Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » 70MM ad thread (Page 9)

 
This topic comprises 38 pages: 1  2  3  ...  6  7  8  9  10  11  12  ...  36  37  38 
 
Author Topic: 70MM ad thread
Aaron Garman
Phenomenal Film Handler

Posts: 1470
From: Toledo, OH USA
Registered: Mar 2003


 - posted 02-27-2011 02:03 AM      Profile for Aaron Garman   Email Aaron Garman   Send New Private Message       Edit/Delete Post 
quote: Ron Lacheur
It's good to see the Chinese got many 70MM engagements back then. It seems to be that the Cinerama Dome is getting all the premium bookings now, as I went to the Chinese earlier this year and watched " Season of the Witch ".

Is the Chinese still running the AAII?

I was extremely sad that when I visited LA, they were running MacGruber in some flavor of DCinema. Sadly, I paid to see it just to say I saw a film there.

AJG

 |  IP: Logged

Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 02-27-2011 03:14 AM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
Here's a little postage stamp sized ad for Howard's End in New York City:
 -

1990 70mm re-issue of The Sound of Music in New York:

 -

I saw a few movies at the Gotham theater when I lived in New York. Big played really well there, although it was only 35mm. I saw Predator 2 in 70mm there. Not all that great a movie. I seem to remember Spaceballs playing there in 70mm, although I watched a 70mm print of that movie in a much more fun place. The Sound of Music was wonderful in 70mm.

And here's one of Fantasia, the 50th anniversary re-issue:
 -

I watched the 70mm version of Fantasia at the Gramercy Theater, a block west from the main building of School of Visual Arts. I saw a few movies in 70mm there, including Who Framed Roger Rabbit. When Fantasia was in previews, and the theater's curtains were drawn in to 1.33:1 ratio, I distinctly remember hearing some ladies in the row ahead of me complaining about the aspect ratio, "we should have gone to the Ziegfeld where they have that Panavision stuff." I am not lying about this. That is what they said.

 |  IP: Logged

Tom Petrov
Five Guys Lover

Posts: 1121
From: El Paso, TX
Registered: Jan 2003


 - posted 02-27-2011 11:55 AM      Profile for Tom Petrov     Send New Private Message       Edit/Delete Post 
quote: Michael Coate
.unless, of course, you guys are sick to death of me posting these things.

No, keep em' coming

 |  IP: Logged

Paul Linfesty
Phenomenal Film Handler

Posts: 1383
From: Bakersfield, CA, USA
Registered: Nov 1999


 - posted 02-27-2011 03:20 PM      Profile for Paul Linfesty   Email Paul Linfesty   Send New Private Message       Edit/Delete Post 
Thanks for the ads, Michael. I saw a number of these 70mm engagements in Los Angeles of the engagements shown in the ads. One particlular note: One weekend when I was down in L.A., I went to see STREETS OF FIRE at the Avco's screen numbner 3 on the engagement's second week Saturday. Despite Friday's newspaper ad saying it was still in 70mm, even though it moved upstairs to theatre 3 that second weeekend, they were showing a 35mm print (a fact that I think had been corrected in Saturday's paper - I had only seen Friday's and Sunday's preview edition of the paper making the 70mm claim). I got my money back and went to the National to see INDIANA JONES AND THE TEMPLE OF DOOM (it was the LATE show, and I had seeen it first thing that morning at the Chinese #1). The two movies I saw inbetween these shows were THE HIDDEN FORTRESS at the Nuart and THE STONE BOY at the Coronet. The next day on Sunday, I finally got to see STREETS OF FIRE in 70mm at the big screen of the Hollywood Pacific (over 1200 seats even after being split into 3), and also saw both GHOSTBUSTERS and GREMLINS in 70mm at the Chinese Twins (next door to the original theatre).

 |  IP: Logged

Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 02-27-2011 09:50 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
TWO THUMBS UP HOWARD'S END! [Eek!] [Roll Eyes] [Big Grin] [Razz] [sex] [thumbsup] [thumbsup] [uhoh]

 |  IP: Logged

Robert Harrison
Expert Film Handler

Posts: 239
From: Harwood Heights, Illinois, USA
Registered: Jun 2005


 - posted 02-27-2011 11:09 PM      Profile for Robert Harrison   Email Robert Harrison   Send New Private Message       Edit/Delete Post 
This ad is similar to the one for "2001." Notice the misspelling on the word "curvulon" and the mention of "dimension 150." Strangely, this was one of 2 theaters in the Chicagoland area built for D-150, yet neither one played either "The Bible: In The Beginning" or "Patton." Both films had roadshows closer to the city itself at theaters that may have shown them in 70mm (no mention in the ads) but not in true Dimension 150 (which was mentioned only as " photographed in Dimension 150.")

