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Author
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Topic: Who the HECK are you??
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Paul Goulet
Master Film Handler
Posts: 347
From: Rhode Island
Registered: Jan 2000
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posted 01-01-2002 10:54 PM
..."First let me say that Paul Goulet and I are friends. (I can say that can't I Paul?)"... Of course you can say that.. just don't get involved in Quicstar anymore (lol!) The good Old days...Roger(ice cream and red chowder!).. Sue (matching leather jackets!)..Paul M. (none).. Larry (is that a Camel hair sweater?, Showest, that Roman restuarant in vegas!,so many more.... Dave (again..none!) Paul
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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002
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posted 01-21-2002 05:26 PM
OK, since you asked.  David Stambaugh, have lived in Eugene, Oregon since 1990. Lived in So. Calif. before that (born there). My real job would be Network Administrator, but I'm unemployed right now due to "corporate restructuring". For the past 8 1/2 years I worked for Dynamix (sounds like "dynamics"), a developer of game software for PCs and consoles like Playstation. If you've ever played Tribes or Red Baron, those were done by us. Working there was the best experience you could imagine, and the shutdown was a nightmare thing to go through. And to think our French owners (Vivendi Universal -- yes, THAT Universal) shut us down, even though we were profitable, while keeping alive other branches of the game development side of the business that were not. Not that I'm bitter. True Fact: When I made the decision to leave CA and move to Oregon, I wanted to move to a smaller community. But it had to have a decent movie theatre! In Eugene in 1990, that was West 11th Movieland, in particular their one THX house. Movieland was operated by Moyer Theatres (later acquired by Act III). The THX house was great. Back then, I think THX actually meant something. Scott Hicks of Moyer loved that room and fretted over every detail. He would drive down to Eugene from Portland for any technical problem that came up. I saw Indiana Jones and the Last Crusade there on a visit to Eugene, and was impressed enough to decide that I could be happy living in Eugene. Not that having a decent movie theatre was the only factor, but it was a big one. Oh yeah, that Movieland THX house was also the first screen in Eugene to go Digital (SRD). I can't remember what the first digital feature was there, but man, I remember that Dolby Digital "train" sound logo!! I've always loved movies, and the technical side of film presentation. Always looked up at the booth to see what that guy might be doing. Had the great pleasure of seeing probably dozens of films in 70mm 6-Track Dolby at the Edwards "Big Newport" in Newport Beach (which I hear has fallen on hard times). Just off the top of my head I can think of: Star Wars, Empire Strikes Back, Return of the Jedi, Alien, ET, Star Trek II & III, Apocalypse Now, Mad Max Return to Thunderdome, Glory, Dune, Top Gun, Empire of the Sun, The Untouchables, 2010, Amadeus, Brainstorm. I'm sure there are many more. There was no comparison seeing a movie there in 70mm mag (even a blowup, which most of them were), and seeing it in 35mm with bad optical sound, which was the norm at most neighborhood theatres in those days. So now the tech info I used to crave but could not get, can be found with a few clicks on the good old Internet. Which is very cool. Film-tech is awesome. So anyway if my innocent enthusiasm gets out of control sometimes, just keep in mind I really admire what you pros do on a day in and day out basis to put on good shows for us, even if most of your customers seem oblivious. This applies to the Kodak, DTS, and other industry veterans too. The vast majority of moviegoers may not be able to articulate exactly *why* they had an especially good time at your show, but YOU know the reason. ------------------ - dave Crab juice, or Mountain Dew?
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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 01-21-2002 06:56 PM
David said: ". So anyway if my innocent enthusiasm gets out of control sometimes, just keep in mind I really admire what you pros do on a day in and day out basis to put on good shows for us, even if most of your customers seem oblivious. This applies to the Kodak, DTS, and other industry veterans too."Well said, thank you. By doing everything possible to have "Film Done Right", Kodak continues to grow this important business, and help it prosper. Theatre goers, projectionists and others in exhibition are some of our best customers, even though you don't actually buy the film on which dreams are made. 
------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Research Labs, Building 69, Room 7525A Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion
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Jeff Leyland
Film Handler
Posts: 28
From: Lake Charles, LA
Registered: Dec 2001
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posted 01-29-2002 07:51 PM
Well, I have worked in theatres since I was 16 and cannot see myself doing anything else. I worked at the AMC Galleria 6 in St. Louis in high school. During college, and for 10 months after, I worked for Dickinson Theatres. I then made the decision to change companies and have been with Cinemark for about 8 1/2 years. To make it easier to explain where I have worked I will summarize below:10/86-8/88 AMC Galleria 6, St. Louis (was still a 4 when I started working there) 3/89-12/92 Dickinson Table Rock Cinema, Branson, MO 12/92-2/93 Three months at the Dickinson 8 in Springfield, MO 3/93-6/93 Dickinson Olathe Landing Cinema 8, Olathe, KS 7/93-9/93 Dickinson's Southglen 12, Overland Park, KS 10/93-7/95 Cinemark Movies 10, Overland Park, KS 8/95-2/96 Cinemark Midway Movies 5, Sherman, TX 3/96-9/97 Cinemark Movies 8, Provo, UT 10/97-9/98 Cinemark Tinseltown 17, Erie, PA 10/98-8/99 Cinemark Melrose Park, Melrose Park, IL 9/99-12/99 medical leave 1/00-8/00 Cinemark Cinema 5, Temple, TX 9/00-present Cinemark Movies 8, Round Rock, TX
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William Hardie
Film Handler

