Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE
Topic Closed  Topic Closed


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Hey you, you suck! (AKA: Outing bad film handlers) (Page 41)

 
This topic comprises 100 pages: 1  2  3  ...  38  39  40  41  42  43  44  ...  98  99  100 
 
Author Topic: Hey you, you suck! (AKA: Outing bad film handlers)
Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 07-23-2004 12:16 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
Whoever had print #8 of Festival Express before me, you suck SUCK SUCK!!!

3 of the reels had leaders artist-taped together

Reel 3 was split in half, the latter half of that wound onto reel 4, and the other part of R3 had the head and tail reversed. [Mad]

Print is all better now, but what a headache...

-Aaron

 |  IP: Logged

Christopher Seo
Jedi Master Film Handler

Posts: 530
From: Los Angeles, CA
Registered: Jun 99


 - posted 07-23-2004 11:27 PM      Profile for Christopher Seo   Email Christopher Seo   Send New Private Message       Edit/Delete Post 
I can top that Aaron...

The print of "Spring, Summer, Fall, Winter... and Spring" (etc.) that we got was a complete mess. Incorrect tail leader on every reel, despite ID frames, although apparently the breaker-downer had enough mental capacity to match the head leaders. Masking-taped leaders, cheap splicing tape, and large blotches of blooping ink over the reel changes that spilled into the projected image area. Not to mention the bevy of black lines which moved to a pulsing beat.

The real (reel?) kicker, though, came at the end of R-5. It was the second-to-last, but lo and behold, here come the credits! So what could possibly be on 'R-6'? Why, the last 12 minutes of R-1 of course! (With the R-2 tail leader taped on at the end, just to be safe.)

EDIT: I just remembered that there was a lab splice right at the point where R-1 was split in half. Still doesn't explain much, though....

 |  IP: Logged

Dominic Espinosa
Phenomenal Film Handler

Posts: 1172
From: California, U.S.A.
Registered: Jan 2004


 - posted 07-25-2004 03:54 AM      Profile for Dominic Espinosa   Email Dominic Espinosa   Send New Private Message       Edit/Delete Post 
Now that's ... odd.
Hey, TES. You suck!
My print of Bourne Supremacy #1156 came pre-scratched! Thanks a lot. About half way through the 5th reel is a black scratch, unwavering, nice and thick just off to the side of the soundtrack.
And this print was brand new...

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-25-2004 05:50 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
FYI, that's not TES' fault. That was the fault of the lab that printed the movie. In this case it was the Technicolor lab...but not the Technicolor depot (which is abbreviated with "TES"). Even at that, such a small thing in the middle of a reel couldn't realistically have been caught at the lab. Just request a replacement reel.

 |  IP: Logged

Wolff King Morrow
Master Film Handler

Posts: 490
From: Denton, TX, USA
Registered: Feb 2004


 - posted 07-25-2004 06:05 AM      Profile for Wolff King Morrow   Author's Homepage   Email Wolff King Morrow   Send New Private Message       Edit/Delete Post 
A print of Care Bears 2 I received just recently was in such bad shape, we had to order another one to replace it. The film had all the usual scratches, but was so covered in dirt and filth, I simply could not clean it off! I used Filmguard, several cotton gloves, and film-cleaning cloths, but the dirt was far too much to make any improvement. By the time I got done with the 4th and final reel, all the white cloths and gloves I had used were completely BLACK. Literally the film looked like it had been bathed in brownish-red soil for years, then randomly broken down several times using damaged equipment. Completely ruined print, yet I had to return it. It should have been destroyed instead.

 |  IP: Logged

John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 07-25-2004 08:24 AM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
``The Technicolor depot (which is abbreviated with "TES"). ''

Well, if you want to be technical about it (and probably we should), the Technicolor depot/exchange is Technicolor Cinema Distribution, or TCD. The labs are Technicolor Release Print Services. The post-production is Technicolor Creative Services (TCS). Together, all three make up TES (possibly also including Technicolor Digital Cinema, TDC, if it still exists, not to be confused with TCD).

So it's probably best to not use TES to refer to TCD in cases where it really matters.

I believe it is possible to figure much of this out from the map on their web site, but using that as the sole source would be challenging [Embarrassed] . ... oh, here we go. their Entertainment Services Overview is more helpful.

--jhawk

 |  IP: Logged

Dan Lyons
Jedi Master Film Handler

Posts: 698
From: Seal Beach, CA
Registered: Sep 2002


 - posted 07-25-2004 01:12 PM      Profile for Dan Lyons   Email Dan Lyons   Send New Private Message       Edit/Delete Post 
quote: John Hawkinson
Well, if you want to be technical about it (and probably we should), the Technicolor depot/exchange is Technicolor Cinema Distribution, or TCD.
[sleep] OMG! Who cares!!!

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 07-25-2004 01:30 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Labs print and process the prints, film exchanges warehouse and ship them. There is a difference, as in the case of Warner Bros. who normally use Technicolor for their lab work, and ETS as their US film exchange.

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-25-2004 05:00 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
From day one here on this forum TES has always been an abbreviation to "Technicolor Entertainment Services"...as read off of the film can labels.

 |  IP: Logged

John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 07-25-2004 05:03 PM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
And so it is! But it is inaccurate to say that Tech. lab is not part of TES, because it is. TES includes the labs and TCD.

--jhawk

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-25-2004 05:11 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
And how many mere commoners do you presume shall bother to make such a punctilious distinction?

 |  IP: Logged

John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 07-25-2004 05:14 PM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
Six.

 |  IP: Logged

Phil Hill
I love my cootie bug

Posts: 7595
From: Hollywood, CA USA
Registered: Mar 2000


 - posted 07-25-2004 06:33 PM      Profile for Phil Hill   Email Phil Hill       Edit/Delete Post 
[sleep] [sex] [sleep]

>>> Phil

 |  IP: Logged

Mike Babb
Master Film Handler

Posts: 250
From: Norwich UK
Registered: Jul 2002


 - posted 07-25-2004 07:24 PM      Profile for Mike Babb   Author's Homepage   Email Mike Babb   Send New Private Message       Edit/Delete Post 
Just curious, since this thread was started has there been any improvement in the condition of prints received?

 |  IP: Logged

Dean Kollet
Jedi Master Film Handler

Posts: 591
From: Florida State University
Registered: Jul 2003


 - posted 07-25-2004 10:30 PM      Profile for Dean Kollet   Email Dean Kollet   Send New Private Message       Edit/Delete Post 
Miracle 5 in Tallahassee, FL...

We don't get many prints from them anymore, but Kill Bill Vol. 1 was scratched to hell when we got it from them. Also, my experience tonight and this week confirm that they suck. I went to see "Super Size Me" the other day with my lady and the last 20 feet and the first 20 feet of each reel were scratched, plus a nice hairline scratch througout the movie. Maybe one mistake? Nope. I went to see "Napoleon Dynamite" earlier tonight only to find the same scratchs, interesting. And to top it off....the movie was started 10 minutes early, so what do they do? They wait until the movie is into the opening scene/credits to stop it, come down to the theatre and tell us they made a mistake and will start it back up in 5 minutes. I went to the Manager and asked why they would do that and they said b/c they didn't want the people in line for tickets to get upset....WHAT ABOUT the 50 people in the THEATRE?!?! I've seen 6 movies there in the past few months and all have them have either been scratched and/or dirty (even opening show!!)... [puke]

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 100 pages: 1  2  3  ...  38  39  40  41  42  43  44  ...  98  99  100 
 
   Open Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.