watching a DCP. [Smile]

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 11-16-2014 03:41 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Here are some pictures of the SMG Arlington 70mm setup.

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A shot of the equipment setup from the right side.

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A shot of the equipment setup from the left side.

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This roller exists purely to assist with keeping film off of the floor during threading. Once the film path on the right side of the digital projector has been fully threaded, the operator can walk to the left side of the digital projector, grab the film off of this roller and finish threading the projector.

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This is a shot of the completed threading path. As anyone who knows anything about film, no presentation is complete without FilmGuard. And as always Film-Tech Safety Rings are used to protect the film from sliding and extra large center rings were assembled so the platter could be re-calibrated to a significantly slower maximum speed than with normal rings.

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The 70mm playback is via dual XD10s, located here in the digital pedestal. The output enters a QSC BASIS 922az where it is injected into the auditorium's BASIS system via cobranet audio. Note the two rollers above the electrical wireway to permit people to walk right up to the windows and not accidentally "walk into the film".

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The 70mm projector is a Century JJ with the penthouse removed. As this site will never run magnetic 70mm film, it made threading a bit easier.

Just as with LOOK Cinemas, the preshow and trailers for Interstellar in 70mm are presented via the digital projector in flat. At the feature the masking opens up to scope and an automated digital to 70mm film changeover occurs. There is a 60 second preroll on the 70mm (not the usual 8 seconds). Preshow is presented as a collapsed mono signal. Trailers open up stereo with left, center and right. Then the feature kicks in the full 5.1 system (surrounds and subwoofer). Appropriate volume changes between formats are also automated.

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Reverse shot of the 70mm projector and threading.

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The 70mm system is my personal equipment on loan to Studio Movie Grill free of charge.
Matthew is very excited about the presentation.

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Victor Liorentas
Jedi Master Film Handler

Posts: 800
From: london ontario canada
Registered: May 2009


 - posted 11-16-2014 09:39 PM      Profile for Victor Liorentas   Email Victor Liorentas   Send New Private Message       Edit/Delete Post 
It's a Beautiful sight! [Smile]

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Jarod Reddig
Jedi Master Film Handler

Posts: 513
From: Hays, Ks
Registered: Jun 2011


 - posted 11-17-2014 10:06 AM      Profile for Jarod Reddig   Email Jarod Reddig   Send New Private Message       Edit/Delete Post 
Fantastic Brad great stuff! [beer]

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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 11-17-2014 01:09 PM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
quote: Ken Lackner
Anyone know how the presentation quality is at the Cinebistro location in Atlanta?
quote: Brad Miller
If your profile is still accurate, that location is in your neighborhood.
Why do you think I was asking? [Razz]

quote: Brad Miller
Go check it out for us.
Unfortunately, I won't get that chance. After listening to the recording to verify that they have one set of showtimes in 70mm, I showed up at the theater only to find out that after running it for a few days, the print was horribly damaged and rather than showing a print in that condition, they're just showing it in digital. They will not be getting a replacement print, apparently, due to its cost.

I don't believe I've ever seen 5/70. Looks like I may never get the opportunity.

Brad, can you put one in at the SMG in Alpharetta? [Big Grin]

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 11-17-2014 01:48 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Yeah I found out that sadly the Cinebistro in Atlanta trashed their print beyond playability in less than a week. Reports were that they scratched it starting with day one, and every day they ran it the print suffered more and more damage (supposedly different kinds of damage, not just the same scratches getting worse). They should've hired a professional with 70mm experience, not a tinkering hobbyist to run it.

There is no way to install 70mm at either of the SMG locations in Atlanta. Both were constructed with retarded mini-booths. Never again. However rumor has it there are many different airlines now offering non-stop flights to Dallas from Atlanta. Just sayin'.

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Michael Coate
Phenomenal Film Handler

Posts: 1904
From: Los Angeles, California
Registered: Feb 2001


 - posted 11-17-2014 01:54 PM      Profile for Michael Coate   Email Michael Coate   Send New Private Message       Edit/Delete Post 
For those who have seen one of the 70mm presentations of "Interstellar"... What 70mm trailer(s), if any, were shown?

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 11-17-2014 01:55 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
The only one printed up was Inherent Vice, of which not all locations received.

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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 11-17-2014 02:01 PM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
I'm actually not opposed to hopping on a plane to see this thing. But how long will it be around? I'm afraid I won't be able to for several weeks.

Ah, forgot about the mini-booths. I've seen the pictures. Whose idea was that, and what purpose were they trying to serve?

I won't cast judgement on someone I don't know, but I wholeheartedly agree that a professional should have been hired. Makes me sad.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 11-17-2014 02:04 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Movies these days don't last very long. They blow their wad right out of the gate and anyone who doesn't see them in the first couple of weeks just waits for the bluray. I highly doubt Interstellar will still be on screen in 5/70 in a few weeks. I could even see some locations killing it off this Friday when the Hunger Games movie opens.

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 11-17-2014 02:57 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
Considering it's not even the massive blockbuster they were hoping for (#2 the first week, #3 the second, combined with so-so reviews) despite all the fuss'n'bother, I'm sure you are right.

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Paul H. Rayton
Expert Film Handler

Posts: 210
From: Los Angeles, CA , USA
Registered: Aug 2003


 - posted 11-17-2014 08:57 PM      Profile for Paul H. Rayton     Send New Private Message       Edit/Delete Post 
"Interstellar" will be getting the boot on Friday out of the Cinerama Dome, here in L.A., to make space for "Hunger Games: Mockingjay". Haven't seen whether their 70 print will move over to somewhere in the adjacent Arclight complex, but I have my doubts...

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