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» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » Upload your random pictures (Page 21)

 
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Author Topic: Upload your random pictures
Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 02-05-2003 09:36 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Looks like a older Filmtech screening room picture

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Jonathan Worthing
Master Film Handler

Posts: 384
From: Hereford, UK
Registered: Apr 2001


 - posted 02-17-2003 04:57 AM      Profile for Jonathan Worthing   Email Jonathan Worthing   Send New Private Message       Edit/Delete Post 
Find the dog. Hard to see, but he is in there

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 02-20-2003 09:27 AM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
What happens to your JJ when you sell it to a theatre

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Another local venue last year did the same thing to the 70mm teeth on one of theirs.

Be afraid; be very afraid

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 02-20-2003 09:54 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
[Eek!] [Roll Eyes] How did it happen?

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 02-20-2003 12:04 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
In the pictured instance, the children running the booth didn't notice the intermittent shoe runner had come loose and was running on top of the sprocket teeth. The sprocket is of necessity a very lightweight alloy to keep the mass low. Once the hard coating is worn off it wears down quickly. This sprocket was still pulling film successfully when the problem was noticed and it was replaced.

In the 70mm incident (elsewhere) the operator changing gauges neglected to insert the shoe component fully into the machine. He/she also didn't realize the importance of keeping the particular components (gate, trap, shoes) with their own machine which may or may not have been a factor but certainly prevented proper image alignment and focus. The sprocket failed during a show and a print was damaged.

Edit: Added a word for clarity.

[ 02-20-2003, 06:24 PM: Message edited by: Steve Kraus ]

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 02-20-2003 12:12 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
I suspected as much. ESTAR base film is tough, but not THAT tough. [Wink] Did the shoes get damaged as well? Would suspect there was quite a bit of metal debris and noise if the "children" kept their eyes and ears open enough to notice. [Roll Eyes]

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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 02-20-2003 12:37 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
quote:
The sprocket is of necessity a very lightweight alloy to keep the mass low
I always thought that 35/70mm sprockets were made of alloy [read: non-ferric] materials because they cannot become magnetized and damage the 70mm mag tracks...

-Aaron

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 02-20-2003 12:42 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
These sprockets needed to be BOTH low mass and non-magnetic, yet durable enough to run many millions of feet of film. And with competent projectionists, they did. [Cool]

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 02-20-2003 01:05 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
I can't discount the non-ferrous idea entirely but note that the other sprockets on the machine are conventional hardened steel (AFAIK) as are intermittent and other sprockets on 35mm machines set up for 4-track magnetic so I tend to conclude the material is chosen primarily to reduce the mass that needs to be accelerated and deccelerated very quickly.

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Bill Gabel
Film God

Posts: 3873
From: Technicolor / Postworks NY, USA
Registered: Jan 2002


 - posted 02-20-2003 01:18 PM      Profile for Bill Gabel   Email Bill Gabel   Send New Private Message       Edit/Delete Post 
Once I was sent to a Mann theatre in Monrovia, Ca. I was working
vacation for the regular operator. It was a six plex, two houses
had DP-70's. The kids ran the booth and I had to fix stuff around the theatre. On the DP70's I found that the 35/70 spocket
looked just like the picture [Eek!] above from Steve. I found that the kids, when they would clean the gate. They would knock loose the bands and the bands would slice into the teeth of the 35mm part of the spocket. I ordered two new spockets from Mann Theatres. But later I showed the kids how to clean that type of
projector. I came back a few months later and found one of the
spockets was starting to look like the picture again [Eek!] .

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Daryl C. W. O'Shea
Film God

Posts: 3977
From: Midland Ontario Canada (where Panavision & IMAX lenses come from)
Registered: Jun 2002


 - posted 02-20-2003 08:20 PM      Profile for Daryl C. W. O'Shea   Author's Homepage   Email Daryl C. W. O'Shea   Send New Private Message       Edit/Delete Post 
The intermittent motion of the intermittent sprocket may slightly magnetize a hardened steel sprocket (due to the starting and stopping in the same direction). The constant speed sprockets wouldn't magnetize themselves since they don't start and stop 'at all'.

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 02-20-2003 08:27 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
Hmm...I'll have to cogitate on that one a bit. Right now the physics of what you're saying escape me.

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 02-22-2003 03:11 AM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
 -

LOA ECN

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 02-22-2003 04:04 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Hmmmm... a faded negative of some ancient film shot on 65mm. I like how the frame was cut out with a pair of scissors.

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 02-22-2003 04:52 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
So when can we expect to see this advertised as a "rare film cell" on Ebay? [puke]

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