|
|
|
|
Author
|
Topic: Movies still being released on film
|
|
|
Bill Brandenstein
Master Film Handler
Posts: 413
From: Santa Clarita, CA
Registered: Jul 2013
|
posted 03-03-2016 09:56 PM
Our favorite holdout, Pacific 5 Sherman Oaks, opens Mad Max Fury Road tomorrow on 3/4/2016 (will anyone go see it at this point?), and, more notably, "How to Be Single," since it has the distinction of being the first 2016 release to show up around here on 35mm. But even it's been out for 3 weeks already. Why does Pacific keep that place open, I wonder, with Arclight Sherman Oaks right around the corner preventing it from getting new releases, yet the prices aren't exactly second-run.
| IP: Logged
|
|
|
|
|
|
|
|
|
|
|
|
Rick Cohen
Expert Film Handler
Posts: 102
From: Amherst, New York
Registered: Feb 2011
|
posted 03-25-2016 01:57 AM
Four drive-ins which have not made the conversion to digital are opening Batman V Superman in 35mm.
Locations are: Motor Vu Drive-In in Idaho Falls, Idaho, Stone Drive-In in Mountain View, Arkansas, Route 34 Drive-In in Earlville, Illinois. Holiday Drive-In in Mitchell, Indiana, has also received a 35mm print, even though they just recently converted to digital this past week.
There are roughly 30 drive-ins left which are still using 35mm, most of which are still closed for the season. Almost 90% of all drive-ins have already been converted to digital. It is still unclear if there will be enough 35mm available this year for those 30 drive-ins to remain viable. Some of these might have stay closed permanently if there is not enough 35mm available to sustain them.
| IP: Logged
|
|
|
|
|
|
|
|
Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
|
posted 04-08-2016 01:11 PM
If Brian Pritchard's listing of UK labs is complete and accurate, Cinelab is the only UK lab that offers a commercial, color release printing service.
I wouldn't be surprised, however, if the B v. S print that City Screen are showing is an imported one. This happened very frequently when I worked in UK cinemas, especially with mass multiplex titles, for which many hundreds, and sometimes thousands, of prints were made for the US market.
The telltale sign that you had a US import would be that the print arrived on 4" cores rather than the more common (in Europe) 3" ones. The plastic sides that clipped into these cores to form the US shipping reel that went in a Goldberg case were removed, and then the reel, still on the 4" core, would be put in a plastic "can" and into the hideous green Rank "kneecapper" cases, or, if you were lucky, cardboard cartons, that were (and maybe still are) used to move prints around Britain. If the British Board of Film Classification certificate card was spliced onto the front of reel 1 (i.e. the footage was not continuous), that was another indication.
Occasionally the British distributor would reprint individual reels locally, if needed. For example, all the reel 2s of The Mummy were British prints, because a violent scene was re-edited so that the show could have a 12-certificate, but the others were all imported. So the reel 2s looked great, but the others looked slightly softer and less contrasty from having been ultrasonically cleaned and rewashed after their US booking. Those reels stank of perchloroethane when I opened the cans, too, because the rewashing hadn't been done very well, if at all.
| IP: Logged
|
|
|
|
|
|
|
|
|
|
All times are Central (GMT -6:00)
|
This topic comprises 20 pages: 1 2 3 4 5 6 7 8 9 10 ... 18 19 20
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|