 -

 |  IP: Logged

Tom Petrov
Five Guys Lover

Posts: 1121
From: El Paso, TX
Registered: Jan 2003


 - posted 02-28-2011 01:21 AM      Profile for Tom Petrov     Send New Private Message       Edit/Delete Post 
 -

 |  IP: Logged

Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 02-28-2011 02:01 AM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
It's fascinating how the 70mm ads did not shy away from getting into the technical nitty-gritty. That ad for HELLO DOLLY even mentions the size of the speakers. In fact, the movie artwork is considerably downplayed.

 |  IP: Logged

Tom Petrov
Five Guys Lover

Posts: 1121
From: El Paso, TX
Registered: Jan 2003


 - posted 02-28-2011 02:12 AM      Profile for Tom Petrov     Send New Private Message       Edit/Delete Post 
 -

 |  IP: Logged

Robert Harrison
Expert Film Handler

Posts: 239
From: Harwood Heights, Illinois, USA
Registered: Jun 2005


 - posted 02-28-2011 09:18 AM      Profile for Robert Harrison   Email Robert Harrison   Send New Private Message       Edit/Delete Post 
 -

 |  IP: Logged

Tom Petrov
Five Guys Lover

Posts: 1121
From: El Paso, TX
Registered: Jan 2003


 - posted 02-28-2011 11:32 AM      Profile for Tom Petrov     Send New Private Message       Edit/Delete Post 
 -

 |  IP: Logged

Michael Coate
Phenomenal Film Handler

Posts: 1904
From: Los Angeles, California
Registered: Feb 2001


 - posted 02-28-2011 11:55 AM      Profile for Michael Coate   Email Michael Coate   Send New Private Message       Edit/Delete Post 
Here are a few ads from the first-run roadshow release of, arguably, the most famous and popular 70mm movie.

The Washington Post; April 2, 1968; an example of a theater promoting a "Cinerama" presentation.
 -

The Austin Statesman; August 14, 1968; an example of a theater promoting a "70mm" presentation.
 -

And a couple international ads; this one is from Essen, Germany; November 15, 1968.
 -

Lisbon, Portugal; Diario de Noticias; September 30, 1968.
 -

 |  IP: Logged

Robert Harrison
Expert Film Handler

Posts: 239
From: Harwood Heights, Illinois, USA
Registered: Jun 2005


 - posted 02-28-2011 02:40 PM      Profile for Robert Harrison   Email Robert Harrison   Send New Private Message       Edit/Delete Post 
First, a word about the "Hello, Dolly" ad above. This was the ad for the individual theater. "Dolly" opened on more than one screen in Chicagoland, but Fox's display ad made no mention of the UA Cinema 150 being the only theater in town showing the feature in 70MM, so UA did it themselves.

And now, here is one for "Camelot," which for some reason, the theater showing it (or Warner Bros.) didn't feel inclined to mention having a 70 print until the third month of their engagement!

 -

And now, the second movie that Fox released in the late 70s with a 70MM logo in the ad art and on the poster (after "Alien"). I was working at a 3 screener where our one 70 house was already showing "Apocalypse Now" (in Dolby Split Surround, no less), so we showed this one in 35MM.

 -

 |  IP: Logged

Michael Coate
Phenomenal Film Handler

Posts: 1904
From: Los Angeles, California
Registered: Feb 2001


 - posted 02-28-2011 03:24 PM      Profile for Michael Coate   Email Michael Coate   Send New Private Message       Edit/Delete Post 
Here are a couple of ads featuring a funny typographical error.

The San Diego Union; November 22, 1985
 -

The San Diego Union; August 5, 1983
 -

 |  IP: Logged

Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 02-28-2011 04:12 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
Bobby - thanks for the CDS logos - I just saw them - somehow I missed that post - it's a good thing this thread is so entertaining that I often go back to look at stuff I've already read. [thumbsup]

And, yes - bad kerning on "Film" [Frown]

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 38 pages: 1  2  3  ...  6  7  8  9  10  11  12  ...  36  37  38 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.