Posts: 8
From: Calgary, AB, Canada
Registered: Jan 2002
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posted 01-31-2002 03:55 AM
Hi Everyone, I am William Hardie but you can call me Bill (Though to some I am known as Master William). My Nickname was given to me by my Partner (Grasshopper) who relieves me at my 10 Screen Cinema, "Westhills". I am the Senior Bid Projectionist at Westhills, which is owned by Famous Players Theatres. And I am a member of IATSE Local 302 (Calgary/Edmonton). My 10 Screen Cinema is located in Calgary, Alberta Canada. I have been at this Cinema since Famous Players opened it 19 July, 1996. I was assigned to help in the Installation of the Booth. We have all Cinemeccanica Victoria VIII Projectors. All the Cinemas have the Dolby CP-45 Processors, and SR-D in 6 of the 10 Houses. All 10 Houses are set up for Surround EX. We can also play DTS in all 10 Houses but we have to move the DTS Readers and the DTS 6D Processors around. We use QSC Model MX Amplifiers. But I have been a Projectionist for close to 20 years, and started at The Capitol Theatre with B&L Theatres in my home town of Antigonish, Nova Scotia. It is here I ran Carbon Arc and learned to make Cement Splices. I started my apprenticeship at this Theatre in December of 1982, and after 400 hours and an exam was Licenced by the Province of Nova Scotia in July of 1983. I was the Relief Projectionist at the Capitol until May 1985 then I became the Full Time and only Projectionist. I stayed with B&L Theatres until April 1989, and them moved onto Empire Theatres and did relief work at various theatres around the Province. I then ran the Drive In which was near New Glasgow for the Summer of 1990 and then moved to Bridgewater, NS, and ran the South Shore Cinemas. I then moved to Calgary, in April 1996 where I transfered from IATSE Local 680, Halifax, NS to IATSE Local 302 and did spare work at both Famous Players & Cineplex Odeon until I took the bid at Westhills. So this is me. Cheers,
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Keith Peticolas
Expert Film Handler

Posts: 108
From: Eagle River, Alaska, USA
Registered: Aug 2001
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posted 02-07-2002 01:38 AM
Howdy Folks. I'm the chief projectionist for Alaksa Cinema Inc. A brand new company! These guys (my bosses) have never run a theater before. This is a dream job, I get to run my booth(6-plex)just the way I think it should be run. No corporate idiots telling me how it should be done. In fact, our corporate guys are all pretty neat folks. After reading some of the nightmares some of the others here have had to endure, I count my blessings every day! Anyway, our first theater is the Valley River Cinemas here in Eagle River, Alaska. About 15 miles outside of Anchorage. We are an old Regal building totally rebuilt. I would like to extend a personal thanks to the bufoons at Regal for trashing the theater before they ran off.(destroyed projectors,smashed lenses,and ripped up screens.) I got a whole room of new gear thanks to this. (Century projectors, Christie lighthouses and AW3R's,new sound racks with DTS) Took us awhile to get that Regal smell out of the place, but we did it! I started my projection career many years ago in Mesilla, New Mexico at the Fountain Theater, run by father and stepmom. Escaped Southern New Mexico for the greener shores of Alaska. Did several years of video production at the local FOX and ABC affils in Anchorage. After too many years of that, I returned to the projectionist's life, the only life for me. And in less than one year we have earned a reputation as having the best looking on-screen presentation in the area! Special kudos to my father, Bob Peticolas, for training me to be what I am today, and a special thanks to Brad for Film-Guard and this forum.
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Jacob Huber
Expert Film Handler
Posts: 172
From: Evansville, IN, USA
Registered: Feb 2002
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posted 02-07-2002 02:22 AM
Hello all. I believe this is probably the best place to start posting. Well, I'm 18 and just got into the projection (film-handling) business about 3 months ago, but already new mostly how to project, although I'm not what you would call "the dreaded pimple faced teenage projectionist". I think it's safe to say that I regularly anger the other projectionist when I'm watching a movie whilst not on duty or working a different position with my attention to detail. If any subtle thing is off, I'll let 'em know, but then again, it should have never been off for me to see. I work for an indie theatre who used to run a monopoly in our fair town for about 20 years until Kerasotes opened up a 16 screen just before The Phantom Menace opened up in '99. We have an 18 screen theatre (East,the big one), a 9 screen (North, a busy night is about 20 people), a 7 screen (Newburgh) in the suburb about 10 miles east of Evansville, and a 6 screen (South) $2 second-run house. I generally work at the 18 and the 9. I've been working for the company for about 2+ years, and pride myself on FILM DONE RIGHT. I've never scratched a print, only had a couple wraps (no breaks). At the 18 screen, we have 6 Simplex Milleniums, 4-5 Simplex Xl's, and the rest are Simplex or Ballyntine Pro 35's, all ran on Neumade Platter Systems. At the 9, we have 4 Milleniums, 1 Simplex Pro 35, and 4 Ballyntine Pro 35's (these 4 being manual sound and lighting), again all on Neumade Platters. If you have any question or just feel like jibba jabberin', feel free to e-mail me.
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Daniel Boisson
Expert Film Handler

