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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Hey you, you suck! (AKA: Outing bad film handlers) Part 2 (Page 28)

 
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Author Topic: Hey you, you suck! (AKA: Outing bad film handlers) Part 2
Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 08-25-2009 06:21 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Somebody needs to wake up these clowns with a simple question: When you buy a DVD/BR movie, you expect excellence all the way through-from front to back.

Don't you think that the movie going public deserves the same excellence?

What's the problem here?

-Monte

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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 08-25-2009 07:16 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
Lazyfukkeritis.

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Martin McCaffery
Film God

Posts: 2481
From: Montgomery, AL
Registered: Jun 99


 - posted 08-25-2009 07:54 PM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
Monopoly-itis.

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 08-25-2009 11:17 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
Well it sounds like their operation in Alabama is the same as it is in Montana.

Stand by for Bobby H. to come in now and say how good it is in Oklahoma. Bobby?

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Justin Hamaker
Film God

Posts: 2253
From: Lakeport, CA USA
Registered: Jan 2004


 - posted 09-10-2009 08:39 PM      Profile for Justin Hamaker   Author's Homepage   Email Justin Hamaker   Send New Private Message       Edit/Delete Post 
To the theatre which previewed Sorority Row - print 73

Cut the leader for Reel 1 about 12" before the start of the attached preview - but it was out of frame. I'm left to assume it was run out of frame.

All reels had shoe polish on the splices.

At least the heads were all secured nicely and the leaders spliced to the reel.

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Jeremy Jorgenson
Phenomenal Film Handler

Posts: 1002
From: Chicago, IL, USA
Registered: Feb 2005


 - posted 10-25-2009 01:41 AM      Profile for Jeremy Jorgenson   Author's Homepage   Email Jeremy Jorgenson   Send New Private Message       Edit/Delete Post 
Ok, so I'm not sure if this is a "you suck" or a "well, thanks for at least doing smething" thing. Our print of Motherhood showed up with one of the cans duct taped shut. The latch was completely broken off. If it got sent out that way, then "hey, you suck!" if it was already sent out & somebody noticed that it had been broken open, then "thanks!" The whole print was there - I didn't screen it, but the person that did didn't say anything bad about the quality. Anyway, I snapped a pic.

 -

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Phil Ranucci
Expert Film Handler

Posts: 236
From: Carpinteria,CA, United States
Registered: May 2006


 - posted 10-25-2009 03:16 AM      Profile for Phil Ranucci   Email Phil Ranucci   Send New Private Message       Edit/Delete Post 
I love the ty-rap on the other can.

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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 10-25-2009 07:38 AM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
TES Wilmington, OH (which serves most of the country) puts a cable tie around the latch of all cans they send out. As far as I know, it is not intended to hold the can shut, it's more like a trivial security seal. Obviously anyone could replace the cable tie if they break open the print, but they could also do the same with any of those "security seals" anyhow.

Perhaps TES Ontario, CA (which probably serves you) doesn't do this.

I have no objection to it. It probably does make the latch a little more robust though, since it can rattle less.

Jeremy: that reminds me of when two cans get duct-taped together before being shipped, sometimes when they are being NFO'd (next flight outed) on a service like Delta Dash...Hey, if it works...

--jhawk

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Jarret Chessell
Master Film Handler

Posts: 288
From: London, Ontario, Canada
Registered: Jan 2009


 - posted 10-25-2009 08:46 AM      Profile for Jarret Chessell   Email Jarret Chessell   Send New Private Message       Edit/Delete Post 
Every film can I receive with a new print has a zip tie on it. The duct tape is lame if the can was broken before leaving the depot... a little more understanding if it was theater to theater.

I usually put a new zip tie on the film can if I'm sending it out using a delivery service theater to theater. I figure it makes it just a bit harder for someone to pull it open and steal a reel at the bus station.

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Dave Macaulay
Film God

Posts: 2321
From: Toronto, Canada
Registered: Apr 2001


 - posted 10-25-2009 11:37 AM      Profile for Dave Macaulay   Email Dave Macaulay   Send New Private Message       Edit/Delete Post 
shoe polish???

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Jack Ondracek
Film God

Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002


 - posted 10-25-2009 12:47 PM      Profile for Jack Ondracek   Author's Homepage   Email Jack Ondracek   Send New Private Message       Edit/Delete Post 
The reason for those zip ties are confusing. When that schtick started, they were using serialized ties. One could speculate it was some kind of security measure to keep those awful airport baggage handlers from pirating the content.

If the zip-ties are a cost-cutting measure, aimed at the same result, then it's comical to the absurd.

If, however, they're just adding the ties as an extra measure to keep the latches closed, then it's just semi-comical... most of those ties are thin enough & put on such that you can open the latches around them.

The duct tape entirely makes sense. Some helpful and concerned projectionist, driver or baggage handler knew the risk of a reel falling out and replaced the function of that lost latch in an entirely reasonable and appropriate way. One can only hope there were at least 4 or 5 wraps around the can! [Big Grin]

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Karl Borowski
Expert Film Handler

Posts: 161
From: Sulking in GameFAQ Forum
Registered: Sep 2009


 - posted 10-25-2009 01:13 PM      Profile for Karl Borowski   Email Karl Borowski   Send New Private Message       Edit/Delete Post 
While I don't personally use shoe polish, I know projectionists who still do.

If it is applied properly (i.e. not so much as to make winds of the film stick to one another on the 6K reel or on the platter) it really isn't a problem.

If it's overdone, yeah, big PITA.

One of the projectionists I know who uses the shoe-polish approach admits to having applied too much shoe polish, once, and then never had that problem again.

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Paul Mayer
Oh get out of it Melvin, before it pulls you under!

Posts: 3836
From: Albuquerque, NM
Registered: Feb 2000


 - posted 10-25-2009 01:18 PM      Profile for Paul Mayer   Author's Homepage   Email Paul Mayer   Send New Private Message       Edit/Delete Post 
quote: Jack Ondracek
those awful airport baggage handlers
P-{ Smile when you say that! Argh!

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 10-25-2009 05:24 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
I can remove the "Ty-Wrap"(r) (Panduit trademark..) by using a jeweler's screwdriver under the tab to release the strap, then save them on future usages.

Ya, seen the ducttape trick to bundle two cans together to make it into one package on air shipments, esp with commercial flights.

Course, we know that both DFS and TECH uses zip ties to secure their "Pelican" cases that holds the HD and acc's. for both sending and return..

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 10-25-2009 10:34 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Anyone using shoe polish is incompetent and damages the film/projectors. That crap ALWAYS flakes off...there is zero reason for it.

Steve

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