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Author
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Topic: Hey you, you suck! (AKA: Outing bad film handlers)
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Christopher Seo
Jedi Master Film Handler

Posts: 530
From: Los Angeles, CA
Registered: Jun 99
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posted 07-23-2004 11:27 PM
I can top that Aaron...
The print of "Spring, Summer, Fall, Winter... and Spring" (etc.) that we got was a complete mess. Incorrect tail leader on every reel, despite ID frames, although apparently the breaker-downer had enough mental capacity to match the head leaders. Masking-taped leaders, cheap splicing tape, and large blotches of blooping ink over the reel changes that spilled into the projected image area. Not to mention the bevy of black lines which moved to a pulsing beat.
The real (reel?) kicker, though, came at the end of R-5. It was the second-to-last, but lo and behold, here come the credits! So what could possibly be on 'R-6'? Why, the last 12 minutes of R-1 of course! (With the R-2 tail leader taped on at the end, just to be safe.)
EDIT: I just remembered that there was a lab splice right at the point where R-1 was split in half. Still doesn't explain much, though....
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Wolff King Morrow
Master Film Handler

Posts: 490
From: Denton, TX, USA
Registered: Feb 2004
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posted 07-25-2004 06:05 AM
A print of Care Bears 2 I received just recently was in such bad shape, we had to order another one to replace it. The film had all the usual scratches, but was so covered in dirt and filth, I simply could not clean it off! I used Filmguard, several cotton gloves, and film-cleaning cloths, but the dirt was far too much to make any improvement. By the time I got done with the 4th and final reel, all the white cloths and gloves I had used were completely BLACK. Literally the film looked like it had been bathed in brownish-red soil for years, then randomly broken down several times using damaged equipment. Completely ruined print, yet I had to return it. It should have been destroyed instead.
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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002
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posted 07-25-2004 08:24 AM
``The Technicolor depot (which is abbreviated with "TES"). ''
Well, if you want to be technical about it (and probably we should), the Technicolor depot/exchange is Technicolor Cinema Distribution, or TCD. The labs are Technicolor Release Print Services. The post-production is Technicolor Creative Services (TCS). Together, all three make up TES (possibly also including Technicolor Digital Cinema, TDC, if it still exists, not to be confused with TCD).
So it's probably best to not use TES to refer to TCD in cases where it really matters.
I believe it is possible to figure much of this out from the map on their web site, but using that as the sole source would be challenging . ... oh, here we go. their Entertainment Services Overview is more helpful.
--jhawk
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