Posts: 157
From: Buffalo, NY, USA
Registered: Oct 2001
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posted 02-08-2002 12:57 PM
hey jacob, welcome. where almost in the same boat...I work at the Roosevelt Cinemas(built by FDR) in Hyde Park, NY. It was originally 1 house with 450 seats, then three extra theatres were put on a bit later. it was sold recently and divided into 7 theatres...Anyway, i'm 18 and have been doing projection for about a year and a half. i first started selling candy, for 2 months, then i was trained. the guy that trained me has worked at this theatre for 40 years, so i was trained correctly and it usually shows(one minor wrap, movie never stopped). i run 3 simplex X-L projectors, 3 centurys and a cinemaccania using 5 christie platters and 2 world, and 1 DTS sound unit(rest are stereo). As far as maintanence goes, i clean out the heads, lenses and everything else every week when i work. i usually work on the weekends,trading off with the other weekend projectionist. Our theatre, and the 3 other smaller ones are independently owned, and now that Hoyts raised they're prices again, we're doing great. There's even talk we'll be expanding again. anyway, feel free to email me. instant messenger: danman2060 ------------------ 3% Body Fat. 1% Brain Activity.
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Paul Konen
Jedi Master Film Handler

Posts: 981
From: Frisco, TX. (North of Dallas)
Registered: Jun 99
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posted 02-08-2002 01:24 PM
I guess I haven't posted to this thread.Name: Paul Konen (as if you couldn't tell) Position: Booth Manager - Cinemark Legacy 24 I first started out almost 4 years ago across town at the Tinseltown 17 as a "unofficial" UB (Usher with Booth experience, for those who haven't been at Cinemark). I say unofficial as I was actually allowed to come into the booth. I ran the IWerks Inertia Ride (Fri Nite, Sat Nite, Sun Day). Nice little theatre, 8 pairs of seats. Reversing projector running 4 shows. After about 8 months of this, the computer equipment started to fail and the company no longer wanted to spend the money to have it repaired. (I think it is still for sale?). After that I became an "Official UB" where I was there for about 6 months before I transferred over to Legacy. I have since moved into the Booth Dept Head position and continue to do this part time in addition to my full time. Thanks
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Kelsey Black
Film Handler

Posts: 58
From: Pima, Arizona, USA
Registered: Aug 1999
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posted 02-11-2002 01:19 AM
I am Kelsey Black, and this is my update (see page 13)/move this topic back to the top/finish off page 16/return to the industry/lurk mode off post.After being laid off at GTS at the end of October, I worked for a while at Clear Channel Broadcasting in Salt Lake as a Remote Technician. (not the same thing as a remote technician in this industry, think remote broadcasts with prizes, DJ's and stuff) After my wallet could no longer support me, plus the fact that my apartment lease ran out, I became a snowbird and moved back to warm, sunny, no-snow, no-olympics, SE Arizona. I am now (starting this week in fact) the General Manager of the theater I previously ran with my family. It's sure to be interesting, as the theater is owned by a non-profit organization, the equipment is in great need of some TLC, the building needs renovation, and my predecessors have driven away the clientele. Kelsey Black ....lurk mode re-activated
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