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Author Topic: Union Projectionists
Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 02-26-2005 05:47 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Darryl Spicer
But when you go to someone who is your superior and they can't answer the questions who else can you turn to. In my case it was the technicians around me.

I didn't say that I wasn't willing to train anyone at all in any aspect... just that alot of the booth mongers out there shouldn't know some of the more technical stuff... that can lead to really big problems at times...... IN one location I actually had a manager that was incredibly mechanically inclined. He was able to change a shutter gear in a Brenkert just with my help over the phone. There are those that should know because they can do the work.... but most cannot.

Mark

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Jim Ziegler
Jedi Master Film Handler

Posts: 753
From: West Hollywood, CA
Registered: Jul 99


 - posted 02-26-2005 08:13 PM      Profile for Jim Ziegler   Email Jim Ziegler   Send New Private Message       Edit/Delete Post 
quote: Steve Guttag
As to Local #110...it is easy to pick on...it is the most notorious, as is the entire city of Chicago and unions in general. However, the concept of Unions should not be associated with crime. Crime need not have a union card. Most every worthwhile worker protection that the government likes to take credit for came from organized labor, not the government...unions are not bad, just a necessary evil if you don't want a world of subsitance level wages.
I am not equating unions with crime. What I am saying is that the IATSE - AS AN ORGANIZATION - appears, by its silence, to endorse such activities. The fact that the 110 still exists in its current form demonstrates a tolerance of its activites by the IATSE leadership. Several people have pointed out that most of the negative things that are said about the IATSE are a result of the actions of Chicago. Seems to me that the best way for the union to clear its name would be to hold Chicago accountable.

quote: John Walsh
How long do we blame Italian people for Al Capone? It’s pretty well known Mayor Daly (Sr.) was supported by organized crime; do we say his son or even the general government of Chicago is no good? If my dad robbed a bank, is it OK for people to say to me, “Your whole family is no good” for the next 50 years?
Realize I am not blaming the rank and file union members for the actiosn of Chicago. However, I do hold the organization and the leadership responsible because they have not, publically anyway, done anything about it.

quote: Jeremy Fuentes
Or they could do a better job training the people who will do and have been doing the job for half the pay that union workers receive. If you mention "for half the pay" to an owner, I'm sure that'll help them lean toward non-union.
When I was working for Cinemark, most of my operators made more than the IATSE operator Cinemark had in Omaha. Also, union training, as others have mentioned, can be hit or miss. The guy in Omaha had a lower skill level than most of my operators as well.

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Jeremy Fuentes
Mmmm, Dr. Pepper!

Posts: 1168
From: Corpus Christi, TX United States
Registered: Jan 2004


 - posted 02-26-2005 10:46 PM      Profile for Jeremy Fuentes   Email Jeremy Fuentes   Send New Private Message       Edit/Delete Post 
quote:
Jeremy, where is it written union operators always get twice the rate as non-union? I know several union contracts where the operators get $12 an hour;
It was written on my paycheck from Cinemark. My pay was $5.80 an hour during the short time I was working in the booth. $12 an hour is more that twice that amount. I doubt I would have ever been able to make more that $6.50 an hour, if I would have stayed. The Cinemark here has had many capable operators , and I doubt any were paid $12 an hour.

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Monte L Fullmer
Film God

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From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 02-27-2005 03:31 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote: Mark Gulbrandsen
I will of course help them achieve the goal of a perfect projected show and teach them....
(..my apologies to Daryl and Mark on me seeming to be a little testy on this topic....)

..for Mark himself have guided me, through phone conversations, through a bunch of situations that I myself was questionable and neede help, thus my comment on "just the sound guy" really doesn't mean to ALL tekkies out there who's doing their job in keeping the pictures on the screen.

There are ones who do help, yet know how much that they can help on matters needed and stay within their boundaries.

thx-monte

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 02-27-2005 10:18 AM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
I once talked a Carmike manager through changing an intermittent! I was on the phone from the Texas panhandle, and he was in east Oklahoma. I was putting out fires like crazy after taking that territory, and it was going to be more than a day before I could get to him, so he was up for the task. It worked out.

It took about five hours (okay, look below and slightly behind of where you frame the film, and you'll see a round piece of metal with a flat slot in it; that's called a screw), but by gosh, we did it. [Eek!]

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Mark Gulbrandsen
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Posts: 16657
From: Music City
Registered: Jun 99


 - posted 02-27-2005 10:42 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Tim Reed
It took about five hours (okay, look below and slightly behind of where you frame the film, and you'll see a round piece of metal with a flat slot in it; that's called a screw), but by gosh, we did it.

Yes, it can be done but you just have to pray that he doesn't think he's now become a real technician and changes the next movement(or shutter bearing!) without aso seeking your help [Eek!] !!

quote: Jim Ziegler
The fact that the 110 still exists in its current form demonstrates a tolerance of its activites by the IATSE leadership.
Jim, Actually they exist in quite a different form than when I was part of it. The past secretary retired(the highest paid union official in the country at that time) and when the Cineplex/GC contracts expired and the lockouts occured many members were no longer members. I do certainly agree they would have a better face today if they had recently condoned the stuff that happened in past years. Because of the fact that they never did this has caused them to loose much face today and its doubtful they will ever gain that face back...... I have to wonder.... do they really care if they do get it back????

Mark

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Richard May
Phenomenal Film Handler

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From: Floral Park, NY USA
Registered: Aug 2004


 - posted 02-27-2005 02:52 PM      Profile for Richard May   Email Richard May   Send New Private Message       Edit/Delete Post 
I'm not trying to pick here but there is a difference between helping a manager over the phone to change a part and a manager running the booth properly. If a theater is down the manager has no choice but to try and get it fixed. This does not mean that he or she is qualified to run the booth.

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Darryl Spicer
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From: Lexington, KY, USA
Registered: Dec 2000


 - posted 02-27-2005 03:16 PM      Profile for Darryl Spicer     Send New Private Message       Edit/Delete Post 
quote: Richard May
This does not mean that he or she is qualified to run the booth.

What do you consider as qualified?

Here is what I consider as qualified.
1, Understanding the propper methods of threading the equipment and checking your threading for any issues. Making sure the picture is in frame, the intermittent set correctly to the stop position, wich by the way is just after the pull down has completed not before the pull down starts. That will insure that the picture is in frame and that all loops stay the same size. Checking loops for correct size orientation. Making sure that the film picture area is not touching any metal surfaces other than the sound drum. Checking all rollers for correct alighnment and making sure the film is not running on the flangs.

2, Understanding how to focus, check the sound, understanding the diferance in the types of lenses used and how to determin the diferances in the image on the film.

3, Understanding how to troubleshoot a problem which are many to explain here.

4, Understanding how to build and break down films without having out of frame issues and reel orientation problems.

5, understanding the terminology and what each piece of equipment does in the booth and how to use it.

6, Knowing how to propperly change a xenon bulb.

All of this one must learn over the course of ones training and it can be an ongoing learning thing. That's called gaining experience.

For a manage who has to do both managing and booth operation I can see where many things can become overlooked. That is why when a manager is running the booth there is another manager running the floor. That's just the way it is at my location.

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Richard May
Phenomenal Film Handler

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From: Floral Park, NY USA
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 - posted 02-27-2005 03:33 PM      Profile for Richard May   Email Richard May   Send New Private Message       Edit/Delete Post 
That sounds like pretty good qualifications to me. The problem is, the majority of the managers that I have seen around here do not even know a quarter of those things that you listed. I understand that you gain knowledge from experience, but you can not expect to teach someone how to thread up and leave it at that.
Around here there is no second manager to help out.

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Darryl Spicer
Film God

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From: Lexington, KY, USA
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 - posted 02-27-2005 03:38 PM      Profile for Darryl Spicer     Send New Private Message       Edit/Delete Post 
I understand where you are coming from. I have seen that before in the smaller theatres where the only time the manager see the booth is when it is time to thread and start the movie. All the other time they are downstairs selling popcorn. I guess you could say that is whats happening to the uptown. Run thread start the movie never check run down sell popcorn.

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Richard May
Phenomenal Film Handler

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From: Floral Park, NY USA
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 - posted 02-27-2005 03:45 PM      Profile for Richard May   Email Richard May   Send New Private Message       Edit/Delete Post 
Unfortunately, I see it happening to more theaters everyday.

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Justin West
Master Film Handler

Posts: 271
From: Peoria, IL, USA
Registered: Jul 2001


 - posted 02-28-2005 12:00 AM      Profile for Justin West   Email Justin West   Send New Private Message       Edit/Delete Post 
quote: Mark Gulbrandsen
I have to wonder.... do they really care if they do get it back????
Mark, the answer is they probably don't care! It is overly obvious that IATSE had defaulted on the projectionists trade years ago. While there may be some IATSE locals led by workers who still hold the "craft" in regard, IATSE as a whole seems to hold it in DIS regard, preferring to promote the union for the convention center/concert build-up and tear down businesses. Regardless of what happened in Chicago, IATSE as a whole makes it difficult for those of us who support organized workers' rights because IATSE (like a lot of labor organizations today) seems to be a union in name only.

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Sam D. Chavez
Film God

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From: Martinez, CA USA
Registered: Aug 2003


 - posted 02-28-2005 12:59 AM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
The IATSE has always been about the stage half of the craft.

Almost all the IA VP's were from the stage locals. The president has always been a stage hand.

Eddie Powell has run Local 6 in the Bay Area as long as most of us can remember and also one of the ranking IA VP's for many years.

He never gave a bucket of warm spit about the operators.

Still I pay my per capita dues every month, some from nostalgia
and some to honor where I came from.

What nobody on this forum wants to accept is that the employer decided many years ago to abolish the job category for projectionist. There have been many names for this function since the demise, booth utility person comes to mind in our area.

The best thing projectionists can do if they are of a technical bent is to use the job to transition to a career as a tech where you can get a little respect for your efforts ad dedication.

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Monte L Fullmer
Film God

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From: Nampa, Idaho, USA
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 - posted 02-28-2005 02:34 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote:
The best thing projectionists can do if they are of a technical bent is to use the job to transition to a career as a tech where you can get a little respect for your efforts and dedication.
I fully agree here. It's definitely a dying art and craft for sure. Too bad, as we are actually running the theatre, we projectionists get the worst respect from the "white collar" world.

On the comment of the VP "doesn't give a bucket of warm spit to projectionists," Has the MPMO part of the IA been the "black sheep" of the union for almost all this time?

What started this disrespect? Maybe, that the stage hands have tons more skill and used it politically, whereas the MPMO personnel have skills as well, but just never shared it of sorts-sorta kept it to themselves.

...just a guess. But still quite interesting. = Monte

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 02-28-2005 06:57 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
quote: Tim Reed
I once talked a Carmike manager through changing an intermittent! I was on the phone from the Texas panhandle, and he was in east Oklahoma.
Two questions Tim: 1) Can I have your telephone number and 2) Did you charge him service time?

I have been following this union discussion and I will add my limited experience. The New York local, 306 had rampant cronyism, questionable use of union dues and, from what many members have told me, union leaders who were in bed with theatre owners, selling out their members for kickbacks. I am not saying this is a fact, only that this was accepted as truth by many members. If one looks at all the give-backs over the years that 306 gave to the chains and UA especially -- reduction of benefits, reduction of salary, reduction of the number of operators in the booths and in theatres with smaller number of screens, no union operator at all -- one would see how members could assume that, at the very least, their union was not fighting for them. An outsider like me would say, there are some prime issues that any other union would call a strike before they would give those back. Rather than fight, the leadership would always say, if we don't accept their offer, we will loose jobs. Then years later when Chicago went down, they would point to Chicago and say, if we don't accept their offer, we will wind up locked out like Chicago.

Instead of fighting, the 306 cry was always a threat -- approve the contract or go without a job. With that kind of union leadership, IMHO, members would have been better off negotiating with theatre management on their own.

As for the IATSE issue, at least with regard to its relationship with 306, there are all the documented disputes that 306 members had with their local leadership that were so severe that they felt they had to take them to IATSE for resolution; IATSE never once sided with the membership. That is how NLRB got involved; finally someone went to the NLRB for relief and the NLRB came in did a lot of house-cleaning, but, alas, they left the leadership in place....the same management that many of the members called corrupt. Did management have ties to organized crime? I have no idea. But I do know that the president of 306 would keep a gun on his desk during union meetings as a way of intimidating the rank & file.

My personal contact with the union has been less than amiable. They tried to force me to join when I first got my license and started working my booth. I was just a kid and they tried to intimidate me and finally they outright threatened me. Initally I had no objection to joining, in fact, I was working toward my union card as an apprentice when I was in Houston only a year prior. But from that very first phone call from the Brooklyn business manager, things went down hill. He barked at me through the whole conversation and talked to me as if I was an indentured servant; then and there he changed my mind. When he got nowhere with me, the head honcho got called and kept telling that if I "knew what was good for me," I would get my ass over to the union hall. Yah; that won me over for sure. I told him, "I don't get told what to do and no, I won't come down to your office tomorrow; you want to talk to me so badly, I have an office right here -- make an appointment with my secretary for sometime next week." I had no secretary, but it had a nice ring to it.

After that, the calls from the local escallated or rather I should say deteriorated until after half a dozen calls, it had moved to the threat of physical harm. Why would I ever voluntarilly join an organization run by nothing but a bunch of thugs and bullies? I had enough of that shit growing up.

To this day I work in a variety of venues and all without benefit of union "representation," and to the consternation of the local whose leader used to brag that there wasn't a screen in New York that wasn't unionized. Once at a meeting he felt had to add, "....except for that low-life scab Frank Angel." Just as a point of reference, each of the places where I work pay me more that the union is able to get for its members. So joining the union, aside our mutual irreconsilable differences, would have required me to take a pay cut and benefits cut (I particularly like their recent debacal where they removed the spouses from health benefits), plus, since my joining would effectively unionize the booth, they then could tell me that I could no longer work that booth and they could put in someone who they choose, especially as it would be a plum job, just ripe for one of union leaders' pets.

I built that booth with my own hands, carrying every piece of equipment up 5 flights of narrow stair wells and these guys are going to tell me that I can no longer work my own booth if I join them? In other words, join the union and loose your job is what they were telling me. I ask you, would anyone in his right mind buy into such a deal?

And that's my experience with union locals. Unions may be a necessity, but they need to be kept in check just as much as management. Power corrupts